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Creating a Video Montage in Adobe Premiere CS5
Chapter 1 Creating a Video Montage in Adobe Premiere CS5
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© 2011 Delmar Cengage Learning
Objectives Create a new project and explore the workspace Import assets Work with the Timeline panel and sequences Apply video transitions Work with motion effects Design and insert titles Export a movie © 2011 Delmar Cengage Learning
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Using Adobe Premiere Pro
What is Adobe Premiere Pro? A professional digital video editing application that allows you to capture, edit and publish video Accepts video clips, digital images, audio and vector graphics © 2011 Delmar Cengage Learning
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© 2011 Delmar Cengage Learning
Video Montage A video created with digital images, words, transitions and music © 2011 Delmar Cengage Learning
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Create a New Project and Explore the Workspace
Application window - the main window comprised of various panels Workspace - the arrangement of panels in the application window Editing - the default workspace © 2011 Delmar Cengage Learning
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Premiere Pro Workspace
The panels used most often in Premiere Pro are: Project panel: The Project panel organizes all the assets for your project. Assets can include video clips, digital images, and audio clips. © 2011 Delmar Cengage Learning
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Premiere Pro Workspace
The panels used most often in Premiere Pro are: Timeline panel: The Timeline panel is where you assemble assets and edit them. It is here that you can also add special effects, transitions, and titles. The Timeline plays the items from left to right creating a movie. © 2011 Delmar Cengage Learning
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Premiere Pro Workspace
Source and Program Monitor panels: The Source Monitor is used to preview assets from the Project panel or the Media Browser before you place them in a sequence, and the Program Monitor displays the contents of the Timeline—your project in progress. © 2011 Delmar Cengage Learning
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Premiere Pro Workspace
menu Effect Controls panel Audio Mixer Application bar Tools panel Program Monitor Source Monitor Project panel Media Browser panel Sequence Zoom controls © 2011 Delmar Cengage Learning Timeline panel
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Changing the Workspace
Preformatted workspaces The workspace can be changed by selecting a default workspace or by rearranging the panels to your individual preference. Preformatted workspaces can be changed using the Workspace command on the Window menu or by making a selection from the drop-down menu on the Tools panel. Panels can be moved by clicking and dragging the panel tabs. As you drag the panel, an area becomes highlighted; this is called the drop zone, as shown in Figure 2, and provides a visual reference to where the panel can be placed. Drop zone © 2011 Delmar Cengage Learning
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Capturing Video from an External Device
The Control Settings dialog box can be activated via the Device Control panel in the Preferences dialog box or from the Settings pane of the of the Capture panel. This controls how Premiere Pro transfers video and audio from a VCR or a camera. (Note: This is an objective on the Premiere Pro ACE exam. All projects in this book either provide video clips or internet sites are suggested to gather them.) © 2011 Delmar Cengage Learning
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Capturing Video from an External Device
The Capture panel, activated from the File menu, provides controls similar to those in the Source and Program Monitor panels to operate the device during playback and capture. © 2011 Delmar Cengage Learning
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Capturing Video from an External Device
Status area Capture panel Preview Transport controls © 2011 Delmar Cengage Learning
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The New Project Dialog Box
The New Project dialog box is where you specify the settings for your Premiere Pro project. It has two tabs: General and Scratch Disks The Scratch Disks tab provides settings for a variety of files associated with the video editing process including where they are stored. Scratch Disks tab General tab Using the Same as Project setting is an excellent way to keep your project organized and to be able to clean up project files as they become memory intensive. Same as Project File location Project file name © 2011 Delmar Cengage Learning
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The New Sequence Dialog Box
