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Lighting for Portrait and Interview Setups
Ian Feinberg Chattahoochee Technical College (770)
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Key to Effective Lighting: Shadow
Shadow gives images form, weight, texture, mood, depth. Also reveals spatial relationships.
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3 considerations before lighting
Key light placement – 180 degrees around subject Quality of light – hard or soft Shadow treatment – low key or high key
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Try to separate subject from background
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3 results of light hitting object
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Typical 3 point lighting diagram
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3 Attributes of Key Light
Primary source of illumination Primary factor of overall exposure Determines placement and quality of shadow
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Floor plan of Portrait Key Light Possibilities
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Quality of Light Refers to hard or soft quality of light
“Pin” or undiffused sources create hard shadows that fall off sharply Soft light is created by using large sources of diffused light. Determined by two attributes Large source Relatively close to subject
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Subject lit from 3:00 Position
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Subject lit from 4:00 Position
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Subject lit from 4:30 Position
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Subject lit from 6:00 Position
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Functions of Fill Light
Fills shadows created by key light Does not create new shadow
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Adding Fill for Portrait Lighting
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Fill Light Without Fill With Fill
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Backlight Hard backlight Soft Backlight
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Background With Background Without Background
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Hard vs. Soft Key Light Hard Soft
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Relative Distance of Soft Light Source
Close Far
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Lighting Dark Skin with Large Sources of Light
Pin Light Source Large Diffused Source
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One Light Setup Use available Light from existing window
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One-Light Setup Available Light One-Light Setup
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One-Light Setup Light directly in front Short Side of Face
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Color Balance Color Temps Mixing Key light with color correction
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Warming the Scene Normal Color Balance Tricking Camera to Produce Warmer Tones
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Using Backlight as Key
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Use Large sources for Specular Reflections
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Backlight as Key Creates Form, Depth, Dynamic Images
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Lighting for Portrait and Interview Setups
Ian Feinberg Chattahoochee Technical College (770)
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