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Online Music Industry: Battle for Standards

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1 Online Music Industry: Battle for Standards
Diane Anderson Tereasa Gandhi Mike Hutchings Talgat Imangaliev BPOL 541 YA Suresh Kotha

2 Introduction Background - Music & the Internet
Importance & Expectations of Standards Why No Standards Today The Players & Their Strategies External Forces, Namely the “ RIAA” Conclusion

3 Music [Middle English from Old French musique, from Latin musica, from Greek (he ) mousike (tekhne ), (art) of the Muses, , feminine of mousikos, of the Muses from Mousa, Muse; see men-1 in Indo-European Roots.] What is Music? Probably one of the oldest hobbies on the earth What else is Music? Arguable one of the most widely accepted things among humans But really, what is Music? “An aesthetically pleasing or harmonious sound or combination of sounds” – from Dictionary.com

4 Internet What is the Internet?
“The Internet, sometimes called simply "the Net," is a worldwide system of computer networks - a network of networks in which users at any one computer can, if they have permission, get information from any other computer (and sometimes talk directly to users at other computers).” – from Whatis.com Flow of data and information

5 Online Music What is Online Music?
Music + Internet = Music, in the form of data, available online Different standards of audio files (data) available for both download and streaming.

6 Standards: Importance & Expectations
Importance of Standards Creates Network Externalities through positive feedback & interoperability Lucrative to the Victor Expectations of Standards Nearly invisible Fast & Usable Widely used by music artists & recording labels

7 Why No Standards Today? Nascent Industry; Innovation abounds
Technology emerged and accepted by consumers Limited Standards Established Only focused on downstreaming technology Not include codec, container for digital media or security structure Not endorsed by Microsoft

8 The Players & Their Strategies
RealNetworks Alliance with Microsoft Interoperability with other technology Emphasis shifting toward content provider Microsoft Alliance with software vendors, recording artists, ISPs, OEMs etc… Pricing pressure Apple & MP3 Open source code

9 External Forces: Big Five Record Companies (80% of all music sold)

10 RIAA to MP3: Drop dead! To many musicians, the MP3 trading software isn't a revolution -- it's a rip-off. RIAA: “No one is off our radar screen.”

11 Record Industry Solutions
EMI: Liquid Audio Sony: Microsoft Media Technologies 4.0 Universal: AT&T a2b

12 Secure Digital Music Initiative (SDMI)
What is SDMI? What is the relationship between RIAA and SDMI? Is SDMI trying to squelch Internet music distribution? How is SDMI trying to set standard for online music?

13 Questions? Comments? (Just do not ask to sing, please!)
Diane Anderson Tereasa Gandhi Mike Hutchings Talgat Imangaliev BPOL 541 YA Suresh Kotha


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