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Riding the Waves Learning Perfect Pitch through the Shapes of Sound

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1 Riding the Waves Learning Perfect Pitch through the Shapes of Sound
Erick Tello Bandys High School Summer Ventures in Science & Math Visual & Image Processing July 24, 2008 Appalachian State University Dr. Rahman Tashakkori

2 Riding the Waves Musicians need to be able to identify musical notes by ear Relative pitch recognition requires playing a reference note to identify other notes Instruments with which to get reference notes aren't always readily available

3 Riding the Waves Absolute pitch recognition, a.k.a. perfect pitch, identifies notes based on their own qualities No reference is required Perfect pitch is much more difficult and time- consuming to learn than relative pitch Plenty of software designed to assist the perfect pitch learning process is widely available

4 Riding the Waves None of them visualize the sound itself
Sound waves, as viewed on a monitor, are basically visible sounds They're the building blocks behind the note- lettering system Thus, when shown alongside the letter of the same note while the note is played, they can greatly assist in memorization

5 Riding the Waves Timbre convolutes the sound waves of instruments
The convoluted sound waves do, however, still have approximately the same overall frequency as their corresponding 'pure' notes Sound waves from instruments can therefore be used in this method of memorization

6 Riding the Waves Procedures
To test whether the overall frequencies of instrumental notes are recognizable in a visual sound wave, sound samples were taken of a flute, a Steinway piano, and a 12-string acoustic guitar playing sets of given notes Corresponding pure notes were generated and placed alongside the instrumental notes' sound waves for comparison

7 Riding the Waves Results Inst: Flute Note: C5 Freq: 523.25 Hz
The top 2 waves are the instrument recording in stereo; the bottom is the pure note in mono.

8 Riding the Waves Results Inst: Guitar Note: A4 Freq: 440 Hz
The top 2 waves are the instrument recording in stereo; the bottom is the pure note in mono.

9 Riding the Waves Results Inst: Piano Note: C4 Freq: 261.63 Hz
The top 2 waves are the instrument recording in stereo; the bottom is the pure note in mono.

10 Riding the Waves Results
Despite timbre, a definite repeating wave pattern was found in all samples The cycles of the repeating wave patterns lined up almost exactly with those of the corresponding pure notes The beginnings of some notes, such as the instants when guitar strings were plucked, were too convoluted to measure

11 Riding the Waves Conclusions
Instrumental sound waves are easily usable in perfect pitch software In order to be able to use the entirety of each note, the software can partially smooth waves when necessary

12 Riding the Waves Future Work
To write a complete, high-grade perfect pitch teaching program centered around the use of visual sound waves and with options for adding in any of a wide variety of other relevant visualizations

13 Acknowledgements Dr. Rahman (-noodles) Tashakkori Mr. Jere Miles
He HAS to be part Japanese. He can’t deny it! The name reveals all!! Mr. Jere Miles He’s the good guy who secretly manipulates everything from behind the scenes. I just know it. Ben Asma Fearsome leader of the Asmatics, a.k.a. ASMA ATTACK! Also, has the best advice in camp. Also also, has the best hair in camp. James Kuo Project partner, sound sampler, & the best pianist/guitarist/drummer EVAR.


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