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Early Christian Part 2
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Figure 11-9 Interior of Santa Costanza, Rome, Italy, ca. 337–351.
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The Roman prototype Here was the central-plan Mausoleum… Figure Longitudinal section (top) and plan (bottom) of Santa Costanza, Rome, Italy, ca. 337–351.
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Figure 11-11 Detail of vault mosaic in the ambulatory of Santa Costanza, Rome, Italy, ca. 337–351.
Symbols with Christian and pagan connotations
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Figure 11-11 Detail Close detail of 2 oxen pulling cart with grapes
© 2005 Saskia Cultural Documentation, Ltd.
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Figure 11-11 Closer detail 4th c
Figure Closer detail 4th c. Ambulatory vault Mosaics: closer view of decorative roundels with putti and birds © 2005 Saskia Cultural Documentation, Ltd.
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Figure Christ as Sol Invictus, detail of a vault mosaic in the Mausoleum of the Julii, Rome, Italy, late third century. Imperial power language Slips to the Christ image
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Figure The parting of Lot and Abraham, mosaic in the nave of Santa Maria Maggiore, Rome, Italy, 432–440. Head clusters (crowd), hierarchy of scale, setting and costume (this time/this place), Solidity/shadows of the figures (of this world) lack of connection to ground (of the spiritual) Flatness and frontality (these are symbols of a sacred idea)
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Figure 11-14 Mausoleum of Galla Placidia, Ravenna, Italy, ca. 425.
Cruciform plan: the plan from above is in the shape of a cross Figure Mausoleum of Galla Placidia, Ravenna, Italy, ca. 425.
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Figure 11-14 Alternate View Closer view from the East
© 2005 Saskia Cultural Documentation, Ltd.
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Transition from banal outer world to glorious spiritual inner world……this
Is a supernatural experience in its time…. Figure Christ as the Good Shepherd, mosaic from the entrance wall of the Mausoleum of Galla Placidia, Ravenna, Italy, ca. 425.
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Figure 11-16 Interior of Sant’Apollinare Nuovo, Ravenna, Italy, dedicated 504.
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Figure Miracle of the loaves and fishes, mosaic from the top register of the nave wall (above the clerestory windows) of Sant’Apollinare Nuovo, Ravenna, Italy, ca. 504. Spiritual gold background
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