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Music of the Middle East

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Presentation on theme: "Music of the Middle East"— Presentation transcript:

1 Music of the Middle East

2 The Middle East is home to ancient civilizations and three of the major religions on Earth; Christianity, Judaism and Islam.

3 The Middle East It is important to distinguish the major ethnic groups from this area as the cultures differ greatly from one another. Arabic Saudi Arabian Peninsula, Syria, Egypt, Iraq, Lebanon, Jordan Persian Iran Turkish Turkey

4 The Middle East There are three major Islamic sects:
Shi’ah, typically more fundamental Sunni, typically more mainstream Sufi , the mystical branch of Islam Depending on where you are in the Middle East, acceptance and/or avoidance of different musical activities will vary according to the type of religion practiced there. What countries aren’t Islamic in the Middle East?

5 Defining Music In Islamic and Judaic areas in the Middle East, there are different levels of music that exist. Religious “music” is most often solo vocal performance, but it is typically not considered music at all, rather a form of Heightened Speech. Why? Khandan: “to sing, to recite, to read” Recitation from the Koran, “Heightened Speech” Islamic call to prayer Video

6 Defining Music Musiqi:
The term for classical and folk music traditions. This includes types of music that are considered halal, or acceptable, such as… Chanted poetry, music for family celebrations, folk songs, and military music. Other types of music may be considered haram, or unacceptable, such as Western pop music, music for nightclubs, or any style of music that has sexual or taboo content.

7 Listening Activity: Khandan
Listen to “Recitation of the Holy Koran” found in the Middle East Audio File. Follow the Listening Guide in your book as you listen. What Sounds are you hearing? What Behaviors are associated with this musical activity? Is this considered a musical activity by the culture that creates it? What Conceptions or Ideas govern the sounds and behaviors of this musical activity?

8 Characteristics of Middle Eastern Music
The texture of traditional music in the Middle East is either: Monophonic (one melody) or Heterophonic ( multiple variations of one melody). Ornamentations such as bent and embellished notes are frequently used. Timbre is flat, vibrato-less tone, hard-edged, with a raspy quality. Solo vocal music or solo instrumental music dominates. Improvisation is highly valued.

9 Three Unifying Beliefs
Vocal and compositional style is derived from the recitation of the Holy Koran. Music creates a kind of ecstatic, emotional bond between performer and audience. This emotional connection is referred to as tarab. The “suite,” or collection of individual pieces played together, is the major unifying compositional principle.

10 Musicians in Middle Eastern Society
How are professional and amateur musicians viewed differently? How does the venue of a musical performance affect the value and acceptability of the music? In general, the smaller and more private a musical activity is, the more acceptable and valuable it is primarily because music is an emotional activity (tarab). Majles Video A typical private concert event

11 Instruments: Chordophones
Oud (Arabic) Video large pear-shaped lute fretless neck five courses of strings. The oud is found throughout much of the Middle East and is associated with the “classical” tradition Grandfather of all lutes European lute Chinese pipa Japanese biwa

12 Instruments: Chordophones
Bouzouq (Arabic) rounded-bodied plucked lute movable frets three courses of strings, one course for melody and two courses for a drone effect.

13 Instruments: Chordophones
Tar (Persian) Video long-necked, plucked lute movable frets three courses of strings sympathetic strings mulberry wood “bowls” covered in lamb skin

14 Instruments: Chordophones
Kamancheh (Persian) Video small round-bodied, bowed lute 3 silk strings (traditional) or 4 steel strings, fretless commonly called a spike fiddle ancestor to the violin name means “little bow”

15 Instruments: Chordophones
Santour (Persian) Persian hammered zither or dulcimer, struck with two wooden mallets Kanun (Arabic) Arabic plucked zither

16 Instruments: Membranophones
Dombak goblet shaped drums various names in different regions Daff, Riqq frame drums metal symbols are often attached held vertically in hand

17 Instruments: Aerophones
Ney Video end-blown flute made from bamboo Zornah, Surna double-reed flutes

18 Middle Eastern Modal Systems
Maqam (Arabic) Dastgah (Persian) Every mode has a name that either indicates: Origin, Character, or Theoretic practice Every mode consists of a scale or set of pitches, an appropriate time and setting for performance, and an emotional “flavor.” Arabic Taqsim Video A highly improvised song in free-rhythm that explores the mode, or maqam.

19 Listening Activity: Arabic Taqsim
Listen to “Arabic Taqsim” found in the Middle East Audio File. Follow the Listening Guide in your book as you listen. What Sounds are you hearing? What Behaviors are associated with this musical activity? What Conceptions or Ideas govern the sounds and behaviors of this musical activity?

20 Persian Musical Terms Dastgah Gusheh Radif
The mode or system of rules for Persian musical composition and performance. Gusheh Short composed melodies that are memorized and connected within each dastgah. Radif A book containing gusheh for each dastgah by a particular composer.

21 The Persian Suite Pishdaramad Chahar Mezrab Video Avaz Tasnif Video
Introductory piece, composed, metric, ensemble performance Chahar Mezrab Video Composed, metric, solo performance on the santour Avaz Central piece, improvised, metric, vocal or instrumental Tasnif Video Composed, metric, vocal and instrumental ensemble piece Reng The final piece, based on folk dance traditions

22 Listening Activity: Chahar Mezrab
Listen to “Chahar Mezrab” found in the Middle East Audio File. Follow the Listening Guide in your book as you listen. What Sounds are you hearing? What Behaviors are associated with this musical activity? What Conceptions or Ideas govern the sounds and behaviors of this musical activity?

23 Improvisation in Middle Eastern Music
Although highly regarded, there are many restrictions regarding improvisation. Mode determines the scale and identity of pitches, and the typical motifs that must be used Performer must follow form and overall design of the performance Limited set of improvisational patterns Movement from lower to higher range Modal modulation, with limitations, at precise points

24 Sufism: Mystical Branch of Islam
Unlike other Islam sects, Sufis believe that music is THE way to attain union with Allah. Many Middle Eastern musicians, if they are Muslim, are members of Sufi sects. The whirling dervishes, a Turkish Sufi sect, and the Sema ceremony Video

25 Umm Kulthum Video Umm Kulthum is know as the “Voice of Eygpt” in the Middle East during her lifetime and beyond. What is the instrumentation of Takht and Firqa ensembles in Eygpt? Western Influence? How does her stardom contradict Middle Eastern values towards musical performance?

26 Listening Activity: Umm Kulthum
Listen to “Umm Kulthum” found in the Middle East Audio File. Follow the Listening Guide in your book as you listen. What Sounds are you hearing? What Behaviors are associated with this musical activity? What Conceptions or Ideas govern the sounds and behaviors of this musical activity?

27 Influence and Current Issues
How has Middle Eastern musical culture affected other societies? North Indian Hindustani culture. Instrumental influences. European lute, most popular Renaissance instrument, derived from the oud. What are current issues surrounding music in the Middle East? Authenticity Recovery and preservation of older folk and classical traditions Participation of female musicians Desirability or avoidance of musical modernization and Westernization


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