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Greek Art Chapter 5
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Geometric Period Very typical of this period were large funerary vases designed to hold votive offerings Decoration was primarily abstract forms, flat patterns, outlined shapes that represent various human forms in poses of anguish. Repetition used.
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Geometric & Orientalizing
After destruction of Mycenaean palaces, the bronze age disintegrated, loss of kings as powerful rulers. Also lost many art forms (how to construct tombs, citadels, frescoes, sculpt with stone) also lost writing and reading. This was deemed the “Dark Age of Greece” Depopulation Poverty Loss of contact with outside world
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Geometric Krater, 740bce IN THE MET
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Hero & Centaur, bce
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Orientalizing Period More and more attention being paid to the human form/body This period was influenced by Eastern works being brought in for trade, as trade was on the rise. Borrowed motifs from Egypt and Near East
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Mantiklos Apollo, bce
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Athenian Agora, Hellenistic 600-BCE-150CE
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Corinthian Black Figure Amphora with Animal Frieze 625-600bce
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Lady of Auxerre, bce
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The 3 styles of Greek Sculpture
Archaic: stiff body pose, feet together, and arms close to the body. Classical: more lifelike body, more natural form with movement, calmness, appearance of the contrapposto pose Hellenistic: evokes emotion, more lifelike detail, greater movement
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Archaic Period More sense of permanency, temples built of stone, not mud brick The two orders were used (see handout) Archaic statuary was usually life-size or larger, and painted. Most share an expression “archaic smile”. Possibly used to signify that the subject was still living. Kore/Korai = female youth Kouros/Kouroi = male youth
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2 important differences between Archaic Greek and Egyptian sculpture
Sculptures of men were unclothed Sculptures were free from the stone in which they were carved
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Kouros, 600bce
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Moschophorus (Calf Bearer), 560bce
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Anavyos Kouros, 530bce
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Kore, from Peplos, 530bce
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Kore, from the Acropolis, 520-510bce
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Doric Ionic
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Doric & Ionic
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DORIC v. IONIC Doric Temples are found on Greek mainland.
Ionic Temples are found on the islands. Athens is an exception, and you can find many Ionic temples, characteristics in their designs, especially on the Acropolis. Any temple containing a caryatid, is considered Ionic.
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Typical Greek Temple Plan
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Temple of Hera I, 550bce
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West pediment, Temple of Artemis, 600-580bce
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Siphnian Treasury, Reconstruction Drawing
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Siphnian Treasury Frieze from North, 530bce
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Vase Painting Athens was the main location for the production of vases during the archaic period. Black Figure technique used as well as red-figure technique
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Kleitias & Ergotimos, Francios Vase, 570bce
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Exekias, Ajax & Achilles Playing a Game, 530 bce
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Andokides Painter, Ajax & Achilles Playing a Game 525-520bce
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Niobides Krater, BCE
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Temple of Aphaia at Aegina, 500BC
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Restored view Temple of Aphaia
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Dying Warrior, top (490 bce)west pediment of Temple Aphaia bottom (480 bce) east pediment of Temple Aphaia
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Early Classical Period
Early 5th century, Greek city states united to fight the Persian Army, but defeat of Persians came after Athens was already destroyed
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Architecture/Architectural Structure
Pieces from this period represent a time of transition. Temples more compact, columns more spaced out Pediment Statuary is more life-size and displays a variety of movement and action
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Temple of Hera II, (closely resemble Temple of Zeus 470 BC) 460 BC
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Seer, from Temple of Zeus pediment 470 BC
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Athena, Herakles, Atlas with Apples from metope Temple of Zeus, 470-465bce
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Sculpture New concern to render the human form in natural poses that illustrate how a human usually stands.
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Kritios Boy, 480bce
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Young Warrior from Riace, 460-450bce
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Charioteer, 470bce
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Zeus (or Poseidon?), 460-450bce
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Myron, Diskobolos, 450bce
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Polykleitos, Doryphorus, 450bce
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Kresilas, Pericles, 429bce
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Athens Acropolis Plan
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Acropolis, restored view
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Parthenon, bce
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Phidias, Athena Parthenos (model)438bce
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Lapith Fighting Centaur, 447-438bce
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Helios, horses & Dionysus, pediment at Parthenon
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Plaque of the Ergastines
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Three Goddesses, east pediment of Parthenon), 438 bce
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Horsemen, detail from procession, Parthenon, 447 bce
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Propylaia, 437 bce
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Erechtheion, Porch of Maidens (caryatids), 421-405bce
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Porch of the Maidens
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Temple of Athena Nike, 427bce
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Nike Adjusting Her Sandal, 410bce
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Achilles Painter, 440bce
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Grave Stele of Hegeso, High Classical
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Late Classical Period Arts continued to flourish despite the defeat by Sparta. Athens never regained their empire status. New art forms (mosaics) flourished as well as new styles (tholos temple)
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Praxiteles, Aphrodite, 350-340 bce
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Praxiteles, Hermes and Infant Dionysos, 340bce
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Lysippos, Apoxyomenos (The Scraper), 330bce
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Lysippos, Weary Herakles, 320bce
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Polykleitos’ Doryphorus vs. Apoxyomenos’The Scraper
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Hellenistic Period
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Altar of Zeus, Pergamon
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Athena battling Alkyoneos 175bce
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Dying Gaul, Epigonos, 230bce
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Nike Samothrace, 190bce
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Venus de Milo BC
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Seated Boxer BC
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Old Market Woman, 150-100 BC IN THE MET
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Laocoon sons
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Athanadoros, Hagesandros & Polydorso, Head of Odysseus, 1st century ce
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