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Charlie Williams Derry Felton

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1 Charlie Williams Derry Felton
Moving the Goalposts Charlie Williams Derry Felton

2 Aims To explore into community run projects and see how they help the people involved To see how football in Northampton is becoming more accessible to minorities To see what projects are being run and what they are about

3 What we want to focus on Charity/ low funded projects like:
Changing Goals – drug/ alcohol related project using football to help people who have been through these problems and help them back into society. The Downs syndrome football team. The Multi-disabled football team.

4 Who are these run by? Northampton Town Football Club
- They host the projects. Russell Lewis Ex football player and community worker who runs most of the projects. Kashif Siddiqi - Community worker and palyer who runs a project to get more Asian people into Football.

5 Who we want to speak to Russell Lewis David Cardoza – Chairman of NTFC
Kashif Siddiqi NTFC football players People involved in the projects Fans of the football club

6 Theoretical categorisation
Observatory style - attempt to simply and spontaneously observe lived life with a minimum of intervention. Performative style - events designed to make us experience what it might be like for us to possess a certain specific perspective on the world that is not our own. We want it to look as natural as possible and not manipulate answers.

7 Different aproaches Cultural - Identity, the self and ‘others’
Nationality Definitions of inclusion and exclusion Postmodern - Discourse and construction of meaning

8 Our roles As a two person film crew, we will be equally contributing to the visual and audio aspects of the project. Charlie’s roles: Cinematographer Editor Co- producer Writer Derry’s roles: Director Sound

9 The next steps Pre-production: Writing the treatment
Basic outline of interviews/ questions Contacting necessary interviewees Permission Research into legalities Equipment hire

10 Bibliography om/6-types-of-documentary/ Bruzzi, Stella, New Documentary: a Critical Introduction (London: Routledge, 2000).


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