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Greek Drama: Historical Context Origins & Subject Matter

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1 Greek Drama: Historical Context Origins & Subject Matter
The Greek Theater Sophocles & the Tragedians Structure

2 Historical Context c. 1300-1200 B.C. Trojan War (10 years)
c B.C. Homeric Greece c B.C. Archaic Period (Athens vs. Sparta) c B.C. “The Golden Age”

3 Athens: 5th Century B.C. Raphael’s The school of Athens

4 Government/Society “Golden Age of Pericles” (461-430 B.C.)
Representative democracy Women lacked voting rights Domestic slaves Courts of Law Sporting Events

5 Culture Poetry Drama Painting Sculpture Architecture

6 Science & philosophy Socrates (469-399 B.C.) Plato (427-347 B.C.)
Empedocles (earth/air/fire/water) & Hippocrates (blood/phlegm/bile/black bile) Socrates ( B.C.) Plato ( B.C.) Aristotle ( B.C.)

7 Origins of Greek Drama Dithyramb: improvisational choral poem in honor of Dionysus, god of fertility/wine/drama

8 Satyrs: mythological attendants of Dionysus (pointed ears, horns, goat legs)
Satyr-Play: celebrates lecherous living and indecent pleasures (sex, drinking)

9 Thespis: Father of Greek Drama (534 B.C.) Dionysian Festivals:
(Actor in addition to traditional dancers) Dionysian Festivals: Boisterous revelry  serious, philosophical Playwriting competitions 3 related tragedies + 1 satyr-play Three times per year City Dionysia (spring) (17,000 people)

10 Subject matter Generally based on Classical Mythology
Religious/Moral Quality Dramatic Irony

11 The Greek Theater

12 Teatro Greco, Taormina, Sicily

13 Theater of Dionysus, Athens, Greece

14 Greek Theater, Berkeley, CA

15 eccyclema deus ex machina

16 Actors Males only Elaborate costumes (long, flowing robes) and high boots w/ raised soles Masks – represented the dominant emotion of character Number of actors on stage never exceeded three

17 The chorus Representative of typical Athenian citizens
Alternating lyrics: strophe (“movement”) & antistrophe (“counter-movement”) Functions of Chorus: Sets tone/atmosphere of the play through their reactions to the action Questions new characters coming on stage as to their purpose/identity Adds beauty/theatrical effectiveness through song and dance

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19 Sophocles Born in Colonus, outside of Athens Wrote 120 plays
Won “first prize” 18 times 7 plays remain: Ajax Antigone Electra Oedipus the King The Trachiniae Philoctetes Oedipus at Colonus

20 Themes of Sophocles Supremacy and inscrutability of the gods
Faith in a moral order of the universe Suffering as an inherent part of the human condition Belief in the potential dignity of man

21 Structure of tragedy Prologos (pp.9-10) Parados (pp. 21-23)
1st Episode (pp ) 1st Stasimon (p. 36)) 2nd Episode (pp ) 2nd Stasimon (pp ) 3rd Episode (pp ) 3rd Stasimon (p. 67) 4th Episode (pp 4th Stasimon (p. 73) Exodos (pp )

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