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Ca. 1000: Ottonian Art
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Map of the Ottonian Empire
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Ivory plaque with Christ crowning Emperor Otto II and his wife Theophano, dimensions: 18,5 cm x 10,6 cm, 982–83
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Christ crowns an imperial couple, Romanos and Eudokia (the so-called Romanos Ivory),
ca. 944–949 or ca. 1068–1071 (?)
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Provinces of the Empire pay homage to Emperor Otto III,
Gospel Book (Lectionary) of Otto III, 997–1000
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Cover of the Gospel Book of Otto III with a 10th-century Byzantine ivory showing the Dormition of the Virgin, 997–1000
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founded by Bishop Bernward of Hildesheim
Church of St. Michael at Hildesheim, Germany, 1001–1033 (restored 1958), founded by Bishop Bernward of Hildesheim
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Bronze doors with Old and New Testament scenes, commissioned by Bishop Bernward for St. Michael’s, Hildesheim, 1015
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Bronze doors, ca. 800, Palatine Chapel (now Cathedral), Aachen, Germany
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Creation of Eve Noli me tangere Three women at the Tomb of Christ Eve introduced to Adam Temptation and Fall Crucifixion Denial of blame Christ before Pilate Presentation of Christ in the Temple Expulsion from Paradise Adam working the land, Eve suckling Adoration of the Magi Offerings of Cain and Abel Nativity of Christ Cain’s murder of Abel Annunciation
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Adam and Eve passing the blame before God
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Fall Redemption Eve Mary (“New Eve”)
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Bronze doors with Old and New Testament scenes, commissioned by Bishop Bernward for St. Michael’s, Hildesheim, 1015
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Lost-Wax Casting Form is modeled in wax Wax model is covered in clay
(c) Clay is baked and wax runs out (d) Clay mould is inverted and hot metal poured in (e) Clay is broken off
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Crucifix of Archbishop Gero,
Cologne Cathedral, painted and gilded oak, height of figure: 1.87m, ca. 970
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Crucifix of Archbishop Gero,
Cologne Cathedral, painted and gilded oak, height of figure: 1.87m, ca. 970
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Crucifixion, cover of the Lindau Gospels, ca. 870
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Byzantine ivory icon of the Crucifixion,
10th century
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