1. Haptic and visual art

2. PREFACE
To produce Art pieces which are a source of pleasure visually and as well as a source of sensation.

3. OBJECTIVE Art for all. To build up a culture reducing the gap.
Therapy and meditation for all.
To develop collaboration and cross pollination of ideas.

4. DENOTATION
 it is an attitude to take things into our consideration how we perceive things with our senses.While dealing with shapes ,color,material and texture there is more important aspect of design which is not to design but how to make someone sense a thing.This creative awakening of human senses is called the design of senses.

5. Art is always viewed through two perspectives one of the artist and other of the viewer. Visual art totally rely upon the sense of perception.

6. VISUAL ARTS
the arts created primarily for visual perc eption, as drawing, graphics ,painting, sculpture, and the decorative arts.

7. FRAMEWORK It is considered to be forefront for modernism.
It developed new means to express psycological truth and ideas.
Symbolists can take the ineffable i.e dreams and vision and give them new forms.

8. PATTERNS
Patterns are an outward manifestation of an ordered structure and are as clues as to things are organized and connected .

9. INSPIRATIONAL PHOTOGRAPHY

12. READING GUIDE
DESIGNING DESIGN BY KENYA HARA

13. For hara, design is about igniting the senses, using them to change our perception of that which is around us, and how things could be.

14. JUSEPE DE RIBERA
 created a series of paintings depicting the five senses
 comparison between tactile and descriptive qualities of painting and sculpture.

15. BRAILLE
Braille is a system of touch reading and writing for blind persons in which raised dots represent the letters of the alphabets . Visually impaired people move their hands on braille and get the feeling what's written.

16. ROY NACHUM
He paints pixels one by one to form a art piece combined with oil paintings.
Experimenting with color-blindness tests and reflective props, Nachum urges viewers with sight to confront their own vision limitations.

17. ART DEVELOPMENT