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Amors de Zeus
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Zeus i Hera Talla del s. VII aC.
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Correggio. Zeus and IO. c.1531-1532
CORREGGIO Italian painter, Parma school ( ca. 1490, Correggio, 1534, Correggio) c Oil on canvas. The Louvre, Paris, France
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DYCK, Sir Anthony Van Jupiter and Antiope
DYCK, Sir Anthony Van (b. 1599, Antwerpen, d. 1641, London) Jupiter and Antiope Oil on canvas, 150 x 206 cm Museum voor Schone Kunsten, Ghent
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Correggio. DANAE. c.1531 CORREGGIO Italian painter, Parma school ( ca. 1490, Correggio, 1534, Correggio) c Oil on canvas. Galleria Borghese, Rome, Italy
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Jan Gossaert. Danae. 1527 Jan Gossaert. Oil tempera on wood
Alte Pinakothek, Munich, Germany
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Titian. Danae with Nursemaid. 1553-1554
Oil on canvas. Museo del Prado, Madrid, Spain
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EL RAPTE D’EUROPA
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Europa – Veronese Paolo Caliari. El Veronés ( ) Venecia. Palacio Ducal, Antecolegio. 1573
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Id Picasso
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Correggio. Leda and Swan.
CORREGGIO Italian painter, Parma school ( ca. 1490, Correggio, 1534, Correggio) c Oil on canvas. Staatliche Museen zu Berlin, Gemaldegalerie, Berlin, Germany
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School of Leonardo Leda 1510-1
Oil on panel, 112 x 86 cm Galleria Borghese, Rome In the inventories, the famous painting of Leda and the Swan was for three hundred years (until 1893) thought to be by Sodoma, or a copy by the latter. Its attribution is still doubtful, but from recent research into wills it is now thought to be an unfinished painting that was in Leonardo's house at the time of his death (1519) and inherited by his pupil Salai who reworked it. X-rays have revealed another composition beneath this one depicting Leda's four children (Castor, Pollux, Helen and Clytemnestra) emerging from the swan's eggs. Leda with her arms around the swan (Jupiter) in an elegant curving pose, her hair partially escaping from her plaits, set against the spacious river landscape, was most certainly conceived by Leonardo, but executed by different artists.
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Paul Cézanne. Leda with Swan.
c Oil on canvas. Barnes Foundation, Lincoln University, Philadelphia, PA, USA
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Els Dioscurs Els Dioscurs (Campidoglio)
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Zeus i Ganimedes Collection:Museum of Fine Arts, BostonSummary:Side A: Zeus and Ganymede. Side B: boy running with meat in his hand. Ware:Attic Red FigureShape:Nolan amphoraPainter:Attributed to the Pan Painter Potter:Context:Region:Date:ca. 470 B.C. Period:Early Classical
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Id Bauer
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Rubens. Oil on canvas. Museo del Prado, Madrid, Spain
Peter Paul Rubens. The Abduction of Ganymede. Oil on canvas. Museo del Prado, Madrid, Spain
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Zeus i Ganimedes Collection:Malibu, The J. Paul Getty Museum
Summary:Tondo: Zeus seated before an altar, served by Ganymede. A: Eos and Kephalos between three figures Side B: Zeus pursuing Ganymede Ware:Attic Red FigureShape:KylixPainter:DourisPotter:Signed by Python Context:AthensRegion:AtticaDate:ca. 480 B.C. Period:Late Archaic/Early ClassicalDimensions:H cm., d cm., w cm.
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Semele – Rubens
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Semele – Bauer
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