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The Television Commercial
Chapter 19 The Television Commercial
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Script Assignment Clippers Nose Pouch
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Script Assignment Heading Commercial Title Client Name Length
Writer Name
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Script Assignment Keeping Your Nose Content Nose Pouch :30 Baker
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Characteristics of Good Television Advertising
Appeals to consumers using: Humor Intelligence Charm Emotion
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Typical Copy/Development Timetable Sequence
Copy exploratory Present ideas to client Revisions Circulate copy for clearance On-air clearance Pre-bid meeting Bid review/award job
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Timetable (continued)
Preproduction meeting Shoot Post production Rough cut Revisions Final cut Ship date
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Basic Segments of a TV Commercial
Video Audio
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Visual Techniques Testimonial
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Visual Techniques Rotoscope
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Visual Techniques Stop Motion
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Visual Techniques Animation
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Visual Techniques Vignettes and situations
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Visual Techniques Serials Oldies footage Spokesperson Demonstration
Close-ups Storyline Comparisons Still photos and artwork Slice of life Customer interview Vignettes and situations Humor Problem solution Mood imagery Split and bookend spots Infomercials Combinations
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Considerations of Planning the Commercial
Cost Medium Talent Use of music Special techniques Time Location Relationship to advertising/marketing objectives
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Writing the Script Be simple. Use easy-to-remember words. Be brief.
Write copy in a friendly, conversational style.
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Storyboard Series of sketches showing key scenes developed in the script Two frames per scene Visual Audio
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Scripting Video Audio 1. Shot Description 1. Audio Description
2. Second shot 2. Second audio
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Scripting Video Audio 1. MS: Beach Scene 3 people in chairs sitting outside of beach house. Beach blanket in sand. 2. CU: Child digging in sand with ocean background. 3. MS People walking on almost empty beach. A few houses are in the background. 1. Music: In and Under (George Winston quiet jazz) ANNCR: Pawleys is a great 2. Family resort 3. It is nature at its best...
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Exhibit 19.7 Examples of camera direction
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To Consider Optical Music Sound Effects (SFX)
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Common Types of Optical
Cut Dissolve Fade-in Fade-out Matte Super Wipe Zoom
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Exhibit 19.8 Example of a wipe
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Ways to Put Music to Work
Backgrounds Transitions Movement Accents New or old music Make new song for a commercial Use licensed music
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Stages of Producing the TV Commercial
Casting Directing the talent Direct camera person Responsible for the setting
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Points Addressed in Postproduction Meetings
Direction Casting Location and/or sets Wardrobe, props Product Special requirements Final script Legal issues Timetable update
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Shooting Steps Pre-light Shooting Wrap Editing
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TV Production Costs Location or studio Talent Residuals
Special effects Estimate costs Editorial fee cost Recording and mixing
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