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EECS Computer Science Division University of California, Berkeley
Florida 1999 CAD 2007, Honolulu, Hawaii Computer-Aided Design and Realization of Geometrical Sculptures Carlo H. Séquin EECS Computer Science Division University of California, Berkeley
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Brent Collins, Wood Sculptor, 1996
Florida 1999 Brent Collins, Wood Sculptor, 1996 For whom I designed certain shapes on the computer which he then built in wood. ... my main “artist-collaborator” since 1994
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Brent Collins: Stacked Saddles
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Hyperbolic Hexagon II – our first collaborative piece
Florida 1999 Hyperbolic Hexagon II – our first collaborative piece For whom I designed certain shapes on the computer which he then built in wood. Brent Collins, 1997
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Hyperbolic Hexagon (B. Collins, 1994)
6 saddles in a ring 6 holes passing through symmetry plane at ±45º = “wound up” 6-story Scherk tower Discussion: What if … we added more stories ? or introduced a twist before closing the ring ?
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Scherk’s 2nd Minimal Surface
Normal “biped” saddles Generalization to higher-order saddles (monkey saddle)
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Closing the Loop straight or twisted
Adding smooth geometric deformations: Bending, Twisting
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Brent Collins’ Prototyping Process
Armature for the "Hyperbolic Heptagon" Mockup for the "Saddle Trefoil" Time-consuming ! (1-3 weeks)
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Sculpture Generator I, GUI
Creates a family of highly specialized, parameterized shapes
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Base Geometry: One “Scherk Story”
Taylored hyperbolas, hugging a circle Hyperbolic Slices Triangle Strips
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The Basic Saddle Element
with surface normals precomputed -- then warped into toroid
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Shape Generation: by stacking this basic hyperbolic element,
twisting that stack along z-axis, bending (warping) it into an arch or loop.
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Toroidal Warp into Collins Ring
8-story tower warped into a ring 360º twist added
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A Plethora of Shapes
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Some of the Parameters in “SG1”
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V-art Virtual Glass Scherk Tower with
Monkey Saddles (Radiance 40 hours) Jane Yen
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True Minimal Surfaces ? Not a true “minimal surface” (like a soap film)!
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Ken Brakke’s Surface Evolver
For approximating minimal surfaces: Start with a crude polyhedral object Subdivide triangles Optimize vertices Repeat the process
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Shape Comparison Minimal Trefoil from Sculpture Generator I
Minimal surface from Brakke’s Surface Evolver
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Volution Surfaces (twisted shells)
Florida 1999 Volution Surfaces (twisted shells) Costa Cube Ico-Vol Here, minimal surfaces seem aesthetically optimal.
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Collins’ Fabrication Process
Wood master pattern for sculpture Layered laminated main shape Example: Vox Solis
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Profiled Slice through Heptoroid
Florida 1999 Profiled Slice through Heptoroid One thick slice thru sculpture, from which Brent can cut boards and assemble a rough shape. Traces represent: top and bottom, as well as cuts at 1/4, 1/2, 3/4 of one board. From these Collins will precut boards then assemble the complete shape and fine tune and polish it.
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Emergence of the Heptoroid (1)
Assembly of the precut boards
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Emergence of the Heptoroid (2)
Forming a continuous smooth edge
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Emergence of the Heptoroid (3)
Smoothing the whole surface
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Various “Scherk-Collins” Sculptures
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Slices through Minimal Trefoil
50% 30% 23% 10% 45% 27% 20% 5% 35% 25% 15% 2%
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Rapid Prototyping with FDM
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A Look Into the FDM Machine
2 NOZZLES Galapagos 6 sculpture in progress
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Hyper-Sculpture: Family of 12 Trefoils
W=2 W=1 B= B= B= B=4
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Going more than once around the loop ...
w = 380° w = 560° w = 720° … results in an interwoven structure.
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9-story Intertwined Double Toroid
Bronze investment casting from wax original made on 3D Systems’ “Thermojet”
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Extending the Paradigm: Totem 3
Bronze Investment Cast
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Sculpture Generator 1 as a Playground
The computer becomes an amplifier / accelerator for the creative process. Another occasion where Sculpture Generator 1 became invaluable ...
