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Eadweard Muybridge. Annie G, Cantering, Saddled. December 1887.
sheet: 19 x 24 in., image: 7 1/2 x 16 1/8 in.
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Poster for the Cinématographe, with the Lumière Brothers film L’Arroseur arrosé (Waterer and Watered ) on screen
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Walker Evans. Roadside Store between Tuscaloosa and Greensboro, Alabama. 1936.
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Unidentified Photographer. Camera Obscura.
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Photogenic Drawing – Process invented by William Talbot in which a negative image is fixed to paper.
Daguerreotype – One of the earliest forms of photography, made on a copper plate polished with silver. Calotype – The first photographic process to use a negative image. Wet-plate collodion process - A photographic process, developed around 1850, that allowed for short exposure times and quick development of the print.
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William Henry Fox Talbot. Mimosoidea Suchas, Acacia. c. 1839.
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Louis Jacques Mandé Daguerre. Le Boulevard du Temple. 1839.
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Richard Beard. Maria Edgeworth. 1841.
2 1/8 x 1 3/4 in.
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William Henry Fox Talbot. The Open Door. 1843.
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Julia Margaret Cameron. Portrait of Thomas Carlyle. 1863.
10 x 8 in.
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Timothy O’Sullivan. Harvest of Death, Gettysburg, Pa. 1863.
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An-My Lê. Small Wars (ambush I). 1999–2002.
26 x 37 1/2 in.
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Jerry N. Uelsmann. Untitled.
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Jerry N. Uelsmann. Untitled.
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Jerry N. Uelsmann. Untitled.
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Jerry N. Uelsmann. Untitled (first version).
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Jerry N. Uelsmann. Untitled (second version).
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Joel Meyerowitz. Porch, Provincetown. 1977.
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Annie Leibovitz. Karen Finley at her home in Nyack, New York. 1992.
39 1/16 x 49 1/8 in.
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Andreas Gursky. 99 Cent 81 1/2 x 132 5/8 in.
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Fernand Léger. Ballet Mécanique. 1924.
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Traveling shot – In film, a shot in which the camera moves back to front or front to back (D W Griffith). Montage – The sequencing of widely disparate images to create a fast-paced, multifaceted image. (Odessa Steps Sequence)
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D. W. Griffith. battle scene from The Birth of a Nation. 1915.
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Sergei Eisenstein. Still from Battleship Potemkin. 1925. https://www
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Janet Leigh. Scene still from Psycho
Janet Leigh. Scene still from Psycho. Directed and produced by Alfred Hitchcock
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Charlie Chaplin in The Gold Rush. 1925.
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William Cameron Menzies, Art Director for Gone With The Wind, His Storyboards
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Closer Look: Choose an artist(s) from this chapter that you find the most interesting. Write a detailed paragraph about the artist’s media (photography, film, video), the artist's intentions and what the work means to you.
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