1. The Language of William Shakespeare

2. How many words are there in the English language?

3. The Second Edition of the 20- volume Oxford English Dictionary contains entries for about 750,000 words.

4. How many words did Shakespeare use?

5. Shakespeare used 31,534 words in his works.
(Most adults have the vocabulary of 20,000-35,000 words though only about 5,000-8,000 words are actively used).

6. What language did Shakespeare speak?

7. Faeder ure thu eart on heofonum,
Old English
Faeder ure thu eart on heofonum,
si thin nama gehalgod. Tobecume thin rice. Gewurthe thin willa on eorthan swa swa on heofonum.
Do you think you know what it means?

8. Does this one make a little more sense?
Middle English
Oure fadir that art in heuenes, halwid be thi name; thi kyngdom cumme to; be thi wille don as in heuen and in erthe; gif to us this day ouer breed oure substaunce; and forgeue uo us oure dettis as we forgeue to oure dettours.
Does this one make a little more sense?

9. Early Modern English (1611)
Our father, which art in Heaven, hallowed be thy name. Thy kingdom come; thy will be done on earth as it is in Heaven. Give us this day, our daily bread; and forgive us our debts as we forgive our debtors, and lead us not into temptation …

10. Our Father in heaven, hallowed be your name. Your Kingdom come,
Modern English
Our Father in heaven, hallowed be your name. Your Kingdom come,
your will be done, on earth as in heaven. Give us today our daily bread. Forgive us our sins, as we forgive those who sin against us. Lead us not into temptation,
but deliver us from evil. For the kingdom, the power and the glory are yours. Now and forever. Amen.

11. The Book of Common Prayer 1549
King James Bible 1611

12. No standardized spelling;
Shakespeare Shake-speare Shakspeare Shakespere Shakespear Shak-speare
Shakspear Shakspere
Shaksper Shakespheare

13. Spelling
The Elizabethan alphabet contained 24 letters, as opposed to the present day alphabet of 26 letters;
- In the Elizabethan alphabet the letters "u" and "v" were the same letter as were "i" and "j";

14. Spelling
The "j" was usually used as the capital form of the letter "i" in the Elizabethan alphabet;
The letter "u" was used only in the middle of a word, and the "v" was used at the beginning.

15. Spelling
- Another letter which resembled a "y" (a thorn) was used to represent the "th" sound. The word "the" was therefore written as "ye“;
- Numbers were frequently written in lower case Roman numerals, with the last "i" in a number written as a "j". For example - viij March;

16. A lot of words were contracted:
Spelling
Letter “e” was often omitted and replaced with an apostrophe (despis’d – dispised),
A lot of words were contracted:
'tis ~ it is, th’ ~ the, o'er ~ over, ne'er ~ never, i' ~ in, e'er ~ ever, oft ~ often, e'en ~ even

17. Grammar (Pronouns) How it is used Singular Plural Subject Thou Ye
Object
Thee
You
Possessive Adjetive
Thy
Your
Possessive Noun
Thine
Yours

18. “If thou art privy to the country’s fate…”
“...the throne of Denmark to thy father”
“By heaven I charge thee, speak”
“As thou art to thyself”

19. Shakespeare’s English
Grammar (Verb Forms)
Verb Form
Modern English
Shakespeare’s English
2nd person singular
No ending
You give
- st
Thou givest
3d person singular
- s
He gives
- th
He giveth

20. Whither wilt thou lead me
- If thou lovest me
- sayst thou so
thou rememb’rest
thou told’st me
Shouldst thou be
if thou didst
Whither wilt thou lead me

21. Grammar (Verb Forms) Present Tense Past Tense Now You - are have will
can
shall do
Then
Thou -
art
hast
wilt
canst
shalt
dost
Past Tense
Now
You -
were
had
would
could
should
did
Then
Thou -
wast
hadst
wouldst
couldst
shouldst
didst

22. Grammar (Sentences)
- Shakespeare often changed the word order in sentences:
“These babes for Clarence weep”
“So frowned he once”

23. Vocabulary - Words that no longer exist in the English language;
- Words that now have a different meaning;

24. Vocabulary still = always, soft = slowly,
an = if, perforce = you must,
ay = yes, fain = gladly,
anon = at once,
wherefore= why

