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Chapter 13: Gothic Art.

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1 Chapter 13: Gothic Art

2 Warm-up 1-13-15 Ch.13 L1 Gothic Respond to the Following:
What usually comes to mind when you hear the word “Gothic?” What is a buttress? What makes a church/cathedral Gothic? Obj: SWBAT analyze the differences between Romanesque and Gothic architecture HW Reading: Ch 13 Pg. 364 Turn in: Hagia Sophia essay response PAST DUE: Ch 11, 12, 17 cue cards

3 Buttress: architectural structure built against or projecting from a wall which serves to support or reinforce the wall

4 Agenda: HW Reading: Ch 13 Pg. 364- Warm-up Announcements and Reminders
Notes Exit Slip HW Reading: Ch 13 Pg. 364- Due Today: Ch 9 cue cards Ch 9 Quiz PAST DUE: Hagia Sophia Exit Slip Hagia Sophia Essay Response Chapter 16 China Cue Cards Future Due Dates: Thurs Ch 12 Cue Cards Semester 1 Final Exam Jan 21 Office Hours Tuesday 3:00-4:00 Thursday 3:00-4:00

5 January 2015 Today Late Work Deadline Sub Day Finals: per. 1, 3, 5
No School Regular day No School

6

7 Romanesque CONTEXT: Pilgrimage – Cult of the Saints (reliquaries)
People travel to visit relics--remains of holy people = CHURCHES NEEDED TO BE LARGER Veneration of Relics—pay respects Growth of Cities – need for central cathedral Crusades – “Holy Wars” to win back conquered Muslim territories “Awakening of intellectual exploration…” In the Romanesque how did churches have to change? Why did these changes occur?

8 Saint-Sernin, Toulouse, France 1080
Pilgrimage Church – Latin Cross Plan ambulatory AROUND apse w/ radiating chapels for alters and relics Wider transept Buttressing (regular) tall towers = most important building around Ritual - Pilgrims walk around edges of interior without disturbing regular service Altar faces east toward Jerusalem Figure Aerial view (from the southeast) of Saint-Sernin, Toulouse, France, ca. 1070–1120.

9 CFU 1. What is a relic? 2. In the Romanesque how did churches have to change? Why did these changes occur?

10 Interior of Saint-Sernin Very DARK, no clerestory for windows
Round-headed arches Barrel Vaulted Ceiling – acoustics of Gregorian chant Romanesque - in the Roman manner - “Roman” arches, columns, vaults Transverse ribs carried across the nave Stone masonry – resists fire, great for acoustics Gregorian Chant: Figure Interior of Saint-Sernin, Toulouse, France, ca. 1070–1120. Interior: general view of the nave, from W © 2005 Saskia Cultural Documentation, Ltd.

11 CFU 3. What are the typical Romanesque stylistic characteristics?

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