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Tone (Value, Color) Texture Pattern Time and Motion
Art elements, part two Tone (Value, Color) Texture Pattern Time and Motion
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Light and color St. Denis
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Haute Saone Chapelle de Ronchamp by Le Corbusier
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Atmospheric Perspective
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The Great Western Railway by J.M.W. Turner, 1844
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The Last Supper by Tintoretto, 1592-1594
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A sphere represented by means of modeling
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Artemisia Gentileschi, Judith and Maidservant with the Head of Holofernes, 1625
Example of chiaroscuro
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Mary Cassat, In the Loge, 1879
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Hatching and cross hatching
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Michelangelo, Head of Satyr 1620
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High Value or Key Low
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Tints Shades
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October in the Catskills, Gifford, 1880
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She-ba Romare Bearden, 1970
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Leon Golub, Mercenaries III, 1980
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Sunday on La Grande Jatte, 1884 by Georges Seurat
Example of Pointillism
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Charles Searles, Filas for Sale, 1972 (From the Nigerian Impressions Series Example of Polychromatic
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Local Color – The color we KNOW something to be.
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Perceptual Color (color perceived; this has been painted in plein air)
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Arbitrary Color
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Robert Delaunay, Premier Disque, 1912
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Sonia Delauney Electric Prism, 1914
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texture
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Marble Thomas R. Gould, The West Wind, 1876
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Martin Johnson Heade American, 1819–1904 Cattleya Orchid and Three Hummingbirds, 1871
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pattern
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Safavid Kerman ‘vase’ carpet fragment, southeast Persia, early 17th century
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Stone Celtic crosses, such as this, are a major source of knowledge regarding Celtic knot design.
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Meander pavement in the streets of Rhodes
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Time and Motion
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Sassetta - The Meeting of St. Anthony and St. Paul
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Giacomo Balla, 1912, Dinamismo di un Cane al Guinzaglio (Dynamism of a Dog on a Leash)
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