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RENAISSANCE ART
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Botticelli: Birth of Venus
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Individual People Portraits Famous patrons = models Favorite subject = David
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Da Vinci: La Joconde or Mona Lisa
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Pope Leo X by Raphael
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Titian’s Charles V
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Youth Children more realistic
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Da Vinci
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Titian’s Madonna Pessaro
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Nature Scientific observations
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Albrect Durer: Hare
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Raphael’s St. George Slaying the Dragon
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Humanism
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Da Vinci: The Vitruvian
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Michaelangelo: Creation of Adam
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Anatomy Nude body = beautiful Science = dissections Body symbol of pride in self
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Da Vinci: Study of Hands
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Perspective Vanishing Point Horizon Line Disappearing Lines
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Mantegna’s Dead Christ
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Classicism
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Raphael’s School of Athens
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Learning and Reason
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Holbein: Southwell
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Early Renaissance
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Giotto: Journey to Jerusalem
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St. Anthony Tempted by a Lump of Gold (1430)
Fra Angelico
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South Door Baptistry by Lorenzo Ghiberti
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DAVID (1427) by Donatello
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Expulsion from Paradise (1427) by Masaccio
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Dome of the Santa Maria del Fiore (Florence) by Filippo Brunelleschi
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The Ideal City (1470) by Piero della Francesca
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The Flagellation (1455) by Francesca
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Late Renaissance
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Doge Leonardo Loredan ( ) by Giovanni Bellini
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Baldassare Castiglione by Raphael
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Pope Julius II by Raphael
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Girl with a Unicorn by Raphael
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Man with the Red Cap by Titian
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Da Vinci: The Last Supper
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Michelangelo: The Sistine Chapel
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Michelangelo: Last Judgment
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Michelangelo: “The Pieta”
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Michelangelo “The David”
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Northern Renaissance
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Van Eyck: Adoration of the Lamb
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Ambassadors (1533) Hans Holbein
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The Marriage of Arnolfini (1434) by Van Eyck
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Erasmus (1523) by Hans Holbein the Younger
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Sir Thomas More (1527) by Hans Holbein the Younger
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Mannerism
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Christ at the Sea of Galilee by Tintoretto
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Conversion of St. Jerome (1552) by Parmigianino
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Opening of the Fifth Seal of the Apocalypse ( ) by El Greco
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Musician Angel (1520) By Rosso Fiorentino
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Palazzo Uffizi of the Uffizi Gallery (1581) by Giorgio Vasari
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Palazzo Pitti of the d’Medici’s
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Villa Capra (1566-1571) by Andrea Palladio
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“I have offended God and mankind because my work did not reach the quality it should have .”
(Da Vinci's dying words)
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Shakespeare: man, how noble in reason, how infinite in faculty; in
“What a piece of work is man, how noble in reason, how infinite in faculty; in form, in moving how express and admirable; in action, how like an angel; in apprehension, how like a god.”
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Michaelangelo: The David
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