1. The Nineteenth Century:
Realism in America
Pre-Raphaelites in England
Historicism in Architecture
and
Early Photography
Lecture 23

2. WINSLOW HOMER, Veteran in a New Field, 1865
WINSLOW HOMER, Veteran in a New Field, Oil on canvas, 2’ 1/8” x 3’ 2 1/8”. Metropolitan Museum of Art, New York 2 2

3. Winslow Homer, The Life Line, 1884, 29x45”. Philadelphia Mus. of Art
Artist: Winslow Homer
Title: The Life Line
Medium: Oil on canvas
Size: 28 ¾ X 44 ⅝" (73 X cm)
Date: 1884
Source/ Museum: Philadelphia Museum of Art. The George W. Elkins Collection
Winslow Homer, The Life Line, 1884, 29x45”. Philadelphia Mus. of Art

4. THOMAS EAKINS, The Gross Clinic, 1875, 8’ x 6’ 6”
THOMAS EAKINS, The Gross Clinic, 1875, 8’ x 6’ 6”. Philadelphia Museum of Art, Philadelphia. 4 4

5. JOHN SINGER SARGENT, The Daughters of Edward Darley Boit, 1882
JOHN SINGER SARGENT, The Daughters of Edward Darley Boit, Oil on canvas, 7’ 3 3/8” x 7’ 3 5/8”. Museum of Fine Arts, Boston 5 5

6. 1893, Hampton Univ. Hampton, Virginia
Henry Ossawa Tanner
The Banjo Player
1893, Hampton Univ. Hampton, Virginia
48x35”

7. HENRY OSSAWA TANNER, The Thankful Poor, 1894
HENRY OSSAWA TANNER, The Thankful Poor, Oil on canvas, 2’ 11 1/2” x 3’ 8 1/4”. Collection of William H. and Camille Cosby. 7 7

8. Henry Tanner, Resurr. Of Lazarus, 1896, 37x48”, Musee d’Orsay, Paris
Artist: Henry Ossawa Tanner
Title: The Resurrection of Lazarus
Medium: Oil on canvas
Size: 37⅜ X 47 13⁄16" (94.9 X cm)
Date: 1896
Source/ Museum: Musée d’Orsay, Paris
Henry Tanner, Resurr. Of Lazarus, 1896, 37x48”, Musee d’Orsay, Paris

9. EDMONIA LEWIS, Forever Free, 1867. Marble, 3’ 5 1/4” high. James A
EDMONIA LEWIS, Forever Free, Marble, 3’ 5 1/4” high. James A. Porter Gallery of Afro-American Art, Howard University, Washington, D.C. 9 9

10. JOHN EVERETT MILLAIS, Ophelia, 1852
JOHN EVERETT MILLAIS, Ophelia, Oil on canvas, 2’ 6” x 3’ 8” Tate Gallery, London. 10 10

11. DANTE GABRIEL ROSSETTI, Beata Beatrix, ca. 1863. 2’ 10” x 2’ 2”
DANTE GABRIEL ROSSETTI, Beata Beatrix, ca ’ 10” x 2’ 2”. Tate Gallery, London. 11 11

12. Artist: Charles Barry and Augustus Welby Northmore Pugin
Title: Houses of Parliament
Medium: n/a
Size: n/a
Date: 1836–60
Source/ Museum: London, England Royal Commission on the Historical Monuments of England, London
CHARLES BARRY and A. W. N. PUGIN, Houses of Parliament, London, England, designed 1835.

13. JOHN NASH, Royal Pavilion, Brighton, England, 1815–1818.13 13

14. Artist: Charles Garnier
Title: The Opéra
Medium: n/a
Size: n/a
Date: 1861–74
Source/ Museum: Paris
Charles Garnier, The Opera, , Paris (grand boulevards designed by Haussmann)

15. CHARLES GARNIER, the Opera, Paris, France, 1861-1874, Beaux Arts Style15 15

16. CHARLES GARNIER, the Opera, Paris, France, 1861-1874

17. Grand Staircase, Paris Opera
Artist: n/a
Title: Grand Staircase, the Opéra
Medium: n/a
Size: n/a
Date: n/a
Source/ Museum: n/a
Grand Staircase, Paris Opera

18. HENRI LABROUSTE, reading room of the Bibliotheque Sainte-Genevieve, Paris, France, 1843-1850.

19. JOSEPH PAXTON, Crystal Palace, London, England, ; enlarged and relocated at Sydenham, England, Detail of a color lithograph 19 19

20. LOUIS-JACQUES-MANDÉ DAGUERRE, Still Life in Studio, 1837
LOUIS-JACQUES-MANDÉ DAGUERRE, Still Life in Studio, /4” x 8 1/4”. Daguerreotype. Collection Société Française de Photographie, Paris. 20 20

21. JOSIAH JOHNSON HAWES and ALBERT SANDS SOUTHWORTH, Early Operation under Ether, Massachusetts General Hospital, ca Daguerreotype. Massachusetts General Hospital Archives and Special Collections, Boston. 21 21

22. HONORÉ DAUMIER, Nadar Raising Photography to the Height of Art, 1862
HONORÉ DAUMIER, Nadar Raising Photography to the Height of Art, Lithograph, 11x9” Museum of Fine Arts, Boston. 22 22

23. NADAR, Eugène Delacroix, ca. 1855
NADAR, Eugène Delacroix, ca Modern print, 8 1/2”x 6 2/3” from original negative in the Bibliothèque Nationale, Paris. 23 23

24. JULIA MARGARET CAMERON, Ophelia, Study no. 2, 1867
JULIA MARGARET CAMERON, Ophelia, Study no. 2, Albumen print, 1' 1" x 10 2/3". George Eastman House, Rochester 24 24

25. TIMOTHY O’SULLIVAN, A Harvest of Death, Gettysburg, Pennsylvania, July Negative by Timothy O’Sullivan. 6 3/4" x 8 3/4". New York Public Library 25 25

26. EADWEARD MUYBRIDGE, Horse Galloping, 1878. Collotype print, 9” x 12”
EADWEARD MUYBRIDGE, Horse Galloping, Collotype print, 9” x 12”. George Eastman House, Rochester, New York. 26 26