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Welcome to the Theater! Elements of Drama
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The Nature of Drama Before an audience On state Through actors
Meant to be performed, not read The Nature of Drama
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Not Play WRITE, But WRIGHT ---one who crafts Derived from “Wrought”
Note on Playwrights
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Limits of POV We know a characters mind through:
Soliloquy Aside Most Characterization is indirect: Action Reaction Objective (also called dramatic) Limits of POV
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Power of Drama Drawbacks of Drama
Can utilize all range of human expression Forcibly commands audience attention Experience is communal, and therefore intensified Is limited to the talent and under- standing of the actors’ portrayals Action is confined to stage /theater, not limits of imagination Must keep audience attention, and be written so central meanings must be grasped in a single performance Power of Drama Drawbacks of Drama
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The Format of a Play Title Character List Stage Directions Act & Scene
1041 Act & Scene Numbers Roman Numerals Arabic Numerals Character Names In all caps Dialogue What is actually meant to be said Parenthetical Instruction In brackets or parentheses, italicized Title Character List Order of importance OR order of appearance Stage Directions Setting Time Staging instructions Usually in italics before the scenes The Format of a Play
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Play Project Your task: Present a one act play Requirements Staging
Costume Character Analysis Marked Script Memorized Lines! Play Project
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Our Choices Trifles (1029) Beauty (1046) Tape (1052) POOF! (1057)
5 characters Beauty (1046) 2 characters Tape (1052) 3 characters POOF! (1057) 3 characters The Sandbox (1064) 5 characters Time Flies (1071) 4 characters
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Read the six play options and pick which ones you would like to do.
Homework
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Realistic and Nonrealistic
Drama To some degree all theater is “not real”—due to the suspension of disbelief necessary to understand the set and actors relationship to the audience. However, this really concerns the qualities of dramatic presentation.
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Realistic Drama NonRealistic Drama*
general movement in theatre time period of dramatic and theatrical conventions aimed at bringing real life to texts and performances. The use of dramatic or theatrical conventions that focus on fantasy or imagination Or a theatrical style that revolves around existentialist theories regarding the absurdity of human life. *Not to be confused with “un-realistic” which means the drama has no human “truth”---even fantasy and imagination can carry metaphorically “true” ideas
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Realism
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Non-Realism
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Dramatic Conventions Necessary Optional
Room with 3 walls or fewer represents 4 walls Actors will speak the language of the audience—no matter the nationality of the character Actors will sit or stand facing the audience most of the time Writing in prose vs. poetry Realistic vs. nonrealistic Revealing thoughts through aside or soliloquy Non-realistic Using a chorus or narrator Providing extensive props vs. blank stage
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Which was Glass Menagerie?
Page 1153 Which was Glass Menagerie?
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Which is Which? Set Character Situation/Story
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Homework: Read Act 1 The Crucible
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Would you describe The Crucible as Realistic or Nonrealistic? Why?
Do Now Would you describe The Crucible as Realistic or Nonrealistic? Why?
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Set
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Crucible Reading ACT 2
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Read Act 3 Homework
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Do Now Practice Test
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The Background of the Crucible
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Homework Finish the Play & write a short essay (500 words) about how the play helped Arthur Miller comment on the Cold War and McCarthyism
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For Later The next slides will be used later in this unit.
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Characterization Pick a character sheet
How would you introduce yourself? Appearance Relation to other characters Background Motivations
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Character Mocktail Party
Debrief! Character Mocktail Party
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Subtext The message behind the text
Includes character’s feelings and hidden motivations Influenced by their background, indirect characterization, and parenthetical instructions!
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Subtext Using stickynotes: Get into groups of three
Read your section—each taking a role Mark your subtext on a sticky note—what is the character really meaning? Explain how you know on the back side.
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