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Published byDwayne Dalton Modified over 6 years ago
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Form Free verse (lines of varying lengths / no regular rhyme scheme) A single stanza Ending = shaped (‘concrete poetry’) Monologue by the working man – narrator does not speak at all. Comic effect. Tense Written in the present tense to give a sense of immediacy (happening right now)
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Religious background: Good Friday
Friday before Easter Sunday. Commemorates execution of Jesus by crucifixion. Good Friday = day of mourning in church. Special Good Friday services commemorate Jesus' suffering and death on the cross In some countries: Good Friday processions re-enactments of the Crucifixion.
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Religious Background: Easter Sunday
In Christianity Easter Sunday marks Jesus' resurrection. After Friday crucifixion: body was taken down from the cross buried in a cave tomb Tomb guarded by Roman Soldiers Enormous stone put over the entrance, so no-one could steal body. Sunday: Mary Magdalene visited tomb found stone had been moved Jesus' body had gone. Jesus himself seen for forty days afterwards by many of is followers Known as ‘the Resurrection’.
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Themes: Social class Social class and its relationship to education
Difference in status between “working man” and narrator “the working man has nae education” (19/20) “he’s jist bliddy ignorant” (22) Being working class is something that he associates not with pride but with ignorance and lack of intellect The narrator does not make the same judgement
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Themes: Religion Title refers to religious holiday.
For certain members of society, Christian tradition does not play a significant part For man enjoying a day off the religious significance of the day = relatively unimportant. ‘Working man’ puts this lack of knowledge down to ignorance. 1960s = move to increasingly secular society.
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Title: Religious Allusion *
*Allusion = reference to something outside the poem (in this case religion) Title establishes the religious theme. Good Friday is the name Christians give to the day on which Christ was crucified.
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Three o’clock. The bus lurches round into the sun
Three o’clock. The bus lurches round into the sun. ‘D’s this go –‘ he flops beside me – 'right along Bath Street? - Oh tha's, tha's all right, see I've got to get some Easter eggs for the kiddies. Subtle biblical reference – Christ died at 3pm The sun shone after he died Suggests physical clumsiness – slightly comical Real, named location: poem = slice of reality Glasgow dialect Dashes (casesura) – rhythms of realistic speech Drunk man = kind / human
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I’ve had a wee drink, ye understand – ye’ll maybe think it’s a – funny day to be celebrating – well, no, but ye see I wasny working, and I like to celebrate when I’m no working – I don’t say it’s right Dashes – also show working man is rambling – pauses where narrator could speak but does not (humour?). Aware of what day it is – feels guilty “see” x 4 “understand” x3 “say/saying” x2 “mean” x2 Word choice and repetition: the working man is desperate to be understood Lines 6-10
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I'm no saying it's right, ye understand - ye understand
I'm no saying it's right, ye understand - ye understand? But anyway tha’s the way I look at it – I’m no boring you, eh? – ye see today, take today, I don’t know what today’s in aid of, whether Christ was – crucified or was he – Working man does not condone (defend) own behaviour Does not want to be a boring drunk (comical because the narrator does not speak) Confused – broken sentences (use of dashes) Lines 11-15
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rose fae the dead like, see what I mean
rose fae the dead like, see what I mean? You’re an educatit man, you can tell me – - Aye, well. There ye are. It’s been seen time and again, the working man has nae education, he jist canny – jist Authentic dialect. Political: serious topic discussed in dialect Contrast between narrator and w. man – class barrier perceived by w. man W. man’s background = source of shame / sense of inferiority Repetition / incoherence* (*making no sense) reveals w. man’s emotion – regrets his own lack of learning Lines 16-20
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hasny got it, know what I mean, he’s jist bliddy ignorant – Christ aye, bliddy ignorant. Well –' The bus brakes violently, he lunges for the stair, swings down – off, into the sun for his Easter eggs, Repetition – reinforces w. man’s sense of certainty about his argument / conclusion Brakes / lunges / swings = active verbs. Add a sense of movement / reality to the poem. Rhyming couplet – humorous effect Lines 21-25
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on very nearly steady legs.
Layout gives visual impression of w. man getting off the bus unsteadily Line 26
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