1. POETIC TERMS

2. A reference to a historical figure, place, or event.
ALLUSION
A reference to a historical figure, place, or event.

3. The teams competed in a David and Goliath struggle.
ALLUSION
The teams competed in a David and Goliath struggle.

4. ANALOGY
A broad comparison between two basically different things that have some points in common.

5. ANALOGY
Aspirations toward space are not new. Consider the worm that becomes a butterfly.

6. Ballad and Blank Verse Ballad: Blank Verse:
A song-like poem that tells a story
Blank Verse:
Poetry written in unrhymed, ten-syllable lines

7. A Few More . . . Concrete Poem: Figurative Language: Free Verse:
A poem with a shape that suggests its subject
Figurative Language:
Writing that is not meant to be taken literally
Free Verse:
Poetry not written in a regular rhythmical pattern or meter
Haiku: A three-lined Japanese verse

8. SIMILE
A direct comparison between two basically different things. A simile is introduced by the words “like” or “as”.

9. My love is like a red, red rose.
SIMILE
My love is like a red, red rose.

10. METAPHOR
An implied comparison between two basically different things. Is not introduced with the words “like” or “as”.

11. His eyes were daggers that cut right through me.
METAPHOR
His eyes were daggers that cut right through me.

12. Lyric Poem
Highly musical verse that expresses the observations and feelings of a single speaker

13. Extended Metaphor
a comparison developed over several lines of poetry.

14. & More . . . Onomatopoeia: The use of words that imitate sounds
Example: The buzz of the bee was very loud.

15. Narrative Poem
A story told in verse

16. Four R’s
Refrain:
A regularly repeated line or group of lines in a poem
Rhyme:
Repetition of sounds at the end of words
Rhyme Scheme:
A regular pattern of rhyming words in a poem
Rhythm:
Pattern of beats or stresses in spoken or written language

17. Stanza
A formal division of lines in a poem considered as a unit

18. A great exaggeration to emphasize strong feeling.
HYPERBOLE
A great exaggeration to emphasize strong feeling.

19. I will love you until all the seas go dry.
HYPERBOLE
I will love you until all the seas go dry.

20. PERSONIFICATION
Human characteristics are given to non-human animals, objects, or ideas.

21. My stereo walked out of my car.
PERSONIFICATION
My stereo walked out of my car.

22. APOSTROPHE
An absent person or inanimate object is directly spoken to as though they were present.

23. APOSTROPHE
Brutus: “Ceasar, now be still. I killed not thee with half so good a will.”

24. A part stands for the whole or vice versa.
SYNECDOCHE
A part stands for the whole or vice versa.

25. The hands that created the work of art were masterful.
SYNECDOCHE
The hands that created the work of art were masterful.

26. Hints given to the reader of what is to come.
FORESHADOWING
Hints given to the reader of what is to come.

27. “The stalwart hero was doomed to suffer the destined end of his days.”
FORESHADOWING
“The stalwart hero was doomed to suffer the destined end of his days.”

28. The use of concrete details that appeal to the five senses.
IMAGERY
The use of concrete details that appeal to the five senses.

29. Cold, wet leaves floating on moss-colored water.
IMAGERY
Cold, wet leaves floating on moss-colored water.

30. IRONY
A contrast between what is said and what is meant. Also, when things turn out different than what is expected.

31. IRONY
“The treacherous instrument is in thy hand, unbated and envenomed. The foul practice has turned itself on me.” Laertes

32. The overall atmosphere or prevailing emotional feeling of a work.
MOOD
The overall atmosphere or prevailing emotional feeling of a work.

33. “It was the best of times, it was the worst of times.”
MOOD
“It was the best of times, it was the worst of times.”

34. A seemingly self-contradictory statement that still is true.
PARADOX
A seemingly self-contradictory statement that still is true.

35. The more we learn, the less we know.
PARADOX
The more we learn, the less we know.

36. PLOT
A series of events that present and resolve a conflict. The story being told.

37. PLOT
The plot of “The Most Dangerous Game” is that Rainsford is being hunted by General Zaroff.

38. The vantage point from which an author presents the action in a work.
POINT OF VIEW
The vantage point from which an author presents the action in a work.

39. 1st person-tale related by a character in the story. “I or me”
POINT OF VIEW
1st person-tale related by a character in the story. “I or me”
3rd person-story told by someone not participating in the plot. “he, she, they” Third person can be omniscient; all-knowing, all-seeing

40. The repetition of identical sounds at the ends of lines of poetry.
END RHYME
The repetition of identical sounds at the ends of lines of poetry.

41. “He clasps the crag with crooked hands
END RHYME
“He clasps the crag with crooked hands
Close to the sun in lonely lands”
from “The Eagle”

42. The repetition of identical sounds within a line of poetry.
INTERNAL RHYME
The repetition of identical sounds within a line of poetry.

43. INTERNAL RHYME “We three shall flee across the sea to Italy.” Or
“Hold infinity in the palm of your hand
And eternity in an hour.”

