1. Creative Industries Presentation By Ahmad Shoura
BraveHeart Film
Creative Industries
Presentation By
Ahmad Shoura

2. Film Industry
Many have noticed the first era of the emergence of the cinema to the importance and the danger of the role they play in guiding people in various directions , changing the social values ​​,ethicals and lifestyle change that they used to , but there are those who considered it beyond the art’s impact and effect in the formation of the human mind and culture in general.

3. The movie Braveheart at the end of the month of May 1995, it was clear that a masterpiece is traditional in essence managed the anxiety that extracted admiration of millions and to impose its position on Hollywood itself even more traditional cinematic standards. The Braveheart includes a revolutionary message to the world, but wrapped in a love story which is wrapped in a war in the armed uprising of the peasants of Scotland at the end of the thirteenth century against the British occupation, in turn it is encapsulated in the Hollywood mold Directed by Mel Gibson Produced by Mel Gibson Written by Randall Wallace Music by James Horner Cinematography John Toll Edited by Steven Rosenblum

4. In 1280, King Edward "Longshanks" (Patrick McGoohan) invades and conquers Scotland after the death of Alexander III of Scotland, who left no heir to the throne. Young William Wallace (James Robinson) witnesses Longshanks' treachery, survives the deaths of his father (Sean Lawlor) and brother (Sandy Nelson), and is taken abroad on a pilgrimage throughout Europe by his paternal Uncle Argyle (Brian Cox), where he is educated. Years later, Longshanks grants his noblemen land and privileges in Scotland, including Prima Nocte (or droit du seigneur, the right of the lord to have sex with female subjects on their wedding nights). Meanwhile, a grown Wallace (Mel Gibson) returns to Scotland and is reunited with his childhood friend, Hamish Campbell (Brendan Gleeson). Wallace falls in love with his other childhood friend, Murron MacClannough (Catherine McCormack); they marry in secret so she will not have to spend the night with the local English lord. Wallace rescues Murron from being raped by English soldiers, but she fights off, Murron is captured and publicly executed by having her throat slit. In retribution, Wallace leads his clan to slaughter the English garrison in his hometown who sent, Isabella of France (Sophie Marceau), to try to negotiate with Wallace, hoping Wallace will kill her and thus draw the French king to declare war. Wallace refuses the bribe sent with Isabella by Longshanks, but after meeting him in person, Isabella becomes enamored of Wallace.

5. Meanwhile, Longshanks prepares an army to invade Scotland.
Warned of the upcoming invasion by Isabella, Wallace implores the Scottish nobility to take immediate action to counter the threat and take back the country. Leading the English army himself, Longshanks confronts the Scots at Falkirk where noblemen Lochlan (John Murtagh) and Mornay (Alun Armstrong) betray Wallace. The Scots lose the battle, and Morrison (Tommy Flanagan) and Campbell, senior (James Cosmo) die at the battle. As Wallace charges toward the departing Longshanks on horseback, he is intercepted by one of the king's lancers, who turns out to be Robert. Remorseful, Robert gets Wallace to safety before the English can capture him. Wallace kills Lochlan and Mornay for their betrayal, and wages a guerrilla war against the English for the next seven years, assisted by Isabella, with whom he eventually has an affair. Robert, intending to join Wallace and commit troops to the war, sets up a meeting with him in Edinburgh. However, Robert's father has conspired with other nobles to capture and hand over Wallace to the English. Learning of his treachery, Robert disowns his father. Isabella exacts revenge on the now terminally ill Longshanks by telling him she is pregnant with Wallace's child, and intent on ending Longshanks' line and ruling in his son's place.
In London, Wallace is brought before an English magistrate (David Gant), tried for high treason, and condemned to public torture and beheading. Even whilst being hanged, drawn and quartered, Wallace refuses to submit to the king. As cries for mercy come from the watching crowd deeply moved by the Scotsman's valor, the magistrate offers him one final chance, asking him only to utter the word, "Mercy", and be granted a quick death. Wallace instead shouts, "Freedom!", and the judge orders his death. Moments before being decapitated, Wallace sees a vision of Murron in the crowd, smiling at him.
In 1314, Robert, now Scotland's king, leads a Scottish army before a ceremonial line of English troops on the fields of Bannockburn, where he is to formally accept English rule. As he begins to ride toward the English, he stops and invokes Wallace's memory, imploring his men to fight with him as they did with Wallace. Robert then leads his army into battle against the stunned English, winning the Scots their freedom

