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Drama Vocabulary!
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Dramatic Structure: Freytag’s Pyramid
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exposition = necessary background information
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rising action = actions that build suspense and lead to the climax
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climax = turning point; moment of highest tension or drama; everything builds to this point!
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falling action = deals with the effects of the climax
reversal = the opposite of what was expected occurs
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the “untying” of the plot
dénouement = the resolution; the “untying” of the plot
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Dramatis Personae = the list of characters in a play
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protagonist = the main character
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antagonist = the person or thing that gets in the way of the protagonist’s goal
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foil = acting role that is used for personality contrast, usually with the protagonist
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principals = the main characters in a play OR the named characters in a musical
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bit part = an acting role with very few lines
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juvenile = a young male leading role
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ingénue = a young female leading role
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straight part = a character that is just an average person; usually serious (not wacky or exaggerated)
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character part = A funny, scary, or otherwise exaggerated role (often stands out more than the straight part)
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typecasting = a process in which an actor becomes closely identified with a role or style of role
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Actors’ Equity Association (AEA)
A union for stage actors (principals and chorus) and stage managers (over 48,000 right now) Called “Equity”
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Antoinette Perry actress and director
1947 = first theatre awards show; named after her (the Tony Award)
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The Areas of the Stage
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aside= a character’s brief remark intended only for the audience to hear; supposedly not heard by other characters on stage
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book= the script of the play
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blocking= arranging of major movements of actors on stage, usually done by the director
(i.e. walk here, sit there, stand when you say that)
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business= small movements that actors make, often with props, to convey real-life behavior
(i.e. reading the paper, washing dishes, putting on make-up)
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callback call-back = a second-round audition (sometimes more than two rounds)
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cheating out = angling the body toward the audience so they can see and hear you better!
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cold reading = an audition in which unfamiliar material is read (i. e
cold reading = an audition in which unfamiliar material is read (i.e. a scene from the play)
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cue = action or dialogue that signals the next action or line
curtain call = “taking a bow” at the end of a performance
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dress rehearsal = rehearsal using costumes, props, tech, etc
dress rehearsal = rehearsal using costumes, props, tech, etc.; final rehearsals without an audience
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fourth wall = the imaginary wall that separates the audience and the playing area
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headshot = an 8x10 photograph of an actor used for auditions; résumé on back
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improvisation – acting without a fixed text and without preparation
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monologue = a long speech by one character who may or may not be alone
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playwright (playwriting)
“wright” = to build
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projection= the ability to control the voice’s volume and quality so that it can be heard clearly
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props= objects used by actors on stage; usually small and hand-held
(short for “properties”)
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royalties = payment given to a playwright for permission to perform his/her play
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soliloquy = a speech given by one character who is alone (usually reveals his thoughts to the audience)
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strike = to remove something from the stage
to tear down the set after a production closes
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tech rehearsal = rehearsal for focusing on technical elements of a production (sound, lights, set, props) dry tech (no actors); cue-to-cue
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understudy = an actor who is able to step in and replace an absent actor
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upstaging = To stand upstage of someone, forcing him to turn his back to audience To steal focus from the actor who should have it
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Theatre Superstitions
It is good luck to say “break a leg” have a ghost light have a cat backstage
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It is bad luck to wish someone “good luck” whistle backstage
wear green onstage use real mirrors, jewelry, or flowers onstage speak the last line of a play before opening place shoes or hats on table in dressing room clean your make-up box say the name of “the Scottish play”
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apron = the front area of a stage that extends past the curtain line
Areas of a Theatre apron = the front area of a stage that extends past the curtain line
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orchestra pit = the lower area in front of and/or underneath the stage where a pit orchestra accompanies performers
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wings = areas to the sides of the stage
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fly space/fly tower = the area above the stage that is out of sight of the audience
Lights are hung here. Scenery for scene changes can be “flown in” from fly space.
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catwalk = an elevated platform used to suspend lighting and sound equipment directed at the stage
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scene shop = a workshop used mainly for building and painting sets
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trap room = large space under the stage; used for trap doors, equipment, and actor crossovers
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green room = the actors’ waiting area backstage
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house = where the audience sits;
“front of house” includes lobby and anywhere the audience goes
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sound and light booth = location of the sound board and the lighting controls
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box office = place where tickets are sold; located in the lobby
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arena stage = a stage surrounded by audience on all sides
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proscenium stage = a stage that has audience on one side
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thrust stage = a stage that has audience on three sides
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