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Musimatics: Mathematics of Classic Western Harmony - Pythagoras to Bach to Fourier to Today
Robert J. Marks II
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a2 + b2 = c2 Pythagoras (~570 BC) Pythagoras’ Theorem a b
(a+b)2 = c2 + 4 (½ a b ) a2 + b2 + 2ab = c2 + 2ab Thus: a2 + b2 = c2 c
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The music of the spheres.
Pythagorean Cult The music of the spheres. A cult formed around Pythagoras. They taught… (1) that at its deepest level, reality is mathematical in nature, (2) that philosophy can be used for spiritual purification, (3) that the soul can rise to union with the divine, (4) that certain symbols have a mystical significance, and (5) that all brothers of the order should observe strict loyalty and secrecy.
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Aristotle on Pythagoras
Aristotle wrote: “The Pythagorean ... having been brought up in the study of mathematics, thought that things are numbers ... and that the whole cosmos is a scale and a number.”
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The Pythagorean Cult An Example of Math/Science being extrapolated outside of its proper domain. Examples… (1) Determinism from Physics. (2) Social applications of Darwinism. (3) Relativism from Relativity. There are also cases of religion being extrapolated outside of its proper domain. Examples: Flat Earth Heliocentrism
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Pythagorean Music
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Pythagorean Music
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Pythagorean Music ! Tone pairs were most pleasing when the length of the strings were ratios of small numbers.
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Pythagorean Music Pentatonic Scale 1 9/8 5/4 3/2 5/3
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Pythagorean Music C E G B 1 5/4 3/2 15/8 9/8 4/3 5/3 2 D F A C
Major Scale C E G B / / /8 9/ / / D F A C
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Pythagorean Music F A C E 4/3 8/5 1 6/5 3/2 4/3 16/9 8/3 G B D F
Minor Scale F A C E 4/3 8/ /5 3/ /3 16/9 8/3 G B D F
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Music of the Spheres
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Jean Baptiste Joseph Fourier (1768 - 1830)
Contemporary of Napoleon A founder of Egyptology First Suggested the Greenhouse effect Fourier series. Laplace & Lagrange were on his examining committee.
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Vibrating String
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Newton’s Second Law: Dividing:
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The Wave Equation
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The Wave Equation Boundary Conditions: Solution is the Fourier series.
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Fourier Series Solution
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Harmonics : Same as for a vibrating air column m = 3 m = 4 m = 5 m = 6
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This is the initial condition.
Harmonics This is the initial condition.
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Harmonics
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All Bugle Tunes Based on These Four Harmonics
Taps m = 3 m = 4 m = 5 m = 6
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Revelry m = 3 m = 4 m = 5 m = 6 Taps
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Harmonics m = 3 m = 4 m = 5 m = 6
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Harmoneous Assumptions
The smaller the number of the harmonic, the more harmony. Multiply or dividing by powers of 2 gives you the same note in a different octave.
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Building Harmonies subdominant tonic dominant A 5/3 F 4/3 C 1 F 2/3
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Adjusting Octaves subdominant tonic dominant A 5/3 F 4/3 C 1 E 5/4 C 1
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Order the Numbers: A Major Scale!
C E G B / / /8 9/ / / D F A C Ratios of small numbers!
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Multiply by 2n anytime! It simply changes the octave – not the note.
Circle of Fifths Divide by 3 Multiply by 3 Multiply by 2n anytime! It simply changes the octave – not the note. Divide by 5 Multiply by 5
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Circle of Fifths 5/3 Multiply by 5 =A Divide by 3
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Circle of Fifths 53/27 1 125 27/53 = 1.02 =125/128 = 0.98 5 25
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Major Scale by the Numbers...
num den ratio log2(ratio) C 1 1.0000 0.0000 Db D 9 8 1.1250 0.1699 Eb E 5 4 1.2500 0.3219 F 3 1.3333 0.4150 F# G 2 1.5000 0.5850 Ab A 1.6667 0.7370 Bb B 15 1.8750 0.9069 2.0000
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Major Scale by the Numbers...
cool! log2(ratio)
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Building Sub-Harmonies
subdominant tonic dominant D 1/15 F 1/12 B 1/9 F 1/6 F 1/3 A 1/5 C 1/4 F 1/3 C 1/2 C 1 E 3/5 G 3/4 C 1 G 3/2 G 3
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Adjust by Octaves & Order: Minor Scale (Fm)
F A C E 4/3 8/ /5 3/ /9 16/15 8/3 G B D F Ratios of small numbers!
