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Jim Rodgers jlrodgers236@comcast.net www.jlrodgers.com Concepts of design Jim Rodgers jlrodgers236@comcast.net www.jlrodgers.com 9/16/2018.

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Presentation on theme: "Jim Rodgers jlrodgers236@comcast.net www.jlrodgers.com Concepts of design Jim Rodgers jlrodgers236@comcast.net www.jlrodgers.com 9/16/2018."— Presentation transcript:

1 Jim Rodgers jlrodgers236@comcast.net www.jlrodgers.com
Concepts of design Jim Rodgers 9/16/2018

2 Introduction Review some work from another time/place
Look for patterns and guidelines Evaluate some objects 9/16/2018

3 Basic Concepts We perceive the same things differently
Our appreciation of Beauty/Form evolves from: Our life experience Our learning/knowledge Our cultural heritage 9/16/2018

4 Esthetics of good design persist
Perception of beauty & form evolves Function / needs change Cultural traditions provide continuity “Fads” pass – classical forms remain 9/16/2018

5 Oldest known Chinese pot ~1000 BC
9/16/2018

6 Etruscan wine amphora 530-525 BC
9/16/2018

7 Egyptian 18th Dynasty 9/16/2018

8 Early Greek Vase 9/16/2018

9 Corinthian Amphora 9/16/2018

10 Minoan Flower vase 9/16/2018

11 Quing Dynasty 9/16/2018

12 Late Qing Kangxi tea cup
9/16/2018

13 17th Century ceramic 9/16/2018

14 18th Century mantle vase 9/16/2018

15 20th Century Contemporary vases
9/16/2018

16 B C A Golden Mean (Φ) Φ = (√5+1)/2 = 1.6180… 38% : 62% 2/5 : 3/5
B:A = C:B Φ = (√5+1)/2 = … 38% : 62% 2/5 : 3/5 9/16/2018

17 Using the Golden Mean 9/16/2018

18 Using the Golden Mean 9/16/2018

19 Using the Golden Mean 9/16/2018

20 Using the Golden Mean 9/16/2018

21 Using the Golden Mean 9/16/2018

22 Using the Golden Mean 9/16/2018

23 Golden Mean (Φ) Φ = (√5+1)/2 = … 9/16/2018

24 Golden Mean (Φ) Φ = (√5+1)/2 = … 9/16/2018

25 Golden Mean (Φ) Φ = (√5+1)/2 = … 9/16/2018

26 Golden Mean (Φ) Φ = (√5+1)/2 = … 9/16/2018

27 Golden Mean (Φ) Φ = (√5+1)/2 = … A B C 9/16/2018

28 Golden Mean (Φ) Φ = (√5+1)/2 = … A B C 9/16/2018 AB:AC=BC:AB

29 Golden Mean (Φ) calipers
9/16/2018

30 Using the Golden Mean (Φ)
9/16/2018

31 Using the Golden Mean 9/16/2018

32 φ and Fibonacci 9/16/2018

33 Fibonocci sequence , 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233 … 9/16/2018

34 Fibonocci sequence , 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233 … 2/1 = 2.0 3/2 = 1.5 5/3 = 1.67 8/5 = 1.6 13/8 = 1.625 21/13 = 1.615 34/21 = 1.619 55/34 = 1.618 89/55 = 1.618 9/16/2018

35 Fibonocci in nature , 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233 … 9/16/2018

36 Fibonocci in nature , 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233 … 9/16/2018

37 Fibonocci in nature , 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233 … 9/16/2018

38 Fibonocci in architecture 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233 …
9/16/2018

39 Fibonocci in architecture 1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233 …
9/16/2018

40 Nature By The Numbers A video by Cristóbal Vila, Saragossa, Spain
9/16/2018

41 Using the Golden Mean 9/16/2018

42 Sung Dynasty Bowl 3.25” 2” 3.25”/2” = 1.625 9/16/2018

43 Sources of Inspiration
9/16/2018

44 9/16/2018

45 Classical Southwestern Pueblo pottery shapes
Date from 10th century Mogollon, Anasazi, Hohokam Perpetuated through culture Used for ceremonial and practical applications Hand built – decorated with natural slips 9/16/2018

46 Hohokum 9/16/2018

47 Mogollon 1150 9/16/2018

48 Salado 9/16/2018

49 Traditional shapes Dry Storage jar 9/16/2018

50 Traditional shapes Water Jug 9/16/2018

51 Traditional shapes Bead Pot 9/16/2018

52 Traditional shapes Olla 9/16/2018

53 Traditional shapes Sikyatki 9/16/2018

54 Tsuque – 1600+ 9/16/2018

55 Santa Ana 9/16/2018

56 Zia 9/16/2018

57 Hopi 1900 9/16/2018

58 Cochiti 9/16/2018

59 Lucy Lewis – Acoma Acoma 1898-1992
9/16/2018

60 Maria Martinez San Indefonso 1887-1989
9/16/2018

61 Blue Corn (Crucita Gonzales Calabaza) San Indefonso 1921-1999
9/16/2018

62 Nampeyo of Hano Hopi 9/16/2018

63 Fanny Nampayo 9/16/2018

64 Jean Sahme Nampayo 9/16/2018

65 Iris Nampayo 9/16/2018

66 Katheryn Dewakuku - Hopi
9/16/2018

67 Sandra Victorio 9/16/2018

68 Mata Ortiz Independent development
Derived from Casas Grandes shards found at Paquemé by Juan Quezada 9/16/2018

69 Juan Quezada 9/16/2018

70 Juan Quezada 9/16/2018

71 Nicholas Quezada 9/16/2018

72 Nicholas Quezada 9/16/2018

73 Lydia Quezada 9/16/2018

74 Leonel Quezada 9/16/2018

75 Father and Son 9/16/2018

76 Eduardo Ortiz 9/16/2018

77 Rubin Ponce 9/16/2018

78 Summary of design elements
Functionality Fitness for use Human factors engineering Cultural/religious significance Historical development 9/16/2018

79 Objective elements Shape Proportion Continuity of elements
Complexity/simplicity Size Weight 9/16/2018

80 Subjective elements Perception of value Subjective impact – Aesthetics
Weight/balance Color Figure Smoothness to the eye Smoothness to the touch Finish 9/16/2018

81 Emotional elements Surprise Curiosity Satisfaction Pleasure 9/16/2018

82 lines Type of lines Combination of lines Straight Circular
Cantanary – Parabolic Asymmetrical Combination of lines Continuing Reversing 9/16/2018

83 Following the rules 9/16/2018

84 Following the rules 9/16/2018

85 9/16/2018

86 9/16/2018

87 9/16/2018

88 Breaking the rules 9/16/2018

89 9/16/2018

90 9/16/2018

91 9/16/2018

92 Application Plan a vessel with the 2/5 - 3/5 rule
Place the largest diameter at the dividing point Add design elements at 2/5 point Consider the height to diameter with the same guidelines Determine if the neck/foot is inside or outside the design “box” 9/16/2018

93 JLR’s 2016 aesthetics General No straight lines
Serpentine Continuous Feet that float the vessel Should not call attention Develop pleasing contrasts Contrast in textures Contrast in colors Weight/color alignment 9/16/2018

94 JLR’s 2016 aesthetics For segmented work
Grain match or controlled contrasts Grain alignment in all elements Use veneers to separate colors All glue joints tight – no fills Wood colors carefully chosen Match wood densities 9/16/2018

95 JLR’s 2016 aesthetics Functional vessels – bowls Artistic vessels
Feet 40-60% of diameter Thicker rims Recurved rims to contain Artistic vessels Minimal foot for stability Fuller curve allows smaller foot Necks need to be completed 9/16/2018

96 Ideas to help develop shapes
Study source materials Make a scrap book Study other crafts Make full scale drawings Make a cut out Build a prototype to scale Save great shapes paint them black 9/16/2018

97 Famous sayings “Wood has no value” – Don Derry
“If you think it’s good enough, it isn’t” – Wayne Cowden “You can have the biggest bowl or the prettiest bowl but maybe not both” – Jan Blumer “Break the rules; if it works, it works!” – Jim Rodgers 9/16/2018


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