6. Exposed population to severe torture before cutting his head, and fails torturers to make it acknowledges allegiance to the king and Ttrailh picture of his wife among the crowd and hints Safa eyes of a child condemns torment Every ultimately sad he suffered may have wanted her to end the humiliation which he lived his people by refusing to participate in the despicable qualities and to obey the orders .. King orders beheads Wallis and chopping his body into several parts and put households on London Bridge as a warning to the end of the work was one of the guys Wallis and Bruce stand with them to complete Mabdah and his club by Wallis and Tkmenhm finally get their freedom
In Braveheart or British history the analysis of the details and contradictions wide shadows and projections directly annd supported suggestive features and style and symbolic dimensions and trends .. Three hours full Aadei filmmaker from which a lesson in history and Agae formality to film schools Which usually depicting history elusive for providing drama Romntekaya in violence and passion: Mel Gibson drawing board historical very wide Vvlmh life love politics treachery values ​​lost .. Braveheart work of intimate touching and amazing in the merits of the topic area affordable for a young man to open the brutality of the English and Taalehm in dealing with the justice of the cause advocated by people equivalent set him fixed concepts and confirmed the rules and pillars of the old and in the end he could not Bihnaih and purity WNBA for two relationships Alahnountin Aldavitin two meters in his life: relationship core "his wife" and the relationship alternative "Princess of Wales" and drawing late recounted recounted mile Gibson story Man with fatalism conditions that hemmed also noted about the inner world of man and his ambitions .. Vowals is a symbol of the flowing Hoih which leads the rhythm of life in the true balance that stuff to the actual creation of infrastructure animated vitality objectively Objective limit Ustilago framework events Film Braveheart visual Atakhlua pleasures the plastic and leave no visitor's without a shiver , it's pointing to something in the glade colored proportions, a romantic cinematic flavor until the maximum this observation designed to draw a picture of the work in two different modes both Mel to build a pillar blend public film and we mean them transfer the narrative of the literary text to visual text drafted by the director to ensure that liberates even a relatively article literary dry on one hand and face another play of montage like disposition stones of chess centres on depicting the events in the film, which is a shadow of a cinematic journey originated from the performances inside a purely psychological journey surrounded by Gmehaara part in what is happening in Maihl a message to celebrate a time of adventure on the big screen

7. Film Braveheart features exquisitely Altusir "John Toll," the Oscar-winning best picture of the year for film legend Valcecchelat scenography specific types were Achtaaraha that leaves Sometimes the impression like generated colors varies depending on moods to be accessible changing in tune has earned this film its framework illustrious : Visual plates contribute to disease everything from the love story between Wallis and Maran and Ajtmaathma under the moonlight and the end of the epic magnificent scene
Braveheart is interested in form and aesthetic and depth of content and expressed a dream that absorbs, kill it from the bottom of their hearts and great cinematic style shrouded in magic and nostalgia, which is a mature reaction to the emotional line and melody of humanitarian "Altima" å in the film and on the way it is difficult to forget
the funeral of the father of Wallis farewell Alaocetklndeh
Wallis and Maran and idyllic scenes a beautiful nature
Maran return to the dreams and ales
scene of torture and tuberculosis before he was killed
scene eventually detonator strength influential
The film was a tendency for a lot Aastamal symbols: There are most of the footage symbols All words All Votes
All things constitute symbols Tantnzaa film of realism and help understanding and the simplicity of hard life endured by Wallace also features Alcinarua masterly to Randall Wallace privacy and independence Mtafrd Every moving on the plate film formed born of Tlqaih moment and imagination is aware of the font and format: Author inspired Mnachath of Romntekaya paintings petition certain film contained an epic atmosphere provided by Mel
Elegantly as well as magnificent soundtracks developed by James Honz Dear quoting from Alvklor
Alausklnde which played a vital role in bringing the excitement and sense of translational and find a parallel tone up with the escalation of the event and offset the decline

8. Finally , braveheart film is a revolutionary message encapsulated by traditional Hollywood way .when the national liberation movement started by peasants of scottish industrial for activity Squires private interest.
Thank you…