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Impressionism
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Sought to paint “impressions” of what the eye actually sees
Subjects: atmospheric conditions, seasons, times of day Used small dabs of color; we mix the colors with our eyes
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Monet
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Monet
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IMPRESSION: SUNRISE. Claude Monet. 1872.
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Renoir Concerned with composition
More solid forms and structural design Disregard for linear perspective Subjects were middle class people, leisure activities
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The LUNCHEON OF THE BOATING PARTY. Renoir. 1881.
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Degas Expression and contemporary life Composition
Cut figures at the edge Asymmetry Empty center Diagonals suggesting movement
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Degas
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THE BALLET CLASS. Edgar Degas. 1879 – 1880.
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Mary Cassatt Feminism Simplicity and bold design Almost flat shapes
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Cassatt
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Cassatt
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Cassatt
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Post - Impressionists Started around 1885
Individual reactions to impressionism No shared style Van Gogh, Gauguin, Seurat and Cezanne
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Van Gogh Personal expression Open brushwork Pure color
Rhythmic movement Simplified shapes and flat color areas
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THE STARRY NIGHT. Vincent van Gogh. 1889.
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Gauguin Worked as a stockbroker Subject from his mind
Intentional shallow space Flat shapes Minimized shadows
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