The New Sequence dialog box appears after you click OK in the New Project dialog box. A sequence is where the digital assets are placed and edited. (Note: Cancel may be selected if you are not sure of the settings required for the video you will be using. Once the video is imported into the Projects panel, properties may be verified and the Sequence created then. You may also create multiple sequences.) The Sequence Presets tab has a number of categories of sequence settings for commonly used capture devices. It is recommended that you choose the preset that matches the settings for your device if it is available. The General tab is available to customize settings if there is not a preset available for your device. It is recommended that you use the preset that is the closest match to your device and continue with any necessary customizations on the General tab. You can then save this custom preset. The Tracks tab allows you to indicate how many video and audio tracks will be added when the sequence is created; by default, three video tracks and three stereo audio tracks are created. Tracks can be added or deleted later. © 2011 Delmar Cengage Learning
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© 2011 Delmar Cengage Learning
Working with Assets The Premiere Pro CS5 project is a single file that stores all references to digital assets used in the project. Digital assets may include: video, audio, still images, and Photoshop and Illustrator files. The project file also contains sequences (or timelines); these are where the digital assets are placed and edited. (Note: explain to students that the sequence also resides in the Project panel, and they should not delete it. Students often delete this asset not realizing its importance because it is not an asset they imported.) © 2011 Delmar Cengage Learning
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Organizing the Project Panel
The Project panel is your “file cabinet” of assets. You can create bins to help organize your file cabinet. Bins may contain assets, sequences, or other bins. You may want to use them to organize your source files. Bin Assets Create new bin button © 2011 Delmar Cengage Learning
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Working with the Media Browser
The Media Browser provides a convenient way to locate, sort, preview, and import assets that you plan to use in your Premiere Pro project. If you double-click or right-click an asset in the Media Browser it will open in the Source Monitor for preview; it will not import the file into the Project panel. Media Browser Computer directory Folders and files © 2011 Delmar Cengage Learning
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Organizing a Storyboard
Storyboarding is a way to plan your video by placing clips or digital assets in the order you plan to have them play. Icon view shows thumbnails, smaller versions of the digital assets you imported. List view shows file names. Preview Return to Parent bin To arrange the thumbnails, click and drag any square. As you drag, a vertical bar indicates where the item is going; when you release the mouse button the thumbnail will drop into place. List view Icon view © 2011 Delmar Cengage Learning
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© 2011 Delmar Cengage Learning
The Timeline Panel The Timeline panel is where most editing takes place in a sequence. Sequences are comprised of video and audio tracks. Tracks are where the clips are assembled, edited, and enhanced with effects and transitions. © 2011 Delmar Cengage Learning
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Exploring the Timeline Panel
Time ruler: The Time ruler measures the time in the sequence horizontally. Current time display: The Current time display shows the timecode for the current frame. To change the timecode, click the timecode display and enter a new timecode, or place the pointer over the display and drag left or right. Changing the Current time display is a way to adjust the location of the Current-time Indicator. © 2011 Delmar Cengage Learning
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Exploring the Timeline Panel
Play head and Current-time Indicator (CTI): The Current-time Indicator (CTI) indicates the current frame displayed in the Program Monitor. The CTI is a light blue triangle in the Time ruler with a vertical red line extending through the video and audio tracks. The CTI can be moved by clicking and dragging the blue triangle. © 2011 Delmar Cengage Learning
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Exploring the Timeline Panel
Work area bar: The work area bar is the area of the sequence that you want to preview or export. The brackets on either end, located just below the Time ruler, are adjustable so you can export portions of a large project for preview. Viewing area bar: The viewing area bar is the area which corresponds with the visible portion of the Timeline panel and allows you to quickly move to different parts of the sequence. The work area bar brackets are often overlooked. Often students forget to check these brackets and the entire project will not render as a result. © 2011 Delmar Cengage Learning
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The Timeline Panel Current-time display Playhead and
current-time indicator (CTI) Viewing area bar Time ruler Work area bar Video tracks Audio tracks Zoom slider © 2011 Delmar Cengage Learning
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Adding Clips to a Sequence
