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Birth of Venus – Botticelli, 1485
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Michelangelo’s Pieta
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Raphael’s Madonnas
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The School of Athens – Raphael, 1510 -11
Da Vinci Raphael Michelangelo
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The School of Athens – Raphael, details
Plato: looks to the heavens [or the IDEAL realm]. Aristotle: looks to this earth [the here and now].
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Averroes Hypatia Pythagoras
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Zoroaster Ptolemy Euclid
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David Michelangelo Buonarotti 1504 Marble
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What a difference a century makes!
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Charateristics of Renaissance Art
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1. Realism & Expression Expulsion from the Garden Masaccio 1427
First nudes since classical times.
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First use of linear perspective!
The Trinity Masaccio 1427 Perspective! Perspective! Perspective! Perspective! Perspective! Perspective! Perspective! First use of linear perspective!
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The “Classical Pose” “Venus”
3. Classicism Greco-Roman influence. Secularism. Humanism. Individualism free standing figures. Symmetry/Balance The “Classical Pose” “Venus”
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Perugino’s Delivery of the Keys
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4. Geometrical Arrangement of Figures
The Dreyfus Madonna with the Pomegranate Leonardo da Vinci 1469 The figure as architecture!
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5. Light & Shadowing/Softening Edges
Sfumato Chiaroscuro
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The Sistine Chapel Michelangelo Buonarroti 1508 - 1512
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The Sistine Chapel’s Ceiling Michelangelo Buonarroti 1508 - 1512
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The Sistine Chapel Details The Creation of the Heavens
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The Sistine Chapel Details
Creation of Man
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Joe Gallo in the New York Daily News, 2004
A Modern “Adaptation” Joe Gallo in the New York Daily News, 2004
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The Sistine Chapel Details
The Fall from Grace
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The Sistine Chapel Details
The Last Judgment
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Portrait of the Artist with a Friend, 1518
Raffaello Sanzio ( ) Self-Portrait, 1506 Portrait of the Artist with a Friend, 1518
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Baldassare Castiglione by Raphael, 1514-1515
Castiglione represented the humanist “gentleman” as a man of refinement and self-control.
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Betrothal of the Virgin
Perspective! Betrothal of the Virgin Raphael 1504
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Raphael’s Canagiani Madonna, 1507
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Raphael’s Madonnas (2) Madonna della Sedia Alba Madonna
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Primavera – Botticelli, 1482
Depicted classical gods as almost naked and life-size.
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