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Snowsculpting Championships 2003
The Team: “Whirled White Web” (C. Séquin, S. Wagon, D. Schwalbe, B. Collins, S. Reinmuth)
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Day 1 Removing lots of snow …
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Day 2: Making a Torus
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Day 3, pm: Carving Flanges, Holes
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Day 4: Geometry Refinement
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Day 5, am: Surface Refinement
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12:40 pm ° F
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12:41 pm ° F
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“WWW” Wins Silver Medal
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Every Artist’s Dream: Large and Durable Sculpture !
Need a material more permanent than snow ...
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Brent Collins’ Pax Mundi 1997: wood, 30”diam.
2006: Commission from H&R Block, Kansas City to make a 70”diameter version in bronze. My task: to define the master geometry. CAD tools played important role.
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How to Model Pax Mundi ... Already addressed that question in 1998:
Pax Mundi could not be done with Sculpture Generator I Needed a more general program ! Used the Berkeley SLIDE environment. First: Needed to find the basic paradigm
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Sculptures by Naum Gabo
Pathway on a sphere: Edge of surface is like seam of tennis- or base-ball; 2-period Gabo curve.
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2-period “Gabo Curve” Approximation with quartic B-spline with 8 control points per period, but only 3 DOF are used (symmetry!).
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4-period “Gabo Curve” Same construction as for as for 2-period curve
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Pax Mundi Revisited Can be seen as: Amplitude modulated, 4-period Gabo curve
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SLIDE-GUI for “Pax Mundi” Shapes
Florida 1999 Good combination of interactive 3D graphics and parameterizable procedural constructs. Good combination of interactive 3D graphics and parameterizable procedural constructs.
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2-period Gabo sculpture
Tennis ball – or baseball – seam used as sweep curve.
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Viae Globi Family (Roads on a Sphere)
periods
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Via Globi 5 (Virtual Wood)
Wilmin Martono
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Modularity of Gabo Curve Generator
Sweep Curve Generator: Gabo Curves as B-splines Cross Section Fine Tuner: Paramererized shapes Sweep / Twist Controller
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Sweep / Twist Control How do we orient, move, morph ... the cross section along the sweep path ? Natural orientation with Frenet frame Torsion Minimization: Azimuth: tangential / normal 900° of twist added.
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Extension: Free-form Curve on a Sphere
Spherical Spline Path Editor (Jane Yen) Nice smooth interpolating curves through sparse data points
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Many Different Viae Globi Models
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Paradigm Extension: Sweep Path is no longer confined to a sphere!
Music of the Spheres (Brent Collins)
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Allows Knotted Sweep Paths
Chinese Button Knot
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Really Free-form 3D Space Curves
Figure-8 knot
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Using Another Cross Section
Galapagos 6
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Target Geometry Constraints: Bronze, 70” diameter
Less than 1500 pounds Less than $50’000 Maintain beauty, strength Minimize master geometry
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Emulation Use smoother quintic spline
Make 4 identical parts (needs extra control point) Add a few “warp” parameters
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Emulation; Define Master Pattern
Master to make a mold from. Alignment tab Use 4 copies.
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Model of Master Part Made with FDM
4 pieces make the whole sculpture
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Joe Valasek’s CNC Milling Machine
Styrofoam milling machine
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Design of Two-Part Master
Alignment tabs for easy assembly
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Subdivide into Two Master Segments
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Machined Master Pattern #2
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(Cut) Master Silicone Rubber Mold
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Mold Several (4) Wax Copies
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Spruing the Wax Parts for Casting
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Ceramic Slurry Shell Around Wax Part
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Shell Ready for Casting
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Casting with Liquid Bronze
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The Freed Bronze Cast
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Assembling the Segments
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The “Growing” Ribbon
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The Assembly is Too Squat !!
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Changing the Curvature
PHYSICS is important too ... not just Geometry !
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Grinding the Welded Seams, Polishing the Surface
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Applying Patina
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Front Door of the ... H&R Block Building
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The Final Destination
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Steve Reinmuth Tightening the Bolts
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Brent Collins Polishing Our Baby
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Team effort: Brent Collins, Steve Reinmuth, Carlo Séquin
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Our Next Commission 10 ft diameter amber-tinted polyester resin
to be hung in an atrium below skylight
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QUESTIONS ? ?
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