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Jim Rodgers jlrodgers236@comcast.net www.jlrodgers.com
Concepts of design Jim Rodgers 9/16/2018
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Introduction Review some work from another time/place
Look for patterns and guidelines Evaluate some objects 9/16/2018
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Basic Concepts We perceive the same things differently
Our appreciation of Beauty/Form evolves from: Our life experience Our learning/knowledge Our cultural heritage 9/16/2018
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Esthetics of good design persist
Perception of beauty & form evolves Function / needs change Cultural traditions provide continuity “Fads” pass – classical forms remain 9/16/2018
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Oldest known Chinese pot ~1000 BC
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Etruscan wine amphora 530-525 BC
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Egyptian 18th Dynasty 9/16/2018
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Early Greek Vase 9/16/2018
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Corinthian Amphora 9/16/2018
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Minoan Flower vase 9/16/2018
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Quing Dynasty 9/16/2018
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Late Qing Kangxi tea cup
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17th Century ceramic 9/16/2018
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18th Century mantle vase 9/16/2018
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20th Century Contemporary vases
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B C A Golden Mean (Φ) Φ = (√5+1)/2 = 1.6180… 38% : 62% 2/5 : 3/5
B:A = C:B Φ = (√5+1)/2 = … 38% : 62% 2/5 : 3/5 9/16/2018
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Using the Golden Mean 9/16/2018
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Using the Golden Mean 9/16/2018
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Using the Golden Mean 9/16/2018
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Using the Golden Mean 9/16/2018
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Using the Golden Mean 9/16/2018
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Using the Golden Mean 9/16/2018
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Golden Mean (Φ) Φ = (√5+1)/2 = … 9/16/2018
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Golden Mean (Φ) Φ = (√5+1)/2 = … 9/16/2018
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Golden Mean (Φ) Φ = (√5+1)/2 = … 9/16/2018
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Golden Mean (Φ) Φ = (√5+1)/2 = … 9/16/2018
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Golden Mean (Φ) Φ = (√5+1)/2 = … A B C 9/16/2018
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Golden Mean (Φ) Φ = (√5+1)/2 = … A B C 9/16/2018 AB:AC=BC:AB
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Golden Mean (Φ) calipers
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Using the Golden Mean (Φ)
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Using the Golden Mean 9/16/2018
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φ and Fibonacci 9/16/2018
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Fibonocci sequence , 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233 … 9/16/2018
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Fibonocci sequence , 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233 … 2/1 = 2.0 3/2 = 1.5 5/3 = 1.67 8/5 = 1.6 13/8 = 1.625 21/13 = 1.615 34/21 = 1.619 55/34 = 1.618 89/55 = 1.618 9/16/2018
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Fibonocci in nature , 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233 … 9/16/2018
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Fibonocci in nature , 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233 … 9/16/2018
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Fibonocci in nature , 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233 … 9/16/2018
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Fibonocci in architecture 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233 …
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Fibonocci in architecture 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233 …
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Nature By The Numbers A video by Cristóbal Vila, Saragossa, Spain
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Using the Golden Mean 9/16/2018
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Sung Dynasty Bowl 3.25” 2” 3.25”/2” = 1.625 9/16/2018
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Sources of Inspiration
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Classical Southwestern Pueblo pottery shapes
Date from 10th century Mogollon, Anasazi, Hohokam Perpetuated through culture Used for ceremonial and practical applications Hand built – decorated with natural slips 9/16/2018
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Hohokum 9/16/2018
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Mogollon 1150 9/16/2018
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Salado 9/16/2018
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Traditional shapes Dry Storage jar 9/16/2018
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Traditional shapes Water Jug 9/16/2018
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Traditional shapes Bead Pot 9/16/2018
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Traditional shapes Olla 9/16/2018
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Traditional shapes Sikyatki 9/16/2018
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Tsuque – 1600+ 9/16/2018
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Santa Ana 9/16/2018
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Zia 9/16/2018
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Hopi 1900 9/16/2018
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Cochiti 9/16/2018
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Lucy Lewis – Acoma Acoma 1898-1992
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Maria Martinez San Indefonso 1887-1989
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Blue Corn (Crucita Gonzales Calabaza) San Indefonso 1921-1999
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Nampeyo of Hano Hopi 9/16/2018
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Fanny Nampayo 9/16/2018
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Jean Sahme Nampayo 9/16/2018
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Iris Nampayo 9/16/2018
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Katheryn Dewakuku - Hopi
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Sandra Victorio 9/16/2018
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Mata Ortiz Independent development
Derived from Casas Grandes shards found at Paquemé by Juan Quezada 9/16/2018
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Juan Quezada 9/16/2018
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Juan Quezada 9/16/2018
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Nicholas Quezada 9/16/2018
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Nicholas Quezada 9/16/2018
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Lydia Quezada 9/16/2018
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Leonel Quezada 9/16/2018
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Father and Son 9/16/2018
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Eduardo Ortiz 9/16/2018
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Rubin Ponce 9/16/2018
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Summary of design elements
Functionality Fitness for use Human factors engineering Cultural/religious significance Historical development 9/16/2018
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Objective elements Shape Proportion Continuity of elements
Complexity/simplicity Size Weight 9/16/2018
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Subjective elements Perception of value Subjective impact – Aesthetics
Weight/balance Color Figure Smoothness to the eye Smoothness to the touch Finish 9/16/2018
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Emotional elements Surprise Curiosity Satisfaction Pleasure 9/16/2018
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lines Type of lines Combination of lines Straight Circular
Cantanary – Parabolic Asymmetrical Combination of lines Continuing Reversing 9/16/2018
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Following the rules 9/16/2018
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Following the rules 9/16/2018
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Breaking the rules 9/16/2018
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Application Plan a vessel with the 2/5 - 3/5 rule
Place the largest diameter at the dividing point Add design elements at 2/5 point Consider the height to diameter with the same guidelines Determine if the neck/foot is inside or outside the design “box” 9/16/2018
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JLR’s 2016 aesthetics General No straight lines
Serpentine Continuous Feet that float the vessel Should not call attention Develop pleasing contrasts Contrast in textures Contrast in colors Weight/color alignment 9/16/2018
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JLR’s 2016 aesthetics For segmented work
Grain match or controlled contrasts Grain alignment in all elements Use veneers to separate colors All glue joints tight – no fills Wood colors carefully chosen Match wood densities 9/16/2018
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JLR’s 2016 aesthetics Functional vessels – bowls Artistic vessels
Feet 40-60% of diameter Thicker rims Recurved rims to contain Artistic vessels Minimal foot for stability Fuller curve allows smaller foot Necks need to be completed 9/16/2018
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Ideas to help develop shapes
Study source materials Make a scrap book Study other crafts Make full scale drawings Make a cut out Build a prototype to scale Save great shapes paint them black 9/16/2018
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Famous sayings “Wood has no value” – Don Derry
“If you think it’s good enough, it isn’t” – Wayne Cowden “You can have the biggest bowl or the prettiest bowl but maybe not both” – Jan Blumer “Break the rules; if it works, it works!” – Jim Rodgers 9/16/2018
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