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Early History of Cinema

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Presentation on theme: "Early History of Cinema"— Presentation transcript:

1 Early History of Cinema
Presentation by Chris Schloemp Information by Tim Dirks

2 The Birth of Cinema 1891--William Dickson, an assistant to Thomas Edison designs Kinetoscope 1892--Kinetograph, camera with sprocket system 1893--”Black Maria”, first film studio in New Jersey 1894--Fred Ott’s Sneeze 1896--The Kiss

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4 The Lumiere Brothers Louis and Auguste Inspired by Edison
Cinematographe--could project to many spectators December 28, first commercial exhibition of a projected motion picture to a paying public in the world’s first movie theater

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6 Lumiere Films La Sortie des Ouviers de L’Usine Lumiere (Workers Leaving the Lumiere Factory) L’Arroseur Arrose (The Sprinkler Sprinkled) The Arrival of a Train Short, slice-of-life documentaries

7 Georges Melies Set up Europe’s first film studio in 1897
1902--Le Voyage Dans la Lune (Trip to the Moon) Pioneer in illusion and fantasy: trick photography, dissolves, wipes, trick sets, stop-motion, slow-motion, and fadeouts

8 Further US Development
Edison Company, Biograph, American Vitagraph Company Edwin Porter, first American documentary: The Life of an American Fireman (1903) 1903--Porter directs The Great Train Robbery

9 Great Milestones First narrative film with storyline
First film shot out of sequence First use of cross-cutting First Western First smash hit

10 Nickelodeons Spend an evening at the cinema for a nickel
First nickelodeon in Pittsburgh, 1905 Cheap entertainment for the working class

11 D.W. Griffith: Early Pioneer
“Father of Film”--first cinematic storyteller Joined Biograph in 1908, made 60 films in 1909 Created modern language of cinema: composed shots, camera movement, split screen, flashbacks, dissolves, lens filters, and artificial lighting

12 The Motion Picture Patents Company
1908--East-Coast companies formed MPPC to monopolize the growing industry Protected profits, limited artistic freedom, fought movie piracy, reduced power of distributors Refused to give screen credit to players Signed contract with George Eastman for exclusive right to his famed film stock

13 IMP and Universal MPPC fought by the independents, led by Carl Laemmle
Founded Independent Moving Pictures (IMP) 1911--IMP acquires first studio in Hollywood (later Universal) 1913--Traffic in Souls, about white slavery

14 East Coast vs. West Coast
Laemmle encouraged US government to bring anti-trust suit against MPPC 1907--first film shot in Los Angeles 1911--Nestor Company becomes first West Coast motion picture studio film companies operating in Hollywood 1917--Supreme Court disbands MPPC

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16 Vitagraph Early 1900s, major competitor with Edison
Became known for filming historical events: Roosevelt’s charge up San Juan Hill, the Boer War in South Africa, the Galveston flood of 1900, McKinley’s assassination in 1901, and the San Francisco earthquake of 1906 Eventually absorbed in Warner Bros. in 1925

17 Carl Laemmle and Universal
Founder of IMP and Universal Cinema taken over by entrepreneurs Responsible for creating the “star system” Actors now earned screen credits Florence Lawrence and Mary Pickford first movie stars, under Laemmle

18 Fan Magazines Photoplay, first true fan magazine debuted in 1911
Gave rise to the idea of celebrity culture Interviews and gossip columns about personal lives of stars

19 Serials Films released in episodic installments extremely popular in period before WWI Death-defying stunts, speedy plots, sensationalism, nice-girl leads in distress 1914--The Perils of Pauline 1914--The Exploits of Elaine 1915--Theda Bara became new movie archetype: the “vamp,” the first tempting sex symbol

20 Thomas Harper Ince Developed the “factory-studio system” to mass produce films Supervised Bison Company (Inceville) a 20,000 acre ranch in the Santa Ynez Canyon Prototype for Hollywood studio: studio head, directors, production staff, writers under one organization (the unit system) Died 1924, mysteriously, on Hearst’s yacht (See the 2002 film The Cat’s Meow)

21 Keystone and Mack Sennett
Trademark slapstick comedies Canadian vaudevillian Mack Sennett, the “King of Comedy” 1913--first of the Keystone Comedies 1914--Tillie’s Punctured Romance--first American feature-length comedy

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23 Charlie Chaplin: the Tramp
First truly great film star British vaudevillian Apprentice to Sennett in 1913 Established familiar tramp character with characteristic walk in The Tramp (1915) 1917--first million-dollar contract

24 Griffith’s Landmark Epics
1915--Birth of a Nation Beautifully-structured battle scenes Revolutionary techniques: dollying, masking, irises, flashbacks, cross-cuts 1916--Intolerance Four interwoven stories of intolerance (modern, medieval, Judean, Babylonian)


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