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Reading and Writing in Music

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Presentation on theme: "Reading and Writing in Music"— Presentation transcript:

1 Reading and Writing in Music
Mr. Walter Wong True Light Middle School of Hong Kong

2 Aims Choice of materials Time:
Able to read music articles for interest and pleasure. Able to describe music and sound in words Able to describe their feelings Choice of materials Related to their everyday life. Use video clips as pre-reading activities Time: 1 period (40 minutes)

3 Form 1 David Garret – Rock Star with a Violin What would interest the students: Concerts with Hong Kong Sinfonietta in April. Crossover Artist: Heavy metal and Classical violinist. Guinness world record holder of the fastest violin playing.

4 Form 2 The Sounds of Silence: John Cage’s «4'33''» What would interest the students: Out of their expectation. Experience 4’33” “quietness” Surprise to find out what they have heard in the 4’33”

5 Form 3 Stop and Hear the Music – Joshua Bell What would interest the students: An experiment with a famous violinist playing at a busy station. How people react to street musicians, not their music.

6 Form 4 Britain’s Got Talent – Paul Potts What would interest the students: Popular TV show. A common mobile phone sales in debt. Not handsome at all Singing an opera aria in the contest.

7 The Sounds of Silence: John Cage’s «4'33''» Purpose of the Assignment
Form 2 The Sounds of Silence: John Cage’s «4'33''» Purpose of the Assignment What the relationship is between sound and silence in music. Pre-reading Questions Reading skill and strategy: Brainstorming 1. What do you think is the most important element in music? (2) 2. How would you feel when you have to stay in a silent room for an hour? (2)

8 Form 2 The Sounds of Silence: John Cage’s «4'33''»

9 The Sounds of Silence :John Cage’s «4'33''»
The contemporary American composer John Cage wrote this piece in early 50s. It was premiered (首演) in 1952, and consisted of a pianist sitting down at a keyboard, closing the lid, setting a stopwatch, and sitting, in silence, for four minutes and thirty-three seconds. (There are 3 movements in this piece, the first 30 seconds, the second 2 minutes and 23 seconds and the third 1 minute and 40 seconds).In the concert, some listeners were unaware that they had heard anything at all. Cage said, “People began whispering to one another, and some people began to walk out. They didn't laugh -- they were just irritated (被激怒的) when they realized nothing was going to happen, and they haven't forgotten it 30 years later; they're still angry.” Many musicians and critics thought the piece was a joke. But the pianist who never played a note called it one of the most intense listening experiences he ever had. In many ways the experience of 4:33 teaches us about the nature of sound, and silence, and the act of listening to the musicality of ambience that can be heard in silence. To Cage, silence had to be redefined. He recognized that there was no objective dichotomy (二分法)between sound and silence, but only between the intent of hearing and that of diverting (轉向)one's attention to sounds. "The essential meaning of silence is the giving up of intention (意圖)," he said. This idea marks the most important turning point in his compositional philosophy. He redefined silence as simply the absence of intended sounds, or the turning off of our awareness.

10 While-reading Questions
Reading Skill: Summarizing , recognizing main idea, data reading Strategy : Guided questions 3. Who wrote the piece? When was it written? (1) 4. How long was the piece? (1) 5. What did the audience hear? (1) 6. What were the reactions of the audience? Did they like it ? Why? (2) 7. What does Cage think of silence? Use your own words and summarize it.(3)

11 Post-reading Questions
Reading skill: Reflection Strategy: Open-ended questions 1.Do you think silence is important in music? Why? (3) 2.Keep quiet for 4 minutes and 33 seconds. List out what you have heard. (2) 3.Did you enjoy the experience? Why or why not? (3)

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