1. Tragic Hero
Copy down the following summary of Aristotle's definition of the tragic hero.
1.  The tragic hero is a character of noble stature and has greatness.  This should be readily evident in the play.  The character must occupy a "high" status position but must ALSO embody nobility and virtue as part of his/her innate character.
2.  Though the tragic hero is pre-eminently great, he/she is not perfect.  Otherwise, the rest of us--mere mortals--would be unable to identify with the tragic hero.  We should see in him or her someone who is essentially like us, although perhaps elevated to a higher position in society.
3.  The hero's downfall, therefore, is partially her/his own fault, the result of free choice, not of accident or villainy

2. The Witches
Reflect on this depiction of the three witches. Does it match your view of the witches? Why or why not?

3. Hecate
Bell Work: Hecate is the Greek goddess of the crossroads. She is most often depicted as having three heads; one of a dog, one of a snake and one of a horse. She is usually seen with two ghost hounds that were said to serve her. Hecate is most often misperceived as the goddess of witchcraft or evil, but she did some very good things in her time. One such deed was when she rescued Persephone, (Demeter's daughter, the queen of the Underworld and the maiden of spring), from the Underworld. Hecate is said to haunt a three-way crossroad, each of her heads facing in a certain direction. She is said to appear when the ebony moon shines. Why do YOU think that Shakespeare makes the ALLUSION to Hecate? Why use a goddess with three faces?

4. Macbeth's Soliloquy: If it were done when 'tis done... (1.7.1-29).
Macbeth's first soliloquy reaffirms that the three witches, by informing him that he will be "king hereafter" (1.3.50), have merely kindled his own innermost desire to obtain the throne. Their prediction may encourage Macbeth to act upon his secret thoughts, as does the prodding of Lady Macbeth, but it does not dictate Macbeth's course of action. Macbeth makes a conscious choice to forsake morality and pursue his "Vaulting ambition" (28). This soliloquy exposes Macbeth's conflicting feelings about the murder. His first thoughts revolve around the consequences of committing the crime. In lines 1-12 his primary concern and reason for hesitation is the possibility that someone will exact that "even-handed Justice" (10) upon him. Once Macbeth usurps the throne there will be others who will plot to steal it from him. Some critics seem to end their analysis at this point and conclude that Macbeth "wishes intensely the death of Duncan" (Langford xxxv) and that only his fear of potential ramifications is a deterrent. However, the second half of the soliloquy supports the fact that Macbeth is deeply troubled by the horror of killing Duncan, who is a benevolent ruler, honest man, and good friend. It is guilt and not fear of the consequences that is Macbeth's greatest obstacle.
How to cite this article: Mabillard, Amanda. Macbeth Commentary: If it were done when 'tis done. Shakespeare Online. 20 Aug (date when you accessed the information) < >.References Shakespeare, William. The Tragedy of Macbeth. Ed. Nicholas Brooke. Oxford: Clarendon Press, Shakespeare, William. Macbeth. Ed. W. F. Langford. Toronto: Harcourt Brace Jovanovich, 1966.

5. Macbeth's Soliloquy: Is this a dagger which I see before me (2. 1
Macbeth, after discussing the crime with Lady Macbeth, has decided to go through with the "terrible feat" (1.7.75). Now he sits alone, waiting for the bell which will summon him to murder Duncan, pondering his decision one final time. The focus of the soliloquy, the invisible dagger, is our first glimpse of Macbeth's powerful imagination – imagination that is largely responsible for his mental torment throughout the drama. Although Macbeth knows that the dagger is an optical illusion, and suspects that it could be brought about by his potentially "heat-oppressed brain" (39), he nonetheless allows the phantom dagger, soon stained with imaginary "gouts of blood" (46), to affect him greatly. Enhancing the ominous and eerie atmosphere of the speech is the use of successive allusions to people and practices which conjure up images of satanic and earthly evil. Hecate, the goddess of witchcraft and a strong presence overall in Macbeth, is preparing her sacrificial victims, and Murder himself, summoned by his trusted watchman, the wolf, moves with the power and speed of evil king Tarquin towards his prey. Just as talk of the murder is about to stifle his courage, Macbeth's intense illusion is shattered by the bell, a signal from Lady Macbeth that Duncan's chamberlains are asleep, and Macbeth races away to commit the heinous crime. One can only wonder if a few more moments of deliberation would have changed Macbeth's mind.
How to cite this article: Mabillard, Amanda. Macbeth Commentary: Is this a dagger which I see before me. Shakespeare Online. 20 Aug (date when you accessed the information) < >.Suggested Reading Shakespeare, William. Macbeth. Ed. W. F. Langford. Toronto: Harcourt Brace Jovanovich, 1966.

6. WORDS SHAKESPEARE INVENTED academe accused addiction advertising
amazement
arouse
assassination
backing
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bedroom
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blanket
bloodstained
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blushing
bet
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caked
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champion
circumstantial
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compromise
courtship
countless
critic
dauntless
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discontent
dishearten
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exposure
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hint
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hurried
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impartial
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label
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laughable
lonely
lower
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madcap
majestic
marketable
metamorphize
mimic
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moonbeam
mountaineer
negotiate
noiseless
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