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1 Determining and Communicating Environmental Requirements Doris A. Hamburg National Archives and Records Administration March 16, 2006.

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Presentation on theme: "1 Determining and Communicating Environmental Requirements Doris A. Hamburg National Archives and Records Administration March 16, 2006."— Presentation transcript:

1 1 Determining and Communicating Environmental Requirements Doris A. Hamburg National Archives and Records Administration March 16, 2006

2 2 High Risk

3 3

4 4 Conservators in Conservation Lab

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6 6 Check for the Purchase of Alaska Louisiana Purchase Treaty Apollo 11 Flight Plan Original Design of the Great Seal of the United States (1782)

7 7 Winslow Homer Key West, Hauling Anchor, 1903 National Gallery of Art

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9 9 Voting Rights Act President Lincoln President Roosevelts Day of Infamy speech following Pearl Harbor Gift to President Reagan from President of Algeria

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11 11 Ideal PracticalLow cost Short term goals High Risk Long term goals Low Risk Most bang for the buck

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13 13 Goals What are we trying to achieve? What are our goals in creating the environment for our collection? How long do we wish to keep the collection items? Value of the items?

14 14 These strips are next soaked in water to remove the sugar …a sworn foe of oblivion Cassiodorus, 6 th century

15 15 List of Candidates 30 B.C.-640 A.D. Egypt Photo courtesy Duke University

16 16 The Collection What are the materials made of? What are the stability and vulnerability of those materials? What is their condition? What are the needs of the collection so it will be preserved?

17 17 Fig. 4. Percent relative humidity versus temperature Isoperm diagram displaying environmental conditions unsuitable for paper. Relative humidities greater than 65% subject paper to hazards of mold growth and foxing; values less than 20% RH reduce paper flexibility to potentially hazardous levels. Cellulose Acetate Deterioration Photo courtesy, www.ameshistoricalsociety.org

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19 19 Rag paper

20 20 Alexander Calder Big Bird, 1937 Photo courtesy Calder Foundation, New York.

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22 22 Presidential Gifts

23 23 Does the collection contain a mix of media with diverse chemical and mechanical characteristics and needs? What are the condition of the materials? How much of the useful life has already been used up?

24 24 What is the level of access? How will the materials be used? Are there cultural considerations?

25 25 What is the geographic and climatic setting? Is there an existing structure that affects potential options? What type of facility is involved: archives, vault, research library, historic house, warehouse?

26 26 Fig. 4. Percent relative humidity versus temperature Isoperm diagram displaying environmental conditions unsuitable for paper. Relative humidities greater than 65% subject paper to hazards of mold growth and foxing; values less than 20% RH reduce paper flexibility to potentially hazardous levels. D. Sebera- Isoperm Diagrams 1 100 1000 0.10

27 27 Fig. 7. Isoperm diagram displaying set points and ranges illustrative of those proposed for paper document

28 28 Environmental Guidelines for the Storage of Paper Records William K. Wilson NISO TR01-1995 National Information Standards Organization

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35 35 NARA scientists performing research and materials testing

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39 39 How Do We Proceed? We need to know our goals for preserving our collections. We need to know what the collections need to satisfy the goals for preserving the collections We need to consider in our long term planning the fact that as collections deteriorate they lose value and the costs to preserve increase We need to consider that the storage environment has the greatest potential to minimize preservation costs over the long term

40 40 We need to acknowledge that there are limitations to energy and to budgets We must weigh the competing demands for resources with our priorities We need to know how building architecture and environmental systems can work together in an interrelated and supportive manner to create the most cost effective storage environments for the collections we are preserving

41 41 We need to bring all these considerations together to engage in a dialogue, working as a team that includes engineers, architects, conservators, archivists, curators, project managers and others.

42 42 Creative, cost effective solutions Dialogue Balance the goals and priorities for the collections the risks to collections and buildings realities of budgets and energy

43 43


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