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Review: Late 19th Century Early 20th Century
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A Short History of Modernist Painting
Mark Tansey A Short History of Modernist Painting 1982 oil on canvas three panels, each 4 ft. 10 in. x 3 ft. 4 in.
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Titian Venus of Urbino 1538 oil on canvas 4 ft. x 5 ft. 6 in.
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Édouard Manet Olympia 1863 oil on canvas 51 x 74 3/4 in.
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Yasumasa Morimura Portrait (Futago) 1988 Cibachrome
6 ft. 10 3/4 x 9 ft. 10 in.
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Academic Art
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Jacques-Louis David Oath of the Horatii 1784 oil on canvas 11 x 14 ft.
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Jacques-Louis David The Death of Marat
Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Jacques-Louis David The Death of Marat 1793 oil on canvas approximately 5 ft. 3 in. x 4 ft. 1 in.
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Jean Auguste Dominique Ingres
Napoleon I on his Throne, 1806, oil on canvas, 260 x 163 cm,
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Jean-Léon Gérôme Pygmalion and Galatea 1890 oil on canvas
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Realism
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Gustave Courbet Burial at Ornans 1849 oil on canvas 10 x 22 ft.
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The Third-Class Carriage
Slide concept by William V. Ganis, PhD FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights. Honoré Daumier The Third-Class Carriage ca oil on canvas 2 ft. 1 3/4 in. x 2 ft. 11 1/2 in.
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Impressionism
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Édouard Manet The Fifer 1866 oil on canvas 160 x 97 cm
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Déjuner sur l’herbe (Luncheon on the Grass)
Édouard Manet Déjuner sur l’herbe (Luncheon on the Grass) 1863 oil on canvas 6 ft. 9 1/8 in. x 8 ft. 10 1/4 in.
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Édouard Manet Olympia 1863 oil on canvas 51 x 74 3/4 in.
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Alexandre Cabanel, 1863 oil on canvas
51 1/4 x 88 5/8. Musée d'Orsay, Paris
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Claude Monet Gare St. Lazare 1877 oil on canvas 30 x 40 in.
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Snow Effect at Eragny, Road to Gisors
Camille Pissarro Snow Effect at Eragny, Road to Gisors 1885 oil on canvas 33 x 41cm
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Edgar Degas L’absinthe 1876 oil on canvas 36 1/4 x 26 3/4 in.
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Photography Slide concept by William V. Ganis, PhD
FOR EDUCATIONAL USE ONLY For publication, reproduction or transmission of images, please contact individual artists, estates, photographers and exhibiting institutions for permissions and rights.
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"View from the Window at Le Gras, France" The birth of photography happened in 1826 when a French scientist, Joseph Nicephore Niepce, put a plate coated with bitumen (an asphalt used in ancient times as a cement or mortar) in a camera obscura. He put the camera obscura facing his house for eight hours and made a photograph. It is the earliest camera photograph that we still have today. Here is that first photograph.
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Daguerre found that the chemical compound silver iodide was much more sensitive to light than Niepce's bitumen. He put a copper plate coated with silver iodide in a camera obscura, exposed this plate to light for a short time, then to fumes of mercury and an image appeared! One problem remained, the image darkened over time. Two years later he solved this problem by washing away remaining silver iodide with a solution of warm water and table salt. Daguerre Still life 1837
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In Talbot's process he first coated a sheet of drawing paper with the chemical compound silver chloride, then he put it in a camera obscura where it produced an image with the tones reversed (a negative). He then placed the negative against another coated sheet of paper to produce a positive image. Talbot did not find a way to make the image permanent until a month after Daguerre's announcement, but his process, later improved and renamed the calotype, is the basis for most modern film technology which relies on negatives to produce many positive prints.
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Félix Nadar Sarah Barnhardt 1865 gelatin-silver print
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Walking and Throwing a Handkerchief
Eadweard Muybridge Walking and Throwing a Handkerchief gelatin-silver print
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Etienne Jules Marey Chronophotograph 1883 gelatin-silver print
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Blessed Art Thou among Women
Gertrude Käsebier Blessed Art Thou among Women ca platinum print on Japanese tissue 9 3/8 x 5 1/2 in.
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Fin de Sieclé Sculpture
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Auguste Rodin Walking Man 1900 bronze
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Auguste Rodin Burghers of Calais bronze 6 ft. 10 in. high
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Henri Matisse Back I, Back II, Back III
1909, 1913, bronze relief each 74 in. high
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Post-Impressionism
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The Vision after the Sermon
Paul Gauguin The Vision after the Sermon 1888 oil on canvas 2 ft. 4 3/4 in. x 3 ft. 1/2 in.
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Vincent van Gogh The Night Café
1888 oil on canvas 2 ft. 4 1/2 in. x 3 ft.
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Paul Cézanne Mount Sainte Victoire 1885 oil on canvas
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Paul Cézanne Mount Sainte Victoire 1897 oil on canvas
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Mount Sainte-Victoire
Paul Cézanne Mount Sainte-Victoire oil on canvas 2 ft. 3 1/2 in. x 2 ft. 11 1/4 in.
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Cubism
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Georges Braque Houses of L’Estaque 1908 oil on canvas
28 3/4 x 23 5/8 in.
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Les Demoiselles d’Avignon
Pablo Picasso Les Demoiselles d’Avignon 1907 oil on canvas 96 x 92 in.
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L’Affiche de Kubelick (Le Violon)
Georges Braque L’Affiche de Kubelick (Le Violon) 1912 oil on canvas 18 1/8 x 24 in.
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Still Life with Chair Caning
Pablo Picasso Still Life with Chair Caning 1912 oil and oilcloth on canvas with rope frame 10 5/8 x 13 3/4 in.
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Symbolism
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Self-Portrait with Death Playing the Violin
Arnold Böcklin Self-Portrait with Death Playing the Violin 1872 oil on canvas
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Gustav Moreau The Apparition 1876 oil on canvas
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Edvard Munch The Scream
1893 oil, pastel and casein on cardboard 2 ft. 11 3/4 in. x 2 ft. 5 in.
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Edvard Munch The Dance of Life 1900 oil on canvas 49 1/2 x 75 1/2 in.
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Gustav Klimt Death and Life oil on canvas 70 1/8 x 78 in.
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Fauvism
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Henri Matisse Woman in the Hat 1905 oil on canvas 32 x 23 3/4 in.
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André Derain Waterloo Bridge 1906 oil on canvas 80.5 x 101 cm
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Turning Road, L’Estaque
André Derain Turning Road, L’Estaque 1906 oil on canvas 51 x 76 3/4 in.
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Henri Matisse Harmony in Red 1908 oil on canvas 70 7/8 x 86 5/8 in.
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Henri Matisse Dance II 1909-10 oil on canvas
8 ft. 5 5/8 in. x 12 ft. 9 1/2 in.
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German Expressionism Die Brücke
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Ernst Ludwig Kirchner Nudes in the Forest 1908 oil on canvas
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Otto Müller Couple in a Landscape 1909 lithograph on paper
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Ernst Ludwig Kirchner Street, Berlin
1913 oil on canvas 47 1/2 x 35 7/8 in.
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German Expressionism Der Blaue Reiter
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Franz Marc The Large Blue Horses
1911 oil on canvas 40 3/4 x 70 7/8 in.
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Jawlensky and Werefkin
Gabriele Münter Jawlensky and Werefkin oil on canvas
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Vasily Kandinsky Blue Mountain No. 84
oil on canvas 41 3/8 x 37 7/8 in.
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Sketch for Composition Number 2
Vassily Kandinsky Sketch for Composition Number 2 1910 oil on canvas 38 x 52 in.
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Vassily Kandinsky Improvisation 28
1912 oil on canvas 3 ft. 7 7/8 in. x 5 ft. 3 7/8 in.
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