25. Shakespeare coined a lot of new words and phrases:
Vocabulary
Shakespeare coined a lot of new words and phrases:
Words:
"advertising", "assassination", "bedazzled", "eventful", "eyesore", "fortune-teller“, "outbreak", "quarrelsome", "radiance", "reclusive", "unreal", "well-read", "watchdog" …

26. Vocabulary - All that glitters is not gold (The Merchant of Venice)
Phrases:
- All that glitters is not gold (The Merchant of Venice)
- Bated breath (The Merchant of Venice)
Dead as a doornail (2Henry VI)
Too much of a good thing (As You Like It)

27. Vocabulary - For goodness' sake (Henry VIII)
Phrases:
- For goodness' sake (Henry VIII)
- Good riddance (Troilus and Cressida)
Laughing stock (The Merry Wives of Windsor)
Break the ice (The Taming Of The Shrew)

28. Vocabulary - Love is blind (Merchant of Venice)
Phrases:
- Love is blind (Merchant of Venice)
- Naked truth (Love's Labours Lost)
- Own flesh and blood (Hamlet)
Wild-goose chase (Romeo and Juliet)

29. 1. Blank verse
unrhymed lines with an arrangement of unstressed and stressed syllables known as iambic pentameter
“ In sooth I know not why I am so sad”
(from The Merchant of Venice) 29

30. 2. Variations on metre to make his verse less monotonous, Shakespeare:
altered the pattern of unstressed
and stressed syllables
“that this too sullied flesh would melt”
(from ‘Hamlet’)‏ 30

31. 2. Variations on metre to make his verse less monotonous, Shakespeare:
altered the expected number of syllables
“There’s nothing ill can dwell in such a temple”
(from ‘The Tempest’) 31

32. 2. Variations on metre to make his verse less monotonous, Shakespeare:
divided a single line between two or more speakers
Emilia: Why, would not you?
Desdemona: No, by this heavenly light!
(from Othello)‏ 32

33. 3. Use of verse and prose Verse Prose generally used: generally used:
by aristocratic characters
in serious or dramatic scenes
generally used:
by lower-class characters
in comic scenes
in informal conversations 33

34. “There’s daggers in men’s smiles”
4. Metaphors and similes
“There’s daggers in men’s smiles”
(from ‘Macbeth’)‏ 34

35. (from ‘The Merchant of Venice’)‏
4. Metaphors and similes
“The quality of mercy is not strained. It droppeth as the gentle rain from heaven Upon the place beneath ”
(from ‘The Merchant of Venice’)‏ 35

36. 5. Antithesis The contrast of direct opposites.
“Why then, O brawling love,
O loving hate,
O anything, of nothing first created:
O heavy lightness, serious vanity”
(from ‘Romeo and Juliet’) 36

37. 6. Repetition
Repeated words or phrases add to the emotional intensity of a scene:
“Oh horrible, oh horrible, most horrible!”
(The Ghost in ‘Hamlet’)‏ 37

38. 6. Repetition Repeated words or phrases add to the comic effect:
“O night, O night, alack, alack, alack,
I fear my Thisbe’s promise is forgot!
And thou, O wall, O sweet, O lovely wall.”
(from ‘A Midsummer Night’s Dream’)‏ 38

39. 7. Hyperbole Extravagant and obvious exaggeration :
“Blow me about in winds! Roast me in sulphur!
Wash me in steep-down gulfs of liquid fire!”
(from ‘Othello’) 39

40. 7. Personification “Come, civil Night;
Thou sober-suited matron all in black.”
(from ‘Romeo and Juliet’)‏ 40

41. 8. Irony Verbal irony Dramatic irony The audience knows
something that a character
on stage does not
Saying one thing
but meaning another
It is structural: one line or scene contrasts sharply with another
In Macbeth Duncan’s line “He was a gentleman on whom I built an absolute trust” is followed by the stage direction “Enter Macbeth”
In Julius Caesar, Mark Antony calls Brutus “an honourable man” but means the opposite 41

42. 9. Pronouns: you and thee Send clear social signals Thee You
Implies either closeness, friendship or contempt
Used to address someone of higher social rank
Can be aggressive or insulting
More formal and distant form
Suggests respect for a superior
Courtesy to a social equal 42

43. Enjoy reading Shakespeare!