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Culture and Society in the Age of the Scientific Revolution
Chapter 16
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I. Scientific Advance from Copernicus to Newton
A. Origins of the Scientific Revolution 1. The Importance of Antiquity Aristotle, Ptolemy, and Galen “Natural philosophers” 2. The Influence of “Magical” Beliefs Paracelsus Neoplatonism Cabala
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I. Scientific Advances from Copernicus to Newton
A. Origins of the Scientific Revolution 3. Observations, Experiments, and Instruments Telescope Vacuum pump Thermometer Barometer Microscope
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I. Scientific Advances from Copernicus to Newton
B. The Breakthroughs 1. Vesalius 2. Copernicus Heliocentric theory Gregorian calendar 3. Theories in Conflict Tycho Brahe
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I. Scientific Advances from Copernicus to Newton
C. Kepler and Galileo Address the Uncertainties 1. Kepler and the Laws of Planetary Motion Confirms heliocentric theory 2. Galileo and a New Physics Observation Telescope Inertia
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I. Scientific Advances from Copernicus to Newton
C. Kepler and Galileo Address the Uncertainties 3. A New Astronomy 4. Conflict with the Church 5. The Book and the Trial Galileo’s Dialogue on the Two Great World Systems 6. Galileo’s Legacy 7. Assurance Spreads
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I. Scientific Advances from Copernicus to Newton
D. The Climax of the Scientific Revolution: Isaac Newton Calculus United physics and astronomy 1. The Principia Three laws of motion Gravity 2. The Influence of Newton Mechanical view of the universe
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II. The Effects of the Discoveries
A. A New Epistemology 1. Scientific Method Hypothesis Observation Generalization Test generalization by experiments/observation
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II. The Effects of the Discoveries
B. The Wider Influence of Scientific Thought C. Bacon and Descartes 1. Bacon’s Vision of Science New Atlantis 2. Descartes and the Principle of Doubt 3. The Discourse on Method 4. The Influence of Descartes Mechanism Analytic geometry
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II. The Effects of the Discoveries
D. Pascal’s Protest Against the New Science 1. The Pensées E. Science Institutionalized Martin Mersenne 1. The Royal Society 2. Other Scientific Societies French Royal Academy of Sciences 3. The Wider Appeal of Science
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III. The Arts and Literature
A. Unsettling Art 1. Mannerism Artificial and esoteric images 2. El Greco
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III. The Arts and Literature
B. Unsettling Writers 1. Michel de Montaigne Essays Skepticism 2. Neostoicism Justus Lipsius 3. Cervantes Don Quixote
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III. The Arts and Literature
B. Unsettling Writers 4. Shakespeare Richard II King Lear Hamlet Othello Macbeth
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III. The Arts and Literature
C. The Return of Assurance in the Arts 1. The Baroque 2. Caravaggio 3. Rubens 4. Velázquez 5. Bernini
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III. The Arts and Literature
C. The Return of Assurance in the Arts 6. New Dimensions in Music Keyboard Stringed instruments Opera Claudio Monteverdi Orfeo
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Map Centers of Music,
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III. The Arts and Literature
D. Stability and Restraint in the Arts 1. Classicism 2. Poussin 3. The Dutch Style 4. Rembrandt Portraiture
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III. The Arts and Literature
D. Stability and Restraint in the Arts 5. Classicism in Drama Unity of place Unity of time Unity of action 6. Corneille Le Cid Jean Racine
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IV. Social Patterns and Popular Culture
A. Population Trends B. Social Status Wealth Education Family background “New aristocracy” 1. Contradictions in the Status of Women
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IV. Social Patterns and Popular Culture
C. Mobility and Crime 1. The Peasants’ Plight “Seigneurial reaction” 2. Crime and Punishment Constables
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IV. Social Patterns and Popular Culture
D. Changes in the Villages and Cities 1. Loss of Village Cohesiveness 2. Forces of Change Economics Demography Royal officials 3. City Life
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Map 16.3 The Growth Of Cities, 1500-1800
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IV. Social Patterns and Popular Culture
D. Changes in the Villages and Cities 4. Popular Culture in the City Increased literacy Newspapers Coffeehouses
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Map 16.1 Speed of News Traveling to Venice in 1500 and 1700
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IV. Social Patterns and Popular Culture
E. Belief in Magic and Rituals 1. Charivari 2. Other Magical Remedies 3. Witches and Witch-Hunts
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IV. Social Patterns and Popular Culture
F. Forces of Restraint 1. Religious Discipline Shabtai Zvi
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