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Appropriation Art and Intellectual Property

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1 Appropriation Art and Intellectual Property
Infringed Appropriation Art and Intellectual Property

2 Overview Discussion and exploration of appropriation art
Court case analysis Results of appropriation Legal, moral, and social issues Presentation of artistic works and process Create a jarring and provocative aesthetic Argument for appropriation art as a medium that is not infringing Certain level of alteration has been made Difficulty in quantifying this alteration Display of the creative process to help guide viewers in understanding when this level of alteration has been made Examine the intentions of an artist by comparing imitation and inspiration in the process Motives of the artist are important for understanding the significance of each case Careful outline of the appropriation process

3 Copyright Infringement:
The use of works protected by copyright law without permission. Copyright protection does not encompass creative ideas Appropriation: The use of pre-existing images or objects with little transformation applied to them. Sample and readopt visual aspects Dadaism & Pop Art American Gothic Grant Wood (1930)

4 Shepard Fairey v. The Associated Press
Street artist Shepard Fairey created the Hope poster in 2008 Photo the poster was based on was shot by Mannie Garcia of the AP Lawsuit in 2009 A.P. wanted compensation for the posters profits Fairey responded with a fair use defense Fairey admitted to using the photo and destroying evidence Case never came to a final verdict Fairey and the A.P. settled privately out of court

5 Created discourse around the value of work
Garcia’s work would likely never have reached the same level of fame Need to credit sources for imagery Garcia, Mannie. Obama Photograph. April 2006 Fairey, Shepard. Obama Hope Work. February 5, 2008

6 Patrick Cariou v. Richard Prince
Canal Zone exhibition by Richard Prince in 2008 Works featuring imagery by Patrick Cariou Lawsuit in 2011 Initial ruling held Prince’s work violated Cariou’s creative property Pieces unfairly damaged potential markets for Cariou Destruction of all infringing copies of the work Appealed to the Second Circuit court in 2013 Validity of Prince’s transformation was not correctly applied Most of the pieces were seen as transformative enough

7 Artistic intent and subjectivity
What standards are there to determine appropriation Who is the real judge of this – “reasonable” viewers and artists Art could be interpreted and viewed differently Cariou, Patrick. Yes, Rasta. 2000 Prince, Richard. Graduation. 2008

8 Art Rogers v. Jeff Koons Photographer Art Rogers took a picture of a couple holding puppies Sold this image for cards and other products Jeff Koons used this image to create a sculpture Koons sold several copies of the sculpture, making large profits Rogers sued for copyright infringement Koons used parody as defense of fair use Court found the two pieces too close in similarities A “reasonable person” would recognize it as a copy Fair use rejected since the piece was not different in meaning or aesthetic

9 Koons, Jeff. String of Puppies. 1988
Can you build upon another artists work to create your own original piece Photography as art or as documentation, is it creative and artistic Intentions of the artist, parody and commentary may not be good enough for blatant copying. Imitation vs inspiration, creating something original, not derivative Rogers, Art. Puppies. 1985 Koons, Jeff. String of Puppies. 1988

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11 Questions?


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