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Quizzle: Tell me all you can about each.
For example: iconography, style, content Who, what, where, when, why, and how? {best you can} Right Left
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Bonus: Tell about these two: what, where, when, who, why, how…
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Northern Europe In the Fifteenth Century Part II
The Northern Renaissance: Humanism & Ars Nova Portraiture, Realism, Disguised Symbolism
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Europe in the 15th Century
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JAN VAN EYCK, Man in a Red Turban, 1433
JAN VAN EYCK, Man in a Red Turban, Oil on wood, 1’ 1 1/8” X 10 1/4". National Gallery, London.
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Jan van Eyck,Portrait of Margaret van Eyck, Bruges, 1439
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Jan van Eyck, Madonna of Chancellor Rolin, Paris, Louvre, c1434
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ROGIER VAN DER WEYDEN, Deposition, center panel of a triptych from Notre-Dame, Louvain, Belgium, ca Oil on wood, 7’ 3" X 8’ 7". Museo del Prado, Madrid. 12 12
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ROGIER VAN DER WEYDEN, Saint Luke Drawing the Virgin, ca. 1435-1440
ROGIER VAN DER WEYDEN, Saint Luke Drawing the Virgin, ca Oil and tempera on wood, 4’ 6 1/8” X 3’ 7 5/8”. Museum of Fine Arts, Boston. 14
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ROGIER VAN DER WEYDEN, Portrait of a Lady, ca. 1460
ROGIER VAN DER WEYDEN, Portrait of a Lady, ca Oil on panel, 1’ 1 3/8" X 10 1/16". National Gallery, Washington, D.C. 16
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PETRUS CHRISTUS, A Goldsmith in His Shop, 1449. Oil on wood, approx
PETRUS CHRISTUS, A Goldsmith in His Shop, Oil on wood, approx. 3’ 3" X 2’ 10". Metropolitan Museum of Art, New York 17
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DIRK BOUTS, Last Supper central panel of the Altarpiece of the Holy Sacrament, Saint Peter’s, Louvain, Belgium, 1464–1468. Oil on wood, 6’ X 5’. 18
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HUGO VAN DER GOES, Portinari Altarpiece (open), from Sant’Egidio, Florence, Italy, ca Tempera and oil on wood, 8’ 3 1/2" X 10’ center panel, 8’ 3 1/2" X 4’ 7 1/2" (each wing). Galleria degli Uffizi, Florence.
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HUGO VAN DER GOES, Portinari Altarpiece (open), from Sant’Egidio, Florence, Italy, ca Tempera and oil on wood, 8’ 3 1/2" X 10’ center panel, 8’ 3 1/2" X 4’ 7 1/2" (each wing). Galleria degli Uffizi, Florence.
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HANS MEMLING, Virgin with Saints and Angels, center panel of the Saint John Altarpiece, Hospitaal Sint Jan, Bruges, Belgium, Oil on wood, 5’ 7 3/4" X 5’ 7 3/4" (center panel), 5’ 7 3/4" X 2’ 7 1/8" (each wing). 29
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Geertgen tot sint Jans, Nativity at Night, 1484-90, London, NG, 13”x10”
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Geertgen tot Sint Jans, Mary & Child, 3 Attributes of Mary, 1480’s, Rotterdam, van Beuningen Mus., 11”x8”
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JEAN FOUQUET, Melun Diptych
JEAN FOUQUET, Melun Diptych. Étienne Chevalier and Saint Stephen, (left wing), ca Oil on wood, 3’ 1/2” X 2’ 9 1/2”. Gemäldegalerie, Staatliche Museen, Berlin. Virgin and Child, (right wing) ca Oil on wood, 3’ 1 1/4” X 2’ 9 1/2”. Koninklijk Museum voor Schone Kunsten, Antwerp. 32
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Mary enthroned modelled on Agnes Sorel, mistress of King Charles VII of France
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KONRAD WITZ, Miraculous Draught of Fish, from the Altarpiece of Saint Peter, Cathedral of St. Peter, Geneva, Switzerland, Oil on wood, approx. 4’ 3” X 5’ 1”. 34
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VEIT STOSS, The Death and Assumption of the Virgin (wings open), church of Saint Mary, Kraków, Poland, 1477–1489. Painted and gilded wood, central panel 23’ 9” high. 35
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TILMAN RIEMENSCHNEIDER, The Assumption of the Virgin, center panel of the Creglingen Altarpiece, Herrgottskirche, Creglingen, Germany, ca. 1495–1499. Lindenwood, 6’ 1” wide. 36
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MICHEL WOLGEMUT and shop, Tarvisium, page from the so-called Nuremberg Chronicle, Woodcut,1’ 2” X 9”. Printed by ANTON KOBERGER. 37
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MARTIN SCHONGAUER, Saint Anthony Tormented by Demons, ca. 1480–1490
MARTIN SCHONGAUER, Saint Anthony Tormented by Demons, ca. 1480–1490. Engraving, 1’ 1/4" X 9". 38
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