Presentation is loading. Please wait.

Presentation is loading. Please wait.

Ex.1 (a) (i) opening of Besard; (ii) opening of Fuhrmann, (b) opening of Banchieri From: Musical texts and information retrieval: the case of the early.

Published byTodd Bradley Modified over 6 years ago

Similar presentations

Presentation on theme: "Ex.1 (a) (i) opening of Besard; (ii) opening of Fuhrmann, (b) opening of Banchieri From: Musical texts and information retrieval: the case of the early."— Presentation transcript:

1 Ex.1 (a) (i) opening of Besard; (ii) opening of Fuhrmann, (b) opening of Banchieri
From: Musical texts and information retrieval: the case of the early modern battaglia Early Music. 2015;43(4): doi: /em/cav075 Early Music | © The Authors Published by Oxford University Press.This is an Open Access article distributed under the terms of the Creative Commons Attribution License ( which permits unrestricted reuse, distribution, and reproduction in any medium, provided the original work is properly cited.

2 Ex.1 (a) (i) opening of Besard; (ii) opening of Fuhrmann, (b) opening of Banchieri
From: Musical texts and information retrieval: the case of the early modern battaglia Early Music. 2015;43(4): doi: /em/cav075 Early Music | © The Authors Published by Oxford University Press.This is an Open Access article distributed under the terms of the Creative Commons Attribution License ( which permits unrestricted reuse, distribution, and reproduction in any medium, provided the original work is properly cited.

3 Ex.2 triadic motif: (i) Negri (lute part only); (ii) Besard, (iii) Banchieri, (iv) Fuhrmann
From: Musical texts and information retrieval: the case of the early modern battaglia Early Music. 2015;43(4): doi: /em/cav075 Early Music | © The Authors Published by Oxford University Press.This is an Open Access article distributed under the terms of the Creative Commons Attribution License ( which permits unrestricted reuse, distribution, and reproduction in any medium, provided the original work is properly cited.

4 Ex.3 ‘Arch-shaped’ triadic motif (from Besard)
From: Musical texts and information retrieval: the case of the early modern battaglia Early Music. 2015;43(4): doi: /em/cav075 Early Music | © The Authors Published by Oxford University Press.This is an Open Access article distributed under the terms of the Creative Commons Attribution License ( which permits unrestricted reuse, distribution, and reproduction in any medium, provided the original work is properly cited.

5 Ex.4 Quotation of La girometta (from Fuhrmann)
From: Musical texts and information retrieval: the case of the early modern battaglia Early Music. 2015;43(4): doi: /em/cav075 Early Music | © The Authors Published by Oxford University Press.This is an Open Access article distributed under the terms of the Creative Commons Attribution License ( which permits unrestricted reuse, distribution, and reproduction in any medium, provided the original work is properly cited.

6 Ex.5 Trumpet-style rotta motif: (i) Fantini, Modo per imparare (1638), ‘Rotta’ (p.19); (ii) Negri, (iii) Banchieri From: Musical texts and information retrieval: the case of the early modern battaglia Early Music. 2015;43(4): doi: /em/cav075 Early Music | © The Authors Published by Oxford University Press.This is an Open Access article distributed under the terms of the Creative Commons Attribution License ( which permits unrestricted reuse, distribution, and reproduction in any medium, provided the original work is properly cited.

7 Ex.6 ‘Fife and drum’ passage (from Fuhrmann)
From: Musical texts and information retrieval: the case of the early modern battaglia Early Music. 2015;43(4): doi: /em/cav075 Early Music | © The Authors Published by Oxford University Press.This is an Open Access article distributed under the terms of the Creative Commons Attribution License ( which permits unrestricted reuse, distribution, and reproduction in any medium, provided the original work is properly cited.

Download ppt "Ex.1 (a) (i) opening of Besard; (ii) opening of Fuhrmann, (b) opening of Banchieri From: Musical texts and information retrieval: the case of the early."

