1. Spoken word

2. What is spoken word?
It is poetry intended for onstage performance, rather than exclusively designed for the page. While often associated with hip-hop culture, it also has strong ties to storytelling, modern poetry, post-modern performance, and monologue theatre, as well as jazz, blues, and folk music.

3. Due to its immediacy and direct rapport with its audience, this type of poetry often contains references to current events and issues relevant to a contemporary audience.
This means that the subject matter is often confrontational and can be upsetting to those performing and those listening. Often people speak about issues that means something to them, something they are passionate about. Perhaps something they want changed or simply want others to be aware of it all.
Think social issues, politics, the refugee problem etc.

4. At its best, spoken word is a powerful, high-energy form of expression that attracts artists and audiences of all ages from a wide range of disciplines and socio-cultural backgrounds.

5. When writing a spoken word piece use words and phrases that project onto the minds of the listeners like vivid images, sounds, actions and other sensations. If your poem is rich with imagery, your listeners will see, smell, feel and maybe even taste what you’re telling them.

6. Choose a subject and have attitude.
No attitude, no poem! Feelings and opinions give poetry its “richness.” Each poet has a unique perspective and view of the world that no one else has. It is important that a spoken word poem embodies the courage necessary to share one’s self with the rest of the world. The key here is to build confidence. We must acknowledge ourselves as writers and understand what we have to say is important. Practice. Practice. Practice.  

7. Pick your poetic devices.
Poems that get attention are ones that incorporate simple, but powerful poetic elements. Repetition is a device that can help a writer generate exciting poems with just repeating a key phrase or image. Rhyming can enrich your diction and performance. Rhythm is important, when a sentence is spoken quickly it feels rushed, uncomfortable, maybe even overwhelming. When spoken slowly each word is important, the audience will listen intently. Pitch speaks about how high or low your voice will project each word. Dynamics are also important. When spoken loudly one will assume anger or passion, when spoke quietly one will feel that it is a secret or incredibly important.

8. Performance.
Spoken word poems are written to be performed. After your poem is written, practice performing the poem with the elements of good stage presence in mind.  It is important to maintain eye contact: Don’t stare at the floor, or hide behind a piece of paper/phone. From time to time, look into the eyes of people in the audience to capture their attention. Projection is also crucial, so remember to speak loudly and clearly so that your voice can be heard from a distance. Enunciation helps the listeners to hear exactly what you say. Don’t mumble. Speak clearly and distinctly so that the audience can understand what you are saying. Facial Expressions help animate your poem. You’re not a statue: smile if you’re reading something happy. Look angry if your poem is about anger. This might sound silly, but using the appropriate facial expressions help express various emotions in your performance. Gestures such as hand motions and body movements emphasize different elements of your performance. Choose the right gestures for your poem.

9. Memorization
Once you’ve memorized your spoken word piece, you can devote more time to your performance. Memorization allows you to be truly in touch with the meaning and the emotional content of your poem, even if you forget a word or a line you can improvise (freestyle), which is one of the most important elements of spoken word.

10. To this day

11. Self Evident

12. The 4:00 am Mystery

13. Beach Bodies

14. If I should have a daughter

15. This type of love

16. Lost Voices

17. Dear future generation: sorry

18. Dear Young Man of Color

19. Letters to my son

20. Somewhere in America