1. Temel çekim ölçekleri
Levent Duranli
Öğretim Görevlisi

2. TEMEL ÇEKİM ÖLÇEKLERİ
Temel çekim ölçekleri

3. TEMEL ÇEKİM ÖLÇEKLERİ ECU - Extreme Closeup - detay çekim
The extreme close up is used to reveal very small details in the scene. It might be used to reveal horror in a subject (extreme close up of the subject's mouth as she/he screams). It might also be used in a mystery to show some detail that the detective picks up on or to show some small clue.

4. TEMEL ÇEKİM ÖLÇEKLERİ CU - Close Up - yakın çekim
The close up shot is used to reveal detail. If you are shooting just the head and shoulders of a subject this is a close up.

5. TEMEL ÇEKİM ÖLÇEKLERİ Head and Shoulders – omuz çekim
The head and shoulders shot is used in news broadcasts. If you think about the television news you will realize that this shot reveals enough detail to see the subject's lips move and the expression on her/his face.

6. TEMEL ÇEKİM ÖLÇEKLERİ Bust Shot- göğüs çekim
This shot shows your subject from above the knees to above the head. It is often used when the subject of the shot is doing something that requires the audience to see some detail.

7. TEMEL ÇEKİM ÖLÇEKLERİ MS - Medium Shot – bel çekim
The medium shot is from just below the waist to above the head. There is more headroom than in the bust shot. This show is used if the person is animated with their hand movements, etc.

8. TEMEL ÇEKİM ÖLÇEKLERİ MLS - Medium Long Shot – amerikan çekim
Remember in this shot to not cut the person off at the knees. With this shot, you can still see expression on the persons face, while getting more information from what is going on around the person.

9. TEMEL ÇEKİM ÖLÇEKLERİ LS - Long Shot - boy çekim
This shot is useful for someone that is walking or moving. And keep the ratio of 2/3 between head and food space

10. TEMEL ÇEKİM ÖLÇEKLERİ ELS - Extra Long Shot – genel çekim
Also known as the Establish shot, this gives the viewer some perspective as to where the subject is. This is very important if the subject is moving to new locations or times. It lets the viewer know where the video is taking place.

11. TEMEL ÇEKİM ÖLÇEKLERİ DİKKAT !
Temel çekim ölçekleri insan anatomisine göre isimlendirilmektedir.

12. TEMEL ÇEKİM ÖLÇEKLERİ 2 Shot - ikili çekim
Two-shots are composed when two people are in the scene and their interaction is important. A two-shot is a good way to introduce a conversation. From the introduction you might cut to an over the shoulder shot of one person talking or a close-up of the other person reacting to what is being said.

13. TEMEL ÇEKİM ÖLÇEKLERİ OS - Over Shoulder - amors
The over the shoulder shot reveals one subject as seen from over the shoulder of another subject. It simulates a view of the subject as seen from the second person's eyes. This shot is often used in conversations between two people where the dirtector wants to focus on the person speaking. Usually these shots are head shots (close ups of the speaker).

14. TEMEL ÇEKİM AÇILARI

15. TEMEL ÇEKİM AÇILARI Low Angel Shot – alt açı
This shot shows the audience a view looking up at a subject. The camera is placed on the ground or floor and tilted to look up. A low angle shot, or worm's eye view, can be used to make a subject look bigger than it is.

16. TEMEL ÇEKİM AÇILARI Eye level– göz hizası
At eye level, the impression is neutral.

17. TEMEL ÇEKİM AÇILARI High Angle Shot – üst açı
The high angle shot is the opposite of the low angle shot. The camera is placed above the subject and tilted to look down on the subject. This type of shot is sometimes called a bird's eye view. You can use it to create a sense of smallness in the subject or to show that the audience has a sense of looking over the subjects from a superior position.

18. TEMEL ÇEKİM AÇILARI Canted– eğimli (dutch, daç okunur)
Deliberately slanted to one side, sometimes used for dramatic effect to help portray unease, disorientation, frantic or desperate action, intoxication, madness, etc.

19. Camera movements– kamera haraketleri
Panning
Tracking
Tilting
Elevating
Dollying
Zooming In/Out

20. TEMEL KAMERA HAREKETLERİ
panning - when the camera stays in the same position but turns left or right.

21. TEMEL KAMERA HAREKETLERİ
2. Tracking - When the camera changes its position by moving left or right.

22. TEMEL KAMERA HAREKETLERİ
3. Tilting - When the camera stays in the same position but turns up or down.

23. TEMEL KAMERA HAREKETLERİ
4. Elevating - when the camera changes its position by moving up or down.

24. TEMEL KAMERA HAREKETLERİ
4. Dollying - Changing the camera’s position by moving it forward or backward.

25. TEMEL KAMERA HAREKETLERİ
6. Zooming In/Out - Even when the camera is stationary it can appear to move closer to, or further from, its subject by using a special ring or lever on the lens.

26. 180 DERECE KURALI – AKS ÇİZGİSİ

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29. kaynaklar 180 DERECE KURALI
Barnwell J. (2011) Film yapımının temelleri, İstanbul, Literatür yayınları
Brown B,(2008) Sinematografi, İstanbul, hill yayınevi
Wheeler P, (2010) Uygulamalı Sinematografi, İstanbul, Es yayınları

30. Dinlediğiniz İçin Teşekkür ederiz.
180 DERECE KURALI
Dinlediğiniz İçin Teşekkür ederiz.