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Chapter 18 Print Production

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Presentation on theme: "Chapter 18 Print Production"— Presentation transcript:

1 Chapter 18 Print Production
Kleppner’s Advertising Procedure, 18e Lane * King * Reichart

2 Learning Objectives Explain the nature of production departments.
Discuss digital and traditional production processes. Discuss the selection of printing processes. Identify mechanicals and artwork. Explain proofing techniques. Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

3 Exhibit 18.1 Production Shift Design From Computer to Finished Piece
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

4 SRDS Provides Production Specifications for Print Media
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

5 Technical Considerations in Digital Production
Compatibility Industry Standards Preflighting Postflighting Color calibration Bidding Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

6 Steps in the Traditional Prepress Process
Ad concept Typesetting Electronic color separation Layout Film preparation Platemaking Printing Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

7 Steps in the Digital Prepress Process
Advertising concept Scanning Layout Proofing Preflight Proofing Film preparation Platemaking Printing Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

8 Components of Agency Print Operations
Illustration buyers are well versed in various forms of photographic and illustrative techniques. Typography experts are trained in creative and technical aspects. Print producers coordinate all production activities. Printing buyers specialize in production planning and buying. Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

9 Major Printing Processes
Letterpress printing Offset lithography Rotogravure Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

10 Exhibit 18.8 Screen Printing
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

11 Understanding Typography
Typography is the art of using type effectively by: Creating moods Enhancing readability Giving communication an image Inspiring passion Being powerful Creating friendly and inviting communication Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

12 Exhibit 18.10 Examples of Typefaces
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

13 Exhibit 18.11 Examples of Type Families
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

14 Exhibit 18.12 Examples of Optima Type Fonts
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

15 Exhibit 18.13 Variations in a Family
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

16 Exhibit 18.14 Major Terms for Type Height
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

17 Exhibit 18.15 A Visual Perspective of Type Sizes
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

18 Guidelines for Using Type_1
Use only original type. Remember that as a buyer of a type package, you only license the usage rights. Computer artists need a running list of both screen fonts and printer fonts. Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

19 Guidelines for Using Type_2
Check with prepress service provider about fonts used in electronic mechanicals to ensure all pieces look as intended. Avoid type smaller than 6 points. Ensure that reverse type is large enough to read. Convert type to a graphic in EPS. Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

20 Exhibit Reverse Type Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

21 Exhibit 18.17 Mechanical Requirements Example
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

22 Types of Art Used by Production People
Halftones Halftone finish Line conversion Two-color halftone plates Four-color process printing Digital scanners Color proofing Line art Line tint Line color Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

23 Techniques Applied to Halftones
Square halftone: halftone’s background has been retained Silhouette: background in the photograph has been removed by the photo platemaker or the computer operator Surprint: involves a combination plate made by exposing line and halftone negatives in succession on the same plate Mortise: an area of a halftone is cut out to permit the insertion of type or other matter Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

24 Exhibit 18.18 Screening Variations
Creating tints can change the look and feel of words Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

25 Exhibit 18.20 Four-Color Process Printing
Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

26 Types of Proofs Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

27 Production Advances Stochastic screening and color separations
HiFi Color Color Management Systems Waterless Printing Digital Printing Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall

28 For Discussion Differentiate among the three basic printing processes.
What colors are used in four-color printing? Copyright © 2011 Pearson Education, Inc. publishing as Prentice Hall


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