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Explore Theatre: A Backstage Pass

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1 Explore Theatre: A Backstage Pass
Michael M. O’Hara & Judith A. Sebesta PowerPoints prepared by the authors This multimedia product and its contents are protected under copyright law. The following are prohibited by law: any public performance or display, including transmission of any image over a network; preparation of any derivative work, including the extraction, in whole or in part, of any images; any rental, lease, or lending of the program.

2 Musical Theatre Chapter 12 02

3 Birth of the Modern Musical
Musicals during the 1920s and 30s: Music over book Loose plots Dances and songs unrelated to story Escapist entertainment

4 Opinion Poll Which types of musicals do you prefer?
A. Golden Age musicals like Rodgers & Hammerstein’s B. Musicals by Stephen Sondheim C. Megamusicals like Cats or Phantom of the Opera D. More contemporary shows like Rent or Wicked E. I Don’t Know

5 The Golden Age Musical Oklahoma! (1942) Music by Richard Rodgers
Book and Lyrics by Oscar Hammerstein II

6 The Golden Age Musical Optimistic “vision of reality”
Plot revolves around romance, perhaps two Stock, simple characters Substantial libretto

7 The Golden Age Musical Primacy of story over song Similar song types:
Opening Number (ex.: “Oh What a Beautiful Mornin’” from Oklahoma!)

8 The Golden Age Musical Similar song types cont.: Character Songs
(ex.: “What Do I Need With Love” from Thoroughly Modern Millie & “Popular” from Wicked)

9 The Golden Age Musical Similar Song Types cont.
Love Songs (ex. “Younger Than Springtime” from South Pacific) Specialty Number (ex. “Ya Got Trouble” from The Music Man) Dance Numbers

10 The Golden Age Musical Similar Song Types cont.
Eleven O’Clock Song (ex. “Sit Down You’re Rockin’ the Boat” from Guys and Dolls) Finale

11 Alternatives to the Golden Age
Unhappy Endings More complex characters Challenges to conventional morality and “status quo” (Ex.s: Hair and West Side Story) Less emphasis on story/book Challenges to “Americaness”


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