1. Daniel Pierson Period Five November 7, 2011
The Guest Page 168: 65-70
Daniel Pierson
Period Five
November 7, 2011

2. Shot One Description: Daru awakens from a long nap.
Framing: Medium shot.
Angle: Slight high angle.
Camera Movement: Pans as Daru is getting up from rest.
Sounds/Dialogue: diegetic sounds of sheets of a bed and a yawn let out by Daru.
Lighting: Natural
Editing: Shot begins with a black fade in.
Theatrical Elements-
Costume: Jellaba
Set: School House; Daru’s bedroom.
Props: A simple bed
Intended Effect: To show Daru waking up. There is a slight smile on his face because he thinks the Arab might be gone. The fade in crates a time lapse for his nap and he wakes up feeling refreshed.

3. Shot Two
Description: Daru finds the Arab had not left; instead, he is sleeping.
Angle: Eye level
Framing: Close up of Daru and Long Shot of the Arab.
Camera Movement: None
Sounds/Dialogue: A heavy exhale from Daru and heavy breathing from the Arab.
Lighting: Natural
Editing: None
Theatrical Elements-
Costume: They both wear a Jellaba
Set: School house; Daru’s bedroom
Props: A simple bed
Intended Effect: To show the Arab sleeping and Daru’s forlorn expression as he finds out the Arab did not escape.

4. Shot Three
Description: Daru’s gets the Arab up and asks him to follow him.
Framing: Close up of Daru; long shot of the Arab
Angle: eye level
Camera Movement: None
Sounds/Dialogue: Diegetic sound of the characters talking and of footsteps.
Lighting: Natural
Editing: None
Theatrical Elements-
Costume: They both wear a Jellaba
Set: School house; Daru’s bedroom
Props: none
Intended Effect: Shows Daru’s discord with the Arab; given his agitated facial expression. It also establishes a disconnect between the characters because, the way they interact is not friendly, but shallow.

5. Shot Four
Description: Daru points at the table and tells the Arab to sit down.
Framing: medium shot of the table; close up of Daru’s finger.
Angle: neutral
Camera Movement: The camera pans with Daru’s finger
Sounds/Dialogue: Diegetic sound of Daru telling the Arab to sit down.
Lighting: natural
Editing: Dissolves from pervious scene.
Theatrical Elements-
Costume: They both wear a Jellaba
Set: school house; dinning room
Props: two modest chairs and a simple table
Intended Effect: To show the difference in power dynamic between Daru and the Arab.

6. Shot Five
Description: The Arab sits down because of Daru’s instruction.
Framing: medium shot of the Arab and the setting.
Angle: eye level
Camera Movement: Camera pans with the Arab as he sits down.
Sounds/Dialogue: The diegetic sound of chair screeching against the floor.
Lighting: natural
Editing: Cross cutting from the finger to the Arab walking to it down.
Theatrical Elements-
Costume: Jellaba
Set: school house; dinning room,
Props: Two modest chairs and a table.
Intended Effect: to again, exemplify the power dynamic between Daru and the Arab; however in this shot, it illustrated by the camera movements.

7. Shot Six Description: Daru asks the Arab is he was hungry.
Framing: Medium shot
Angle: Eye level
Camera Movement: none
Sounds/Dialogue: diegetic sounds of Daru asking if the Arab is hungry.
Lighting: natural lighting
Editing: none
Theatrical Elements-
Costume: They both wear a Jellaba
Set: school house; dinning room
Props: table and two chairs
Intended Effect: This shows Daru trying to reduce some of the awkwardness between the Arab and himself, by extending a friendly gesture of offering a meal.

8. Shot Seven
Description: Daru sets the table for the meal as the Arab looks on.
Framing: Close-up of Daru’s hand as well as an upper body shot of the Arab.
Angle: eye level
Camera Movement: None
Sounds/Dialogue: The diegetic sound of silverware and the sound it made hitting the table.
Lighting: Natural
Editing: A dissolve from the previous shot opens to Daru setting the table.
Theatrical Elements:
Costume They both wear a Jellaba :
Set: School-house; dining room
Props: Two forks, two spoons, two knives, a napkin, a table, and one chair.
Intended Effect: This shows the awkward relationship between Daru and the Arab because there is no dialogue between them. The silverware hitting the table as the only sound, creates awkwardness

9. Shot Eight Description: Daru cooks a meal for them to share.
Framing: There is a long shot of Daru and the setting.
Angle: Slight high angle
Camera Movement: None
Sounds/Dialogue: Sizzling oil in a frying pan, cooking sounds.
Lighting: High key lighting
Editing: A dissolve between the last shot and this one, showing a correlation between setting the table and cooking.
Theatrical Elements-
Costume: They both wear a Jellaba
Set: School-house; kitchen
Props: Cabinets, stove, frying pan, one chair, one set of silverware, napkin and a table.
Intended Effect: The high key lighting shows Daru’s honorable gesture and his genuine, non- judgmental personality.

10. Shot Nine
Description: After he is finished cooking, Daru sets the plate in the window to cool.
Framing: Long shot
Angle: eye level
Camera Movement: None
Sounds/Dialogue: The diegetic sound of the plate hitting the wood.
Lighting: Natural
Editing: A fade of black from the last scene up to this
Theatrical Elements-
Costume: They both wear a Jellaba
Set: School-house; dining room
Props: Two sets of silverware, two chairs, two napkins, and a cake
Intended Effect: Shows Daru’s kind actions to feed the Arab, highlights the awkward tension between them, by the lack of dialogue, between the characters and the over-amplification of diegetic sounds.

11. Shot Ten
Description: Daru goes to the next room to put the revolver in the armoire
Framing: Long shot
Angle: Eye level
Camera Movement: None
Sounds/Dialogue: A non-diegetic sound of the low humming music
Lighting: Low key
Editing: The last shot dissolves into this one
Theatrical Elements-
Costume: Jellaba
Set: School-house; classroom
Props: Armoire
Intended Effect: The first appearance of low key lighting in this scene, suggests that Daru is up to something and the fact that the armoire is the only prop in the room, suggests that there is a correlation.

12. Shot Eleven
Description: Daru takes the revolver and places it in the armoire
Framing: Medium shot
Angle: Eye Level
Camera Movement: Zooms in on the wardrobe as he opens the doors.
Sounds/Dialogue: The diegetic creaking hinges on the doors and non-diegetic sound of the low, humming music.
Lighting: Low key
Editing: None
Theatrical Elements-
Costume: Jellaba
Set: School-house; classroom
Props: A revolver and an armoire
Intended Effect: This use of low key lighting and diegetic sound could suggest how Daru feels about weapons because he treats it in a manner of discontent.

13. Shot Twelve Description: Daru serves the meal Framing: Medium shot
Angle: Eye level
Camera Movement: None
Sounds/Dialogue: Diegetic sound of the Arab asking Daru if he would join him and Daru said, “later.”
Lighting: Natural
Editing: There is a cross-cutting between the last shot and this one.
Theatrical Elements-
Costume: They both wear a Jellaba
Set: School-house; dining room
Props: Cake, butcher knife, two sets of silverware, two napkins a table and two chairs.
Intended Effect: The fact that that Daru is serving the meal, he is not sitting down in the chair. It has remained empty throughout the scene which shows his conservative attitude towards the Arab.