44. SLANT RHYME
A slant rhyme or half rhyme occurs when the vowel sounds are not quite identical.

45. “And on that cheek and o’er that brow” A mind at peace with all below”
SLANT RHYME
“And on that cheek and o’er that brow”
A mind at peace with all below”

46. SETTING
The time (both the time of day and period in history) and place in which the action of a literary work takes place.

47. “Tiger! Tiger! burning bright In the forests of the night”
SETTING
“Tiger! Tiger! burning bright
In the forests of the night”

48. REPETITION
The repeating of a sound, word, phrase, or more in a given literary work.

49. REPETITION “I sprang to the stirrup, and Jarvis, and he;
I galloped, Derrick galloped, we galloped all three”

50. The repetition of consonant sounds at the beginnings of words.
ALLITERATION
The repetition of consonant sounds at the beginnings of words.

51. “Swiftly, swiftly flew the ship”
ALLITERATION
“Swiftly, swiftly flew the ship”

52. ASSONANCE
The repetition of similar vowel sounds followed by different consonant.

53. “. . .that hoard, and sleep, and feed, and know not me.”
ASSONANCE
“. . .that hoard, and sleep, and feed, and know not me.”

54. CONSONANCE
The repetition of consonant sounds that are preceded by different vowel sounds.

55. “Wherever we go Silence will fall like dews”
CONSONANCE
“Wherever we go
Silence will fall like dews”

56. ONOMATOPOEIA
The use of words whose sounds suggest the sounds made by objects or activities.

57. “Blind eyes could blaze like meteors”
Other examples:
buzz, hum, kiss
ONOMATOPOEIA
“Blind eyes could blaze like meteors”

58. SYMBOL/SYMBOLISM
Something concrete, such as an object, character, or scene that stands for something abstract such as a concept or an idea.

59. SYMBOL/SYMBOLISM “Do not go gentle into that good night
Both phrases are symbols that
stand for death.
SYMBOL/SYMBOLISM
“Do not go gentle into that good night
Rage, Rage against the dying of the light”

60. The main idea or underlying meaning of a literary work.
THEME
The main idea or underlying meaning of a literary work.

61. “Don’t judge a man until you’ve walked a mile in his shoes”
THEME
“Don’t judge a man until you’ve walked a mile in his shoes”

62. CONCEIT
Comparing two very dissimilar things. Usually involves cleverness and ingenuity.

63. “Our love is like parallel lines”
This is also a simile.
CONCEIT
“Our love is like parallel lines”

64. METONYMY
A term naming an object is substituted for another word with which it is closely associated.

65. “Only through the sweat of your brow can you achieve success”
“Sweat” stands for hard work.
METONYMY
“Only through the sweat of your brow can you achieve success”

66. A pair of rhymed verse lines that contain a complete thought.
HEROIC COUPLET
A pair of rhymed verse lines that contain a complete thought.

67. HEROIC COUPLET “But if the while I think on thee, dear friend,
All losses are restor’d and sorrows end.”

68. Introduction to “Hearing” Poetry
meter – comes from the Greek term for measure
poetry written in a regular pattern of stressed and unstressed syllables
the recognition and naming of broad wave patterns in lines of verse (like waves on the shore or the wave patterns of sounds in physics)

69. Meter continued
there are a succession of lines or sentences that have the same metrical pattern, but is not necessarily exactly rhythmically identical
lines are repeated again and again in the same broad rhythmical patterns, creating a rhythmical unit
eg: “To this I witness call the fools of Time
Which die for goodness, who have lived for crime.”

70. Poetry has Feet
the technical meaning – has one stressed syllable and one or more unstressed syllables
is a measurable, patterned, conventional unit of poetic rhythm
the non-technical meaning – connected to how we walk
pattern and rhythm of steps equal to pattern and rhythm of poems
rhythm of music connected to movement of body and rhythmical pattern of movement

71. Scansion
the system of using symbols to represent stressed and unstressed patterns in a poem in order to be able to “read” the poem
gives the broad wave pattern, but doesn’t define the individual wave or pattern

72. Kinds of patterns
iamb(ic) – unstressed syllable followed by a stressed syllable
* ‘ * ‘
The way a crow
* ‘ * ‘
Shook down on me.

73. Trochee(trochaic) stressed followed by unstressed ‘ * ‘ * ‘ * ‘ *
‘ * ‘ * ‘ * ‘ *
Once upon a midnight dreary

74. Anapest (anapestic)
has two unstressed syllables followed by a stressed one
* * ‘ * * ‘ * * The Assyr/ ian came down/ like a
‘ * * ‘
wolf/ on the fold,

75. Dactyl one stressed followed by two unstressed ‘ * * ‘ * * ‘ **
‘ * * ‘ * * ‘ **
Hickory, dickory, dock

76. Spondee (spondaic) is a foot composed of stressed syllables
‘ ‘ ‘ ‘ ‘ ‘
We, real, cool. We left school.

77. Pyrrhic three unstressed followed by a stressed * * * ‘ * * * ‘
* * * ‘ * * * ‘
At their/return,/up the/high strand,/