Similar presentations

Fig. 1. Spectrograms. The illustration shows example spectrograms and waveforms for stimuli used. Panel A shows examples for the prosody condition (‘You.

Fig. 1. Spectrograms. The illustration shows example spectrograms and waveforms for stimuli used. Panel A shows examples for the prosody condition (‘You.
Table 1 Patient characteristics of attendees of the influenza vaccination, irrespective of AF status From: Yield of screening for atrial fibrillation in.

Table 1 Patient characteristics of attendees of the influenza vaccination, irrespective of AF status From: Yield of screening for atrial fibrillation in.
Fig. 1. Significant clusters in the amygdala and dlPFC, four-way interaction effect (group by valence by temperature by time), small volume corrected.

Fig. 1. Significant clusters in the amygdala and dlPFC, four-way interaction effect (group by valence by temperature by time), small volume corrected.
Fig. 8 The two cases for the terminal edge e<sub>0</sub>

Fig. 8 The two cases for the terminal edge e<sub>0</sub>
Figure 1 Proportion of criteria chosen (as percentages, grouped into issues). From: Developing national obesity policy in middle-income countries: a case.

Figure 1 Proportion of criteria chosen (as percentages, grouped into issues). From: Developing national obesity policy in middle-income countries: a case.
Figure 2. Number of cases required in a Mendelian randomization analysis with a binary outcome and a single instrumental variable for 80% power with a.

Figure 2. Number of cases required in a Mendelian randomization analysis with a binary outcome and a single instrumental variable for 80% power with a.
J Exp Bot. 2017;68(17): doi: /jxb/erx352

J Exp Bot. 2017;68(17): doi: /jxb/erx352
Figure 1. Fertility and gender equity: three hypothetical dynamics according to the level of the Gender Gap over time. Note: the three scenarios differ.

Figure 1. Fertility and gender equity: three hypothetical dynamics according to the level of the Gender Gap over time. Note: the three scenarios differ.
Figure 4. Boxplot showing the extent of tangential xylem discolouration (top) and cambial dieback (bottom) in trees (n = 5 per treatment) that were wounded.

Figure 4. Boxplot showing the extent of tangential xylem discolouration (top) and cambial dieback (bottom) in trees (n = 5 per treatment) that were wounded.
Figure 3: MetaLIMS sample input.

Figure 3: MetaLIMS sample input.
Figure 1 An overview of the study design.

Figure 1 An overview of the study design.
Figure 1 Study flow chart.

Figure 1 Study flow chart.
Figure 5: Three-dimensional reconstruction of the CT scan showing the trapped air in the head and neck region. From: Distinct subcutaneous emphysema following.

Figure 5: Three-dimensional reconstruction of the CT scan showing the trapped air in the head and neck region. From: Distinct subcutaneous emphysema following.
Figure 2. The graphic integration of CNAs with altered expression genes in lung AD and SCC. The red lines represent the amplification regions for CNA and.

Figure 2. The graphic integration of CNAs with altered expression genes in lung AD and SCC. The red lines represent the amplification regions for CNA and.
From: Learning by Working in Big Cities

From: Learning by Working in Big Cities
From: THE FALLACIES OF PATENT-HOLDUP THEORY

From: THE FALLACIES OF PATENT-HOLDUP THEORY
Fig. 1. Trial structure for the experimental task.

Fig. 1. Trial structure for the experimental task.
Fig. 1 Nodes in a conceptual knowledge graph

Fig. 1 Nodes in a conceptual knowledge graph
Figure 1: Pneumomediastinum and subcutaneous emphysema as indicated by the arrows. From: Pneumomediastinum and subcutaneous emphysema after successful.

Figure 1: Pneumomediastinum and subcutaneous emphysema as indicated by the arrows. From: Pneumomediastinum and subcutaneous emphysema after successful.
From: Nutrition and brain development in early life

From: Nutrition and brain development in early life

Similar presentations

Ads by Google