1. The rise of US art

2. Realism/A national art
Giles Edgerton p. 6
Robert Henri p. 8 (American art cannot be created from the outside in; patriotism of soul; beauty of his own environment; the individual expression)

3. The Ashcan School
Robert Henri, The Dutch Girl,
1913, o/c, 24 1/4 x 20 1/4 in
Snow in New York, 1902, o/c, 32 x 25”

4. John Sloan
Election Night, 1907, o/c, 26 x 32

5. John Sloan / the common people
Six o’clock, Winter, 1912, o/c, 26 x 32”
When I painted the life of the poor, I was not thinking about them like a social worker - but with the eye of a poet who sees with affection.

6. Italian Futurism Severino "Danza serpentina“ 1914
This collage is an example of a painter's interpretation
of the words-in-freedom. The artist explained
that his use of forms, colors, and words suggest
analogies between a dancer's movement,
a whirring propeller, and a flying bullet.
Italian Futurism
Severino
"Danza serpentina“ 1914

7. Umberto Boccioni. (Italian, 1882-1916). States of Mind I: The Farewells. 1911.
Oil on canvas, 27 3/4 x 37 3/8"

8. John Marin Brooklyn Bridge, ca. 1912,
Watercolor and charcoal on paper;
18 5/8 x 15 5/8 in
(Italian futurism)

9. John Marin
St. Paul's, Manhattan, 1914
Watercolor and charcoal on paper; 15 5/8 x 18 7/8 in.

10. The Armory Show Arthur Jerome Eddy pp. 35 – 36 Paula Haviland p. 38
Louise Norton, Buddha of the Bathroom p. 40

11. Marcel Duchamp
Fountain, 1917 (original lost)
Nude Descending a Staircase, 1912, o/c
57 x 35”

12. The Bride Stripped Bare by Her Bachelors, Even (The Large Glass)
Oil, varnish, lead foil, lead wire,
and dust on two glass panels. 109" x 69".

13. Edward Weston Two Shells 1927
Alfred Stieglitz
Equivalent
Gelatin silver print,
3 5/8 x 4 5/8"
Equivalent
Gelatin silver print,
4 11/16 x 3 11/16"
Edward Weston Two Shells 1927
photograph

14. Dorothea Lange Migrant Mother, Nipomo, California
1936, gelatin-silver print, 10 x 12
Migratory Cotton Picker, Eloy. Arizona, 1940 gelatin-silver print, 10 x 13

15. Georgia O’Keeffe 1887-1986 Organic Abstraction
City Night, 1926, oil on canvas

16. Search-Light: Georgia O’Keeffe
Dark desires, simplicity
Smiles, maternal splendor
Peasant, strong hipped, esoteric Wisdom
1923
Red Canna, 1923

17. Summer Days, 1936, oil on canvas
Iris, 1929

18. (1917) Evening Star, No. III Special n. 12
Watercolor on paper mounted on board, 8 7/8 x 11 7/8"
Special n. 12
1918
Charcoal on paper, 24 x 19"

19. Georgia O’keefe, Blue and Green Music, 1919, o/c

20. Red Canna, oil on canvas, 1923   

21. Georgia O’Keeffe City Night, 1926, oil on canvas
Cows Skull with Calico Roses, 1931,
o/c, 36 x 24 in.

22. Ram's Head White Hollyhock and Little Hills, 1935

23. White Canadian Barn II, 1932 Oil on canvas 12 x 30 in

24. John Storrs Forms in Space
"skyscraper sculptures"
Forms in Space
1927 Stainless steel and copper 20 1/2 x 4 x 5/8 in

25. Charles Demuth Machinery
cyclone separator, a centrifuge-like apparatus often used in industrial settings, consisting of a tank, a funnel, and two armlike duct pipes.
Williams himself contemplated the analogy between the arts and technology. In 1944, he wrote, "To make two bald statements: There's nothing sentimental about a machine, and: A poem is a small (or large) machine made out of words" (introduction to The Wedge, 1944).
Machinery
1920 Tempera and pencil on cardboard 24 x 19 7/8 in.
After Sir Christopher Wren
1920 Watercolor, gouache, and pencil on cardboard 24 x 20 in. (60.5 x 51 cm)