Drag the clip from the Project panel to the sequence. Either drag an image from the Source Monitor to a track, or use the Insert button or the Overlay button on the Source Monitor to place the clip on the sequence. (Note: an audio clip it needs to be placed on an audio track; all other clips are placed on video tracks.) Using the Insert button places the clip at the location of the CTI and shift s any clips at that location to the right to make room for the clip, the Overlay button replaces the clip. © 2011 Delmar Cengage Learning
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Automate to Sequence Command
The Automate to Sequence command will let you place the images from a storyboard on a sequence in the order that they were organized. The command is located on the Project panel menu by clicking the Project panel options button. The Automate to Sequence button is on the Project panel. Ordering © 2011 Delmar Cengage Learning
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Deleting Clips from a Sequence
Using the Selection tool click on a clip and press [Delete]. The Ripple Delete command removes a clip from the sequence without leaving any gaps if the clip being removed is located between two other clips. The Track Select tool can be used to select everything to the right of where you click in the sequence. © 2011 Delmar Cengage Learning
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Previewing Project in the Program Monitor
The Program Monitor plays back the clips you are assembling in the active sequence on the Timeline panel for you to preview. The Play-Stop Toggle button plays and stops the sequence from the location of the CTI. The Shuttle button moves either forward or backward, fast or slow, depending on how you adjust the slider. (Note: The Safe Margins guides are available to reference the title-safe and action-safe zones. The inner rectangle is the title-safe zone and the outer rectangle is the action-safe zone.) Pressing the [Spacebar] with the Program Monitor active will play the sequence. Pressing [Enter] will render the sequence before previewing in the Program Monitor. © 2011 Delmar Cengage Learning
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Applying Video Transitions
A transition is used to move from one clip to the next in your sequence. Transitions can add additional interest to your video and can be as simple as phasing out one image and phasing in another. Adobe Premiere Pro CS5 has a large library of video transitions to choose from with categories that include: Dissolve, Page Peel, Slide, and Zoom. Video transitions are stored on the Effects panel. Cross Dissolve is set as the default transition. © 2011 Delmar Cengage Learning
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Applying Transitions Between Clips
Drag the transition to the cut line (vertical line) between two clips and release the mouse button when you see the cut icon you want to apply. You can place or align the transition in one of three ways: Center at Cut, Start at Cut, or End at Cut. By default, the transition is placed centered on the cut, the space between two clips. The other options either start or end the transition at the cut. © 2011 Delmar Cengage Learning
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Customizing Transitions
The Effects workspace allows you to customize transitions on the Effect Controls panel. Some transitions have edge selectors, arrows that change the orientation or direction of the transition. To change the orientation or direction of a transition, you click an edge selector arrow on the transition’s thumbnail. Start and End sliders can be changed with the three alignment settings as previously mentioned, or as a custom setting by pressing and holding [Shift] to move the start and end sliders together or by dragging one slider to change the position of one end. The Show Actual Sources setting displays the starting and ending frames of the clips. The Border Width setting adjusts the width of the optional border on the transition. The default border width setting is set to 0.0. Some transitions do not have borders. The Border Color setting specifies the color of the transition’s border. For the border color to show, the border width setting must be set to a value higher than 0.0. The Reverse setting plays the transition backward. The Anti-aliasing Quality setting adjusts the smoothness of the transition’s edges. The Custom setting changes settings specific to the transition. (Note: Most transitions do not have custom settings.) © 2011 Delmar Cengage Learning
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Working with Motion Effects
Motion effects have been used on still images in documentaries to make the footage more visually interesting when video was not available. This effect of panning and zooming has been commonly termed the “Ken Burns Effect.” This can be done by scaling or changing the position or the rotation of the image. © 2011 Delmar Cengage Learning
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Working with Motion Effects
