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Constructivism, Precisionism,
Study slides for test Expressionism Fauvism Cubism Dada Surrealism Constructivism, Precisionism, Futurism
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Expressionism
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Dance of Life, Edvard Munch, 1900
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Edvard Munch The Scream, 1893
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Edvard Munch, Jealousy, 1896
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Edvard Munch Madonna 1895
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Kathe Kollwitz Call of Death 1934
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Kathe Kollwitz Infant Mortality 1925
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Ernst Ludwig Kirchner, Two Women in the Street, 1914
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Self Portrait as Soldier 1915 Kirchner
-simplified, angular forms -flattening of space -interplay of positive and negative space
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Max Beckmann, The Night, 1918-19,
"This is one moment in one attic in Germany at the end of World War I. There is no past and no future. The phonograph blares in order to blot out the cries of anguish. Its tune emphasizes the newsreel actuality of this happening: this is the present, this is the world. Max Beckmann, The Night, ,
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Max Beckmann, Christ and the Woman taken in Adultery,
1917 Christ's left hand defends the sinner, pushing back insults and menaces. counterpointed by the passive, soft hands of the adulteress praying in quiet confidence. The mocking, cruelly aggressive forefinger of the clownish scoffer; the rude fists shaking furiously in the air on the left
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Non Objective Art
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Kandinsky, Improvisation 28,1912
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Kandinsky, Composition IV, 1913
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Fauvism
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Matisse, Harmony in Red, 1908-1910
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Matisse, The Red Studio, 1911
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Matisse, Dance, 1910
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André Derain, Charing Cross Bridge, London, 1906
The fauves benefited from the scandalous 1905 Salon d'automne. In a burgeoning market for modern art visibility was key, and everyone knew the "wild beasts." Dealers bought up fauve paintings. Derain was sent to London by his dealer Ambroise Vollard. Vollard particularly wanted Derain to paint some of the same subjects that had occupied impressionist Claude Monet only a few years earlier. Derain felt that several of his London paintings were his most successful fauve works.
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Cubism
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Picasso, Demoiselles d’Avignon, 1907
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Picasso, Ambroise Vollard, 1910
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First Synthetic Cubist work
This phase constitutes the birth of the collage and of papier collé. Picasso invented the collage with his Still Life with Chair Caning, in which he pasted a patch of oil cloth painted with a chair-caning design to the canvas of the piece. . While Braque had previously used lettering in his compositions, the two artists' synthetic pieces greatly developed this idea. Letters that had hinted to the objects, became objects themselves. Newspaper scraps are among the usual items the artists pasted to their canvases, but they also used wallpaper, paper with a wood print, advertisements, or other types of scraps. First Synthetic Cubist work Picasso, Still Life with Chair Caning, 1912
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Marcel Duchamp, Nude Descending Staircase, 1912
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Dada!
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Marcel Ducamp L.H.O.O.Q., 1919
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Duchamp, Bicycle Wheel, 1913 ASSISTED READYMADES
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Duchamp, Fountain, 1917
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Surrealism
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Joan Miro, Harlequins Carnival, 1925
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Salvador Dali, Metamorphosis of Narcissus,1937
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Rene Magritte, Son of Men. 1964
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Marc Chagall, White Crucifix, 1938
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Giorgio de Chirico, Mystery and Melancoly of a Street, 1913
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Futurism
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Giacomo Balla, Dynamism of a Dog on a Leash, 1912
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Umberto Boccioni , Unique Forms in the Continuity of Space, 1913
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Constructivism
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Vladimir Tatlin , Monument 1920 -a symbol of the momentum and unlimited potenial of the Soviet Union -openwork structure of glass and iron was based on a continual spiral to denote humanity’s upward progress. -intended to be 1,300 feet tall , or 300 feet higher than the Eiffel tower -planned for the center of Moscow -since steel was scarce, it remained only a model
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Naum Gabo , Head No. 2, 1916
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Precisionism
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Chimney and Water Tower
Charles Demuth, Chimney and Water Tower (1931)
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Charles Demuth, My Egypt (1927)
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