1. Hearing
Aka: Audition

2. The Stimulus Input: Sound Waves
Sound waves are composed of compression and rarefaction of air molecules.
OBJECTIVE 11| Describe the pressure waves we experience as sound.
Acoustical transduction: Conversion of sound waves into neural impulses in the hair cells of the inner ear.

3. Sound Characteristics
Frequency (pitch)
Intensity (loudness)
Quality (timbre)

4. Frequency (Pitch)
Frequency (pitch): The dimension of frequency determined by the wavelength of sound.
Wavelength: The distance from the peak of one wave to the peak of the next.

5. Intensity (Loudness)
Intensity (Loudness): Amount of energy in a wave, determined by the amplitude, relates to the perceived loudness.

6. Loudness of Sound
Richard Kaylin/ Stone/ Getty Images
120dB
70dB

7. Quality (Timbre)
Quality (Timbre): Characteristics of sound from a zither and a guitar allows the ear to distinguish between the two.
Zither
Guitar

8. Overtones: Makes the distinction among musical instruments possible.

9. The Ear
OBJECTIVE 12| Describe the three regions of the ear, and outline the series of events that triggers the electrical impulses sent to the brain.

10. Dr. Fred Hossler/ Visuals Unlimited
Outer ear
Inner ear

11. Two bundles of aging outer hair cells showing severe degeneration
Two bundles of aging outer hair cells showing severe degeneration. The outer hair cells are responsible for fine tuning and amplifying the sounds that are detected by the inner hair cells. This age-related degeneration of hair cells is responsible for the hearing loss often associated with aging.

12. The Ear Outer Ear: Pinna. Collects sounds.
Middle Ear: Chamber between eardrum and cochlea containing three tiny bones (hammer, anvil, stirrup) that concentrate the vibrations of the eardrum on the cochlea’s oval window.
Inner Ear: Innermost part of the ear, containing the cochlea, semicircular canals, and vestibular sacs.

13. Cochlea: Coiled, bony, fluid-filled tube in the inner ear that transforms sound vibrations to auditory signals.

14. Video clip: anatomy of the ear: https://www. youtube. com/watch

15. How do we perceive differences in pitch?
There are two theories……..

16. Theories of Audition
Helmholtz Place Theory suggests that sound frequencies stimulate the basilar membrane at specific places resulting in perceived pitch.
OBJECTIVE 13| Contrast place and frequency theories, and explain how they help us to understand pitch perception.

17. Theories of Audition
Frequency Theory states that the rate of nerve impulses traveling up the auditory nerve matches the frequency of a tone, thus enabling us to sense its pitch.
Auditory Nerve
Action Potentials
Sound
Frequency
200 Hz
100 Hz

18. Why do we have two ears?

19. Localization of Sounds
Because we have two ears, sounds that reach one ear faster than the other ear cause us to localize the sound.
OBJECTIVE 14| Describe how we pinpoint sounds.

20. 1. Intensity differences
Localization of Sound
1. Intensity differences
2. Time differences
Time differences as small as 1/100,000 of a second can cause us to localize sound. The head acts as a “shadow” or partial sound barrier.

21. Hearing Loss
Conduction Hearing Loss: Hearing loss caused by damage to the mechanical system that conducts sound waves to the cochlea.
Sensorineural Hearing Loss: Hearing loss caused by damage to the cochlea’s receptor cells or to the auditory nerve, also called nerve deafness.
OBJECTIVE 15| Contrast two types of hearing loss, and describe some of their causes.

22. Hearing Deficits
Older people tend to hear low frequencies well but suffer hearing loss when listening for high frequencies.

23. Deaf Culture
Cochlear implants are electronic devices that enable the brain to hear sounds.
OBJECTIVE 16| Describe how cochlear implants function, and explain why Deaf culture advocates object to these devices. Where these implants are pertinent for hearing parents with deaf children, deaf culture advocate not using them especially on children deafened before learning to speak.
Wolfgang Gstottner. (2004) American
Scientist, Vol. 92, Number 5. (p. 437)
EG Images/ J.S. Wilson ©
Deaf Musician
Cochlear Implant

24. Warning: The next series of slides are quite graphic