A keyframe is a “snapshot” of how you want a clip to look at a specified time, and is defined on the Effect Controls timeline. At least two keyframes, a start point and an end point, need to be defined. A basic effect that provides a lot of impact is to fade an image in and out. Toggle animation button, the first keyframe is inserted for you at the location of the CTI. To insert or remove additional keyframes, the Add-Remove Keyframe button needs to be clicked. Remember to move the CTI to the location where you would like the keyframe to be placed. Fading is created by applying the Opacity effect. Opacity adjusts the level of transparency on a scale of 0% to 100%. If you set the Opacity at 0% your clip will be completely transparent; at 100% it will have no transparency. (Note: When creating a fade in/fade out effect you need to create four keyframes.) © 2011 Delmar Cengage Learning
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Using the Program Monitor to Apply Motion Effects
Position, Scale, and Rotate are spatial in nature and therefore easier to manipulate on the Program Monitor where you will have the ability to adjust the clip with handles. The handles allow you to move, size, and rotate the clip visually. © 2011 Delmar Cengage Learning
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Design and Insert Titles
In Premiere Pro, you can create titles in a mini application called the Titler. The Titler is a free-floating window that is made up of a group of panels that are all related to creating titles. The panels in the Titler can be rearranged and docked to your liking. © 2011 Delmar Cengage Learning
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© 2011 Delmar Cengage Learning
The Titler Panels Title panel - The Title panel is where you design and preview text and graphics. It is the central panel in the Titler window. Title Properties panel - The Title Properties panel is where you choose a font, change the font size, kerning, leading, or font characteristics, such as bold or italics. © 2011 Delmar Cengage Learning
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© 2011 Delmar Cengage Learning
The Titler Panels Title Tools panel – The Title Tools panel is where the tools are located to draw basic shapes, create text paths, and create vertical or horizontal text. Title Actions panel - The Title Actions panel is where you align, center, or distribute objects and text vertically and horizontally. Title Styles panel - The Title Styles panel is where you apply preset styles to titles. You can also create and save your own titles to maintain consistency throughout a project. © 2011 Delmar Cengage Learning
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© 2011 Delmar Cengage Learning
Types of Titles A title that has fixed text is called still (Default Still). Titles in which text moves vertically over the footage are called rolls (Default Roll). Text which moves horizontally is referred to as a crawl (Default Crawl). © 2011 Delmar Cengage Learning
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Previewing a Clip Behind a Title
While designing your title, you have the ability to view the footage from the sequence to help with the placement and design of the title. This is done by putting the CTI in the sequence where you plan to place the title, and activating the Show Background Video button on the Title panel. The CTI can be moved while in the Titler by moving the Background Video Timecode on the Title panel. © 2011 Delmar Cengage Learning
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© 2011 Delmar Cengage Learning
Formatting Text The Title panel is where you can make basic formatting decisions such as Font family, Font style, Font size, and Alignment options. More advanced options can be found on the Title Properties panel. © 2011 Delmar Cengage Learning
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© 2011 Delmar Cengage Learning
The Title Styles Panel Styles are a great way to keep a consistent look and feel when working in a project without having to remember all the settings you chose to make the style. Premiere Pro also has many preset styles available for you to use. © 2011 Delmar Cengage Learning
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© 2011 Delmar Cengage Learning
Exporting the Movie Now it is time to export, or encode, your movie so that other people will be able to view it. Premiere Pro has a variety of options from which to choose. You can export to videotape, create a file for viewing on a computer or the Internet, or put your project on a DVD or Blu-ray disc with or without menus and other features. © 2011 Delmar Cengage Learning
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Export Settings for the Web
The FLV|F4V format looks like streaming video on the web, called progressive video. When setting the Output Name, the Save As dialog box opens, prompting you to name the file and choose a location to save your project in its exported state. © 2011 Delmar Cengage Learning
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© 2011 Delmar Cengage Learning
Two Options to Export The Queue button launches the Adobe Media Encoder application and uses the export settings that have been designated and will then render and save the file. The Export button bypasses the Adobe Media Encoder. This is an excellent option when exporting to multiple file formats. The Adobe Media Encoder creates a rendering queue and processes the fi les in the order in which they were received. © 2011 Delmar Cengage Learning
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