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What would an inclusive architecture course look like
Ann de Graft-Johnson Woman builder in Berlin in The good architect and the bad parent: on the formation and disruption of a canonical image: Author: Despina Stratigakos
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Six world architects open RIBA Architecture Gallery © RIBA and Jackie King
Ann Early in architects gathered for a photo shoot for the BBC series The Brits who Built the Modern World But!
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……..the media doesn’t help
Sandra Reconstruction of photo-shopped photograph used for BBC series The Brits Who Built the Modern World
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Stereotyping Ann: We appear to have gone backwards: Gap Ad Gap Advertissment
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Careers advice 2016 Sandra National Careers Service
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Careers advice London 1986 Matrix Booklet A Job Designing Buildings
Sandra Careers advice London 1986 Matrix Booklet A Job Designing Buildings
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Corbusier’s modular man
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Louis Hellman
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City Hall, London, Designed by Foster and partners, 2002 for Greater London Authority
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Inclusive roundabout (Spinmee)
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Diversity in the syllabus
Why do we need diversity? The failure to increase diversity means that we are failing to draw fully on the pool of talent ‘The built environment reflects our culture and vice-versa. If our buildings, spaces and places continue to be designed by a relatively homogenous group of people, what message does that send about our culture?’ (Anthony, 2001) ‘A lack of diversity in teaching and learning methods; in learning resources and in role models contributes to problems of retention and erosion amongst women and BME architecture students in UK Universities’ (CABE 2004) students who are taught and staff who teach within a framework that diversity is core to the curriculum and culture generally emerge much more aware of a wider cultural world, different experiences and knowledge. Those who are in a minority may feel that rather than having to pass through some mysterious ‘rites of passage’ as Elsie Owusu put it, find that their experience and knowledge is as equally validated as the majority students
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I mean I’m an external examiner, I’m not going to mention the school that I was examining yesterday, and the curricular I see in front of me is not that different from one that probably would have operated in 1950, and yet looking out at the classroom alone, the student body is totally different, and the faculty are beginning to change, so why isn’t the subject matter changing. That for me is the issue. Lesley Lokko: Architecture, globalisation and diversity –a conversation June 2004 at the RSA
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Sezincote House Gloucestershire
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Houses in Bexhill-on-Sea
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Francis A Gregory Library David Adjaye Assocs
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Serpentine Pavilion Kéré Architecture
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SAANA Grace Farms building Connecticut (Kazuyo Sejima)
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Ann Zaha Hadid was the first women to win the prize in 2005
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Zaha Hadid Heydar Aliyev Centre Azerbaijan http://www. fastcodesign
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Kazuyo Sejima Farshid Moussavi Zaha Hadid Amanda Levete Alison Brooks
Francine Houben Sarah Wigglesworth Julia Barfield Brit Andresen Elsie Owusu Angela Brady Deborah Saunt Nathalie Rozencwajg Cindy Walters Odile Decq Hannah Lawson Ann Eva Jiricna Denise Scott Brown Norma Sklarek Jane Drew Ray Eames Nora Stanton Blatch Barney Elisabeth Scott Charlotte Perriand Eileen Grey Marion Mahony Griffin Elina Mottram
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Samantha Czezowski: Museum 3rd Year Architecture & Planning
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Samantha Czezowski: Museum 3rd Year Architecture & Planning
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Samantha Czezowski: School 4th Year Architecture & Planning
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East Street Market Walworth London
Alamy Stock Photo
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Babbasa MArch Live Project
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Ebenezer Gate Pocket Park: MArch Live Project
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