1. SHOWBOX’s OPERATION STRATEGY

2. Audience share of Korean movie
Audiences growth
rate
Development of box office numbers
10%
210
Audience growth
rate of Korean
films
130
13%
Audience share of Korean movie
60%
Unit : Million people
“Only SHOWBOX”
$ 9.4MM
$ 85MM
$ 5.2MM
$ 103MM

3. Select Select Focus Select Focus
“Average number of Audiences per a movie
3.5 millions
(QC, MKT’g Dating, etc, Optimizing is possible)

4. Invest Invest Distribution fee + ROI & production revenue Distribution
Productior
Invest
Distribution
Distribution fee + ROI & production revenue
(Synergy between selection & focus)
(Strengthen Casting Infra )

5. Supporting planning & developing for vitalization of director pool
SHOWBOX’s
ITEM POOL
Showbox
Director channel
Production co. channel
Supporting planning & developing for vitalization of director pool
Supplying production project for vitalization of director pool
Securing the projects by using Showbox director pool
Production
Production
Production
Production

6. 2014 2015 The Huntresses The Classified File / KWAK Kyung-taek
The Killer’s memoria technica(w/t) / WON Shin-yun
I, Frankenstein
Detective K : Secret of the Lost Island / KIM Sok-yun
The Escape(w/t) /
KIM Yong-hwa
A Hard Day
Love Clinic /
KIM A-aron
HAN Jae-rim
Grace of Monaco
The Mood of the day(w/t) /
CHO Kyu-jang
CHANG Hoon
The Divine Move
Inside Men /
WOO Min-ho
KIM Jee-woon
Kundo:Age of the Rampant
Assassination /
CHOI Dong-hoon
LEE Je-han
We are Brothers
Summer Snow(w/t) /
JEON Yun-su
YOON Sung-hyun
Gangnam Blues
YANG Hyo-joo
Two Kings and Prince(w/t) / LEE Joon-ik
The Royal Tailor
KIM Seong-hun
A man and a woman(w/t) /
LEE Yoon-ki
15 films and others are on stages of planning and developing
The Insufficient Evidence(w/t)/
YOON Jong-seok
A Violent Prosecutor(w/t) /
LEE Il-young

7. 〉 〈 Quantitative growth Qualitative Quantitative growth Qualitative
Sales
Profit
Sales
Profit
Quantitative
growth 〉
Qualitative
Quantitative
growth 〈
Qualitative

8. Coproduction Chinese films that Showbox planned
Development of China box office
Annual of admission per film
Film market (Left)
Audience per a movie (Left)
A number of screen (Right)
China
(Total)
China
(city)
Korea
USA
France
Collaboration domestic projects
with Chinese company /distribution
China/Technology review of Import film
China
Korea
Market
&
Capital
Planning ability
Director/
Actors
Partly invest in projects which are
recommended by two companies
The domestic film
Import film
Satisfaction
Normal
Low
Not up to scratch

9. Thank you