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The Portrait
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A portrait can tell the viewer much about the subject
A portrait can tell the viewer much about the subject. A portrait can be flattering, epic, respectful, powerful or ugly; but all say something about the character of the person.
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When creating a self portrait, one must consider what you want to say about yourself.
Are you playful, serious, trying to portray a message? How can your clothing, surroundings, expression, and manner affect this portrayal?
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To the left is a pencil portrait drawn in the detailed "realistic" style.
This portrait was drawn from a photograph.
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A detail of the eye. All the pencil strokes are "crosshatched", not smeared or smudged. The gentle crosshatch gives the portrait a cleaner, neater appearance. It is much easier to control than smudging. Small subtle details are easier to define. If the crosshatching technique is done with these small, refined pencil strokes, the effect will look smooth and even photo-realistic when the portrait is seen at a normal distance. If contour lines are used in conjunction with the crosshatching, a subtle but effective dimensional effect will occur. This will enhance the "realistic" look of the portrait.
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A close-up of the nose and mouth.
Notice that there is a subtle indication of a "highlight" on the tip of the nose, and a highlight on the bottom lip. This was achieved by gently laying down a light tone around these highlights. With a portrait this "detailed", most of the face will be rendered as a light gray, so that such "highlights" will show up. When seen at "normal" size, most of these light pencil crosshatching strokes will not be very visible. However, the crosshatching technique is not unattractive, and needn't been concealed, or hidden
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Vincent Van Gogh Self Portrait 1886
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Vincent Van Gogh Self Portrait, 1887
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Vincent Van Gogh Self Portrait with Straw Hat, 1887
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Vincent Van Gogh Self Portrait with Straw Hat, 1887
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Vincent Van Gogh Self Portrait in front of Easel, 1888
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Vincent Van Gogh Self Portrait dedicated to Paul Gauguin, 1888
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Vincent Van Gogh Self Portrait, 1889
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Vincent Van Gogh Self Portrait with Bandaged Ear, 1889
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Botticelli. The Adoration of the Magi. Early 1470s
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Jan van Eyck. Arnolfini Wedding Portrait. 1434 oil on wood
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Toulouse Lautrec At the Moulin Rouge 1892 - 1995
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Pablo Picasso The Artist Before His Canvas, 1938
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Frida Kahlo. The Two Fridas 1939
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Frida Kahlo. The Broken Column 1944
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Egon Schiele Self Portrait 1912
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Léopold Boilly Grimacing Man (Self-Portrait), c
Léopold Boilly Grimacing Man (Self-Portrait), c , conte crayons on paper
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James Montgomery Flagg (American, 1877-1960), I Want You for U. S
James Montgomery Flagg (American, ), I Want You for U.S. Army, 1917
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Herbert Bayer Self-Portrait in Mirror, 1932
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Chuck Close Self Portrait 1997
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Chuck Close Self Portrait 1968
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Tim Hawkinson (American, 1960-), Balloon Self-Portrait, 2004
Tim Hawkinson (American, 1960-), Balloon Self-Portrait, 2004?, latex sculpture, life size cast from the artist's body, turned inside out, then inflated by an air compressor, Ace Gallery, NYC.
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Cindy Sherman
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Cindy Sherman Untitled Film Still, 1981
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Norman Rockwell Triple Self Portrait, 1960
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Banksy Self Portrait, 2007
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Eisuke Sato Self Portrait, 2008
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Gustav Courbet, Self Portrait/The Desperate Man. o/c 1843
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Pierre Auguste Renoir Self Portrait, 1910
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Joe Peller Self-Portrait—Day’s End , 2003
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Costa Vavagiakis, Self Portrait, 1994
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Mary Beth McKenzie, Self-Portrait, Life Masks 1990
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Michelle Flanagan Personal, 1997
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John Hodapp Self Portrait, 2008
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Eric Elliot Self Portrait, 2008
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Chrissy Dwyer Self-portrait, 2005
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Arkady Roytman Self Portrait, 2006
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Susanna Coffey, Self Portrait (cloudy) 2002
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Catherine Fox Self Portrait 2004
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Andy Warhol Self Portrait 1986
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Albrecht Durer Self Portrait 1500
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Colin Harbut, Self Portrait Graphite on paper, 2010
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Melissa Cooke Self Portrait as Pig, 2010
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Ottilie Simpson, Self Portrait, 2010
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Megan Van Groll
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Megan Van Groll Bakery Brawl
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David Airey Self Portrait of the Artist with Liquid Refreshment Chalk, 1997
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Francis Bacon Self Portrait 1969
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All of these artists gazed into their mirrors and attempted to grasp their identities.
They sought to portray their image, whether it showed a clear representation of their features, a walk through their childhood or an outpouring of emotions. Some self-portraits show only what the artist wants us to see, some chronicle the history of the artist, others reveal personal secrets and a sense of isolation. Whichever method is employed each artist took a long literal and figurative look at him/herself. Each portrait is an exploration of the self.
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Fin
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