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Add the new notes... num den ratio log2(ratio) C 1 1.000 Db 16 15
num den ratio log2(ratio) C 1 1.000 Db 16 15 1.067 D 9 8 1.125 Eb 6 5 1.200 E 4 1.250 F 3 1.333 F# G 2 1.500 Ab 1.600 A 1.667 Bb 1.778 B 1.875 2.000
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Both Scales by the Numbers...
log2(ratio)
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We have all ratios of small numbers.
num 2 3 5 9 15 1/1 C 3/2 G 5/4 E 9/8 D 15/8 B den 4/3 F 5/3 A 8/5 Ab 6/5 Eb 9/5 ? 16/9 Bb 10/9 ? 16/15 Db REDUNDANT Some fractions between 1 and 2 you can make with 2,3 and 5 raised to small powers.
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Two Values for B B B 9/5 16/9
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We have all ratios of small numbers.
num 2 3 5 9 15 1/1 C 3/2 G 5/4 E 9/8 D 15/8 B den 4/3 F 5/3 A 8/5 Ab 6/5 Eb 9/5 Bb 16/9 Bb 10/9 D 16/15 Db 1.125 1.800 1.111 1.778 REDUNDANT Can’t modulate between keys Inconsistent bummer
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Solution: Temper the Notes
log2(ratio) Make the line fit exactly...
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Solution: Temper the Notes
Divide the octave interval geometrically into 12 equally spaced intervals. Solution: Sanity check: n=12 gives an octave.
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Tempered Frequency The ratio of frequency of two notes is 21/12.
The standard is A above middle C = 440 Hz.
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Bach’s “Well-Tempered Clavier”
Written in all 12 major keys and all 12 minor keys. ( ) Bb minor
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How many chromatic steps are there between frequency f1 and f2 ?
Half Steps Between 2 Frequencies How many chromatic steps are there between frequency f1 and f2 ? ! ? ( )
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Measuring Intervals in Cents
! ? 100 cents = 1 chromatic step ( )
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Circle of Fifths 1 312/219 3/2 311/217 32/23 310/215 312/219=1.013643
23 cents from 1 3/2 311/217 32/23 310/215 33/24 39/214 34/26 38/212 35/27 37/211 36/29 ratio half steps cents C 1.0000 0.0000 Db 1.0679 1.1369 14 D 1.1250 2.0391 4 Eb 1.2014 3.1760 18 E 1.2656 4.0782 8 F 1.3515 5.2151 22 F# 1.4238 6.1173 12 G 1.5000 7.0196 2 Ab 1.6018 8.1564 16 A 1.6875 9.0587 6 Bb 1.8020 20 B 1.8984 10 2.0273 23
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Clockwise Circle of Fifths
ERROR
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How Close is Bach to Pythagoras?
num den ratio 12*log2(ratio) Tempered cents C 1 1.000 Db 16 15 1.067 12 D 9 8 1.125 2 4 Eb 6 5 1.200 3 E 1.250 -14 F 1.333 -2 F# G 1.500 7 Ab 1.600 14 A 1.667 -16 Bb 1.778 10 -4 B 1.875 11 -12 2.000 How Close is Bach to Pythagoras?
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Q: How Close is Bach to Pythagoras?
A: Pretty close. One Chromatic Step cents
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Stringed Instrument Calibration
Recall:
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Stringed Element Calibration
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Fret Calibration
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Harmony vs Melody Tradeoff
Indian Music: Sitar
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The tempered scale, derived for harmony, is used for dissonant music.
Charles Ives Irony Dissonance Schoenberg
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Are there other “good’ scales?
How about 19 notes per octave?
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19 notes per octave... Does it Work?
19 Notes Pythagoras 12 Notes Ratio # Cents Num Den C 1 1.0000 Db 2 -15 16 15 1.0667 1.0595 12 D 3 14 9 8 1.1250 1.1225 4 Eb 5 6 1.2000 1.1892 E 7 1.2500 1.2599 -14 F -7 1.3333 1.3348 -2 10 G 11 1.5000 1.4983 Ab 13 1.6000 1.5874 A 1.6667 1.6818 -16 Bb 1.7778 1.7818 -4 B 17 1.8750 1.8877 -12 18 19 2.0000
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Brother Ray & Cherry Pop Tarts.
19 notes per octave vs Error in cents with respect to the Pythagorean scale: What sounds best? Brother Ray & Cherry Pop Tarts.
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Finish “Truth on a Bus”
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