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{Note that first identifications are usually correct.}

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Presentation on theme: "{Note that first identifications are usually correct.}"— Presentation transcript:

1 {Note that first identifications are usually correct.}
Quiz Today Please sit in every other seat and observe the utter silence rule during the quiz until it is collected. There will be 6 slides. Each will be shown for 2 1/2 minutes. First identify the artist, then give the date of the work, its subject matter and any symbolism, and discuss the style and intent of the work as best as you are able. Your best five will be given up to 20 points (=100%) and the remaining slide can earn up to 10 additional points. Relax and enjoy. {Note that first identifications are usually correct.}

2 Late 15th - early 16th centuries
High Renaissance Art in Italy Late 15th - early 16th centuries Leonardo Raphael Michelangelo

3 Artist: n/a Title: Sixteenth-century Italy Medium: n/a Size: n/a Date: n/a Source/ Museum: n/a

4 LEONARDO DA VINCI, Madonna of the Rocks, from San Francesco Grande, Milan, Italy, begun Oil on wood (transferred to canvas), 6’ 6 1/2” x 4’. Louvre, Paris. 4

5 LEONARDO DA VINCI, cartoon for Madonna and Child with Saint Anne and the Infant Saint John, ca. 1505–1507. Charcoal heightened with white on brown paper, 4’ 6” x 3’ 3”. National Gallery, London. 5

6 LEONARDO DA VINCI, Last Supper, ca. 1495–1498
LEONARDO DA VINCI, Last Supper, ca. 1495–1498. Oil and tempera on plaster, 13’ 9” x 29’ 10”. Refectory, Santa Maria delle Grazie, Milan.

7 LEONARDO DA VINCI, Last Supper, ca. 1495–1498
LEONARDO DA VINCI, Last Supper, ca. 1495–1498. Oil and tempera on plaster, 13’ 9” x 29’ 10”. Refectory, Santa Maria delle Grazie, Milan. 7

8 LEONARDO DA VINCI, Last Supper, ca. 1495–1498
LEONARDO DA VINCI, Last Supper, ca. 1495–1498. Oil and tempera on plaster, 13’ 9” x 29’ 10”. Refectory, Santa Maria delle Grazie, Milan. 8

9

10 LEONARDO DA VINCI, Mona Lisa, ca. 1503–1505
LEONARDO DA VINCI, Mona Lisa, ca. 1503–1505. Oil on wood, 2’ 6 1/4” x 1’ 9”. Louvre, Paris. 10

11 LEONARDO DA VINCI, The Fetus and Lining of the Uterus, ca. 1511–1513
LEONARDO DA VINCI, The Fetus and Lining of the Uterus, ca. 1511–1513. wash, over red chalk and traces of black chalk on paper, 1’ 8 5/8”. Royal Library, Windsor Castle. 11

12 Artist: Leonardo Title: Vitruvian Man Medium: Ink Size: 13½ X 9 ⅝" (34.3 X 24.5 cm) Date: c. 1490 Source/ Museum: Galleria dell’Accademia, Venice Leonardo, Vitruvian Man, ink on paper, 13½ X 9 ⅝”, c. 1490, Galleria dell’Accademia Venice

13 Leonardo, Self-portrait, red chalk, c1512-,

14 Observe similarities between this work and the work of Perugino.
RAPHAEL, Marriage of the Virgin, from the Chapel of Saint Joseph in San Francesco, Città di Castello, Italy, Oil on wood, 5’ 7” x 3’ 10 1/2”. Pinacoteca di Brera, Milan. 14

15 RAPHAEL, Madonna in the Meadow, 1505. 1505–1506
RAPHAEL, Madonna in the Meadow, –1506. Oil on wood, 3’ 8 1/2” x 2’ 10 1/4”. Kunsthistorisches Museum, Vienna. 15

16 RAPHAEL, Philosophy (School of Athens), Stanza della Segnatura, Vatican Palace, Rome, Italy, 1509–1511. Fresco, 19’ x 27’. 16

17 Plato (Leonardo?) & Aristotle

18 Euclid (Bramante)

19 Raphael on left

20 “Il Pensiero” (Heraclitus/Michelangelo)

21 RAPHAEL, Galatea, Sala di Galatea, Villa Farnesina, Rome, Italy, 1513
RAPHAEL, Galatea, Sala di Galatea, Villa Farnesina, Rome, Italy, Fresco, 9’ 8” x 7’ 5”. 21

22 RAPHAEL, Baldassare Castiglione(author of The Courtier, ca. 1514
RAPHAEL, Baldassare Castiglione(author of The Courtier, ca Oil on canvas, 2’ 6 1/4” x 2’ 2 1/2”. Louvre